TEN THINGS I LOVE ABOUT LIFE #1 by PAUL LAIGHT

TEN THINGS I LOVE ABOUT LIFE #1 by PAUL LAIGHT

Decided to take a slight break from the cultural reviews and focus on what I hope to be a series of occasional “life” reviews. Because if you hadn’t noticed it’s a terrible world out there so you have try and focus on the positives.

The world is full of: war, famine, disease, murder, racism, vengeance, death, bullying, fundamentalism, politics, madness, drones, bombs, guns, suicide, depression and general political, media and religious negativity. Indeed, things can seem pretty shitty sometimes so it’s important to think about the things in life that make it worthwhile. They could be big or small but they make one happy, bring a smile or just simply take you away for a time from the general horrors of existence.

So, for starters, here are ten things that make my life worth living.

Dogs in Pubs

I love drinking in pubs and I also love dogs too. So, when I see a dog in a pub I feel immensely happy. Not sure why but a dog in a pub always brings a smile to my face, warming the cockles of my heart in the process – although that could be the alcohol!

Chinese Food

I know it’s probably really bad for you but the joy I get from overdosing on fat, sugar and salt, along with the other ingredients is just awesome. In my extreme over-eating days of the past Chinese food was my crack; I just couldn’t get enough and still cannot. I’m just far more disciplined than I once was.

The Sea

Who knows why but I love the sea? I don’t enjoy frying my skin in the sun but more standing on the beach or on coastal terrain and looking out at the vast water ahead of me and hearing the waves lap against the sand or stones. It makes me feel calm and collected and relaxed. Maybe it symbolises escape yet also protection too. Wonderful!

Cinema

Going to see a film is still one of my favourite things to do. I’ve said this before but it’s like going to church for me; except perhaps the stories aren’t as far-fetched as the one’s in the Bible. Sitting there in the dark, staring at a big screen waiting for the film to start, brings about an enormous sense of well-being; and it always will.

Love

What is love: a complex chemical reaction in the body; a means to exploit humanity via a romantic concept; an emotional response based on strong feelings for family or someone you are attracted to; or a con-trick by nature to get us to pro-create? I love my family and recently I met someone and can thus testify that love is a hearty escapade. The Beatles sang, “All you need is Love!” Well, you need air, water and food too but love’s definitely on the list of life’s essentials too. However fleeting it may be – grab it if you can!

The Boy

I have a teenage son and I must admit that being a parent is bloody hard work. There is no pause. When you have a child the mind never closes down thinking about them, hoping you are doing the right thing and they do not come to harm. You have a great responsibility but one that enriches your life and makes you a much better and mature person. I wouldn’t want more than one child but he’s a bright, funny and interesting character and someone I could not be without.

2015_Prodigy_Rhys_Dad_1

Hamsters

Your basic Syrian hamster is the greatest pet you can have. They are cute, self-reliant and funny little creatures who for some reason make me smile. I’m not one for the big responsibility of a dog or cat or more children so a hamster is the best pet you could get in my opinion.

Ham Sandwiches

I love a ham sandwich. Placing a bit of thinly sliced pork in between two slices of bread is one of the simple pleasures in life. Putting too much butter on it also adds to the flavour and an occasional suggestion of lettuce or tomato can sprinkle some flavour. Crusty bread is best but your basic soft-sliced-starchy white bread will suffice too.

Not being at Work

You wake up in the morning and you realise you DON’T HAVE to go to work. You have a day or days off!  I love that feeling! And I don’t mean being unemployed because that in itself can be depressing and leave you skint. Yet the emotion of knowing you have escaped the rat race for the day is a boon to anyone’s life chi. It’s like scoring the winner in a football match – but for ordinary people!

Beer

I have in the past been an excessive drinker of epic proportions and had some bloody good times too. However, the colossal hangovers have hung heavy within my history so I have tempered the functional alcoholism of my 30s and am now a mildly successful moderate drinker (once or twice a week) now. I love the taste and smell and buzzy feeling I get from having a few pints in a social situation and long may it continue; in moderation of course.

Cheers to all of you! Have a lovely weekend! And be nice to everyone!

2015_Prodigy_Paul_Laight

 

 

SCREENWASH – JUNE FILM & TV REVIEWS 2016 – BY PAUL LAIGHT

SCREENWASH – JUNE 2016 – BY PAUL LAIGHT

June was both a very special month of viewing and also sad because one of my favourite shows shuffled off into TV heaven after three scintillating seasons. I also watched some excellent genre films; the month being very much about quality of viewing rather than quantity. As usual, marks out of eleven and of course:

**MASSIVE SPOILERS HERE**

 

THE AFFAIR (2014) – SEASON TWO – NOW TV

The first season of this “first world” sex-charged adult drama was compelling stuff with fine performances from Ruth Wilson, Dominic West and Maura Tierney respectively. The suspense was palpable, the writing sharp; and the characters – while not wholly likeable – had a humane quality that drew you in. The second season though just got on my nerves a bit and I just didn’t give a toss in the end despite some memorable scenes. Plus, the teenage daughter made me want to drown her in a ditch, such was her irritability factor. So, in the end I just gave up around episode eight.  (Mark: 5 out of 11)

ARRESTED DEVELOPMENT – SEASON 3 – (2005)

The final season in the first run before it was cancelled and subsequently rebirthed by Netflix was another tremendously hilarious comedy of errors; featuring a rogues gallery of vapid narcissistic characters all trying and failing to out-do each other. Aside from the wonderful performances from Jason Bateman, David Cross, Michael Cera, Jessica Walter, Will Arnett and so on, the law have George Bluth Snr under house arrest while Michael tries to keep the business going. He also falls in love with an English retard (played by Charlize Theron) while ultimately ending up in Iraq trying to resolve some shady shenanigans. The season is most memorable for a Godzilla parody with Tobias dressed in a massive mole costume smashing down “Tiny Town” in front of bemused Japanese investors.   (Mark: 9 out of 11)

AMERICAN HORROR STORY: FREAKSHOW (2015) – NETFLIX

I love this bleak, violent, bloody, over-the-top horror anthology from writers Ryan Murphy and Brad Falchuk. They truly are horror connoisseurs as they introduce us to a litany of gruesome characters, situations and narratives all set in a circus freakshow in 1950s USA. This is no apple-pie-white-picket-fence-Americana because we get: killer clowns, Siamese Twins, two-faced ghouls, midgets, Amazonian women, hermaphrodites, Nazi murderers and many, many more freaks and monsters on display.  Once again, like the previous seasons, the ensemble cast are quality, notably Evan Peters, Sarah Paulson and the majestic Jessica Lange. Arguably the most horrendous character though is the spoilt-rich-boy-millionaire-killer, Dandy, played with evil abandon by potential star Finn Wittrock. (Mark: 9 out of 11)

THE CONJURING 2 (2016) – CINEMA

Great magicians astound you even when you know how a trick works. Therefore I heartily recommend this follow-up to, believe-it-or-not, The Conjuring (2013). Director James Wan is a master magician and uses every deception, distraction and reveal in the book to deliver a devilish and nail-biting horror story based once again on the work of paranormal investigators Lorraine and Ed Warren. The springboard for the terror is the infamous Enfield haunting in which a gnarled dead pensioner terrorized a North London family. Vera Farmiga and Patrick Wilson bring quiet quality to the ghoulish hysterics and James Wan once again proves he is arguably the best horror director around. The film is worthy of the admission for the invention of another great monster in the guise of a ghastly pale-faced nun.  (Mark: 8.5 out of 11)

GAME OF THRONES – SEASON 6 (2016) – NOW TV

If I had a sword to my throat I would have to say that this – in terms of pulsating storytelling, dramatic twists and bloodcurdling action – is one of the best seasons of television I have EVER SEEN! Book geeks are probably spitting crisps over their keyboards but now the writers are free of the shackles of the gigantic novels, these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.  I can’t speak of all the plot strands as there were too many but the wheels were really turning and new alliances forming notably: Daenerys and her flight toward Westeros; Arya becoming no one and then learning new deadly abilities; a violent “Dog” from the past returning to go on a kill-crazy rampage; formerly dead Jon Snow coming back to life and marching on Winterfell in order to defeat evil Ramsay Bolton; Sansa Stark also joined the Ramsay revenge queue, with Lord Baelish in the wings too; and the piece de resistance was Cersei Lannister battle of wills with the High Sparrow who was slowly clawing all she held dear away from her. Overall, it was a ballsy drama which gave us twists and violence galore and my viewing schedule will have a massive hole to fill over the next year! (Mark: 11 out of 11)

GOMORRAH – SEASON 2 (2016) – NOW TV

The first season of Gomorrah was gritty-Italian-kitchen-sink-gangster-drama at its finest. It followed the shadowy, mean Neapolitan street-hoodlums and their drug trafficking, double-crosses, political corruptions and murderous shootouts. The General lording over the territory was Don Pietro Savastano but his empire was undermined by foot-soldier Ciro Di Marzio and his crooked alliance with Salvatore Conte. Savastano’s raw and inexperienced son Genny also attempted to rise up the ladder but his bullish impatience became his undoing. In Season 2 the power struggle between these three characters continues, and over the ten episodes further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire. (Mark: 9 out of 11)

HUSH (2016) – NETFLIX

Horror filmmaker Mike “Oculus” Flanagan is a pretty decent genre director and here he sets up another interesting premise while delivering some efficient scares in the process. Kate Siegel plays a mute-deaf writer who – in desiring solitude – lives in the woods to carve out her latest novel. Alas, her peace is invaded by a masked psycho – what are the chances! – and she must overcome her restrictions to fight them off.  Contrived and cheap it may be, Flanagan shows he’s a confident helmer who deserves a bigger budget to work with. (Mark: 6.5 out of 11)


IRRATIONAL MAN (2015) – NOW TV

Woody Allen is one of the greatest writer-directors of all time and his curriculum vitae boasts an incredible array of amazing films. His latest cinematic efforts have on occasions hit great heights; films such as Whatever Works (2009), Midnight in Paris (2011), Blue Jasmine (2013) and Magic in the Moonlight (2014) all benefitted from Allen’s trademark wit and intriguing characterisation. Irrational Man stars Joaquin Phoenix as a misanthropic writer who hates the world but somehow finds meaning in a random act of violence. At the same time he has a love affair with his student, pretty Emma Stone; and the two narrative strands ultimately become entwined in a pleasing black comedy. (Mark: 7 out of 11)


THE NICE GUYS (2016) – CINEMA

Writer/director Shane Black created a winning cop-buddy formula with Lethal Weapon, continued it with the very under-rated Kiss, Kiss, Bang, Bang (2005) and having hit behemoth-budget pay dirt with Iron Man 3 (2013) he once again nails the buddy-noir-comedy-action film. The Nice Guys stars Russell Crowe and Ryan Gosling as a couple of private dicks and their haphazard pairing pings a shaggy-dog narrative along at a cracking pace. The script is filled with so many hilarious punchlines, sight gags, salty dialogue and a suggestion of occasional pathos too. It combines late 70s corruption with pornographers while presenting a sparkling nostalgia script filtering Chinatown (1974) via Starsky and Hutch. Overall one of the most entertaining films I’ve seen all year. (Mark: 9 out of 11)

PEAKY BLINDERS – SEASON 3 (2016) – BBC IPLAYER

The third season of the stylish period drama once again finds Thomas Shelby (brilliant Cillian Murphy) and his clan attempting to expand their business empire from the Birmingham backstreets across the Atlantic and further. This season has some fine villains including venal priest played by Paddy Considine and communist-fleeing Russian aristocrats. As well as the usual muscular-bleeding-tattooed-coked-up-masculinity on show, writer Steven Knight presents a set of powerful female characters too who are just as ruthless and deadly as the male counterparts. It’s a cracking drama all-told; a high-quality flagbearer for the BBC. (Mark: 8.5 out of 11)

PENNY DREADFUL – SEASON 3 – (2016) – NOW TV

Alas, Showtime/Sky Atlantic’s Penny Dreadful is no more; gone forever into the misty poetic ether. Season 3 had been a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was deceased; gone; buried; over; a fog in the mists of time.  I watched in wonder while Rory Kinnear as Frankenstein’s Monster/”John Clare” availed to reconcile with his long lost family; Ethan “Talbot” Chandler in the hands of US Marshals facing certain death; Dr Jekyll and Dr Frankenstein attempting to “cure” the insane; Lily raising a feminist army of whores to wreak havoc on man; plus the ever-beautiful-yet-haunted Vanessa Ives battling a whole host of new demons internally and externally. This is one of my favourite shows of recent years and alas the ending was somewhat abrupt. However, the vampiric London setting juxtaposed superbly with the violent Western arena where cowboys battled snakes and wolves. Despite the touching, yet mildly flat denouement, as gothic horror goes this drama possessed three seasons of monstrous wonder. (Mark: 10.5 out of 11)

CHANCE ENCOUNTER – A STAR TREK FILM – UPDATE #2

Move over Michael Bay! Step aside JJ Abrams! Fix Films are here with the latest update for their new ultra-low-budget-sci-fi-romance film: Chance Encounter!

We have cast new great actors in Hayward B. Morse and Emily Wyatt. Plus, Gary has begun building the set out of wood and old car seats. Eat your heart out Hollywood!  Oh, you’ve done that already?!

For the latest Kickstarter update click here! Or watch the latest update on the video below!

 

SISYPHEAN REPRESENTATIONS IN CINEMA AND TELEVISION BY PAUL LAIGHT

SISYPHEAN REPRESENTATIONS IN CINEMA AND TELEVISION BY PAUL LAIGHT

“Success consists of going from failure to failure without loss of enthusiasm.”  Winston Churchill

Have you ever just thought: what’s the point in carrying on?  Dead French bloke Albert Camus wrote an existential essay called The Myth of Sisyphus which I read when I was in my teens; and while failing to understand it I felt cool and superior to everyone else who hadn’t read it. I read it again a few years ago and it is a fascinating analysis as to whether life has any point.

Camus deemed life an exercise in the absurd and one should never give up but rather laugh or revolt; something like that anyway! He offered mythological character Sisyphus, who, if you didn’t know, was punished for his deceitfulness by the Gods. His penance was to forever push the same boulder up a hill over and over. Camus opined Sisyphus’ struggle gave life meaning despite the immortal repetition.

I have in my darkest hours of life’s disappointment thought about relinquishing hope. However, I agree with Camus as I feel NOT giving up is in fact success enough; and persistence is reward enough whatever the outcome. So, to celebrate characters overcoming adversity, abject failure or seemingly insurmountable odds, I have picked out some “Sisyphean” characters from TV and cinema who just didn’t know when they were beaten even if the odds were stacked against them or they’ve suffered defeat after defeat.

**MASSIVE SPOILERS AHEAD**

NUMBER 6 – THE PRISONER (1967)

Bond meets Kafka in this unique 1960s spy-thriller-with-a-twist. The brainchild of TV star Patrick McGoohan, this unique and psychedelic show found our anti-hero Number 6 attempting to escape from an idyllic “prison” called the Village. He could just settle back and give in to his captors’ questioning but Number 6 refuses to be filed and indexed; preferring to fight against the authorities despite being thwarted week after week.


ANDY DUFRESNE – THE SHAWSHANK REDEMPTION (1994)

Patience is a virtue they say and Andy Dufresne shows it in spades; tiny little digging spades he uses to chip away at a tunnel over many, many years. This prison film benefits from a gem of a Stephen King story, plus Frank Darabont’s brilliant writing. Everyman Dufresne could be battered into submission by the rape, beatings, and incarceration he endures but his stubborn survival instinct pays off in a wonderful pay-off at the story’s end.

CAROL PELETIER – THE WALKING DEAD (2010 –               )

Don’t you just hate the darned Zombie Apocalypse!!  I could have chosen a number of characters from other zombie films or shows but to me Carol Peletier (Melissa McBride) is one of the great survivors. She began as an meek character abused by her husband, but having seen her young daughter turn she eventually grew into a formidable “Sarah Connor” archetype kicking zombie butt with aplomb. Arguably, her mental breakdown in the last season was a disappointing but no doubt the Carol we love will be back; hopefully.

HUGH GLASS – THE REVENANT (2015)

Bear with me on this one!  DiCaprio got the Oscar for his nature-versus-man-survival-fest and deservedly so for his physical endeavour. His character Glass just refuses to shatter as he firstly suffers a vicious Grizzly attack and then is left for dead by Tom Hardy’s mumbling mercenary. After which the terrain, natives, climate, and most terrifyingly, men, conspire to force Glass into all manner of gruelling trials as he seeks revenge for the murder of his son.



MATTIE ROSS – TRUE GRIT (1969)

I loved this John Wayne classic pursuit Western when I was a kid and have seen it too many times to mention. The Duke won the Oscar yet the standout performance was from Kim Darby as Mattie Ross; a feisty, motor-mouth irritant who nags and cajoles and chases and fights after vicious murderer Tom Chaney. My favourite scene is with Rooster Cogburn, who when finally realising she just won’t give up, laughs and proclaims in his classic laconic drawl, “By god – she reminds me of me!”

MAX ROCKATANSKY:  FURY ROAD (2015)

Mad Max is one of the great existential action heroes. Adorned in battered leather and wearing life’s scars on his face and heart he continues to live and survive in a hopeless world full of punk maniacs with death in their eyes. I guess he carries on because there’s a flicker of hope in his marrow; even if danger and pain are often his only companions on the Fury Road!


SOLOMON NORTHRUP – TWELVE YEARS A SLAVE  (2013)

I could never begin to understand the suffering individuals went through at the hands of slavers. Yet Solomon Northrup’s memoir and latterly Steve McQueen’s film version of the story encapsulated the pain of such an existence with such power. Chiwetel Ejiofor excels in the lead of an innocent man stolen from his family and forced into bondage by nefarious examples of humanity. Throughout, Northrup retains his dignity and strength never to surrender; and is ultimately rewarded with freedom despite a horrific twelve years of agony.

SCRAT – ICE AGE (2002 –             )

Scrat is a big-toothed-long-suffering-squirrel from the Ice Age franchise whose comic vignettes involve him attempting to transport a huge acorn to an unknown hibernation location. Following Murphy’s Law adage that “what can go wrong will go wrong” to ad infinitum the pain and mayhem for the prehistoric squirrel makes for hilarious slapstick. While we revel in Scrat’s misadventures the blighter never gives up on his prize suffering blow after blow yet never relinquishing that nut whatever the weather.    


SUE HECK – THE MIDDLE (2009 –         )

Benefitting from an effervescent performance by young actress Eden Sher, the character of Sue Heck is a socially awkward yet committed individual. She tries out for EVERYTHING: spelling bees, cheerleaders, competitions, after-school clubs and pretty much FAILS every time. However, she views eschews failure and rejection and the fact teachers don’t even remember who she is as a mere trifle.  She is a terrific loser whose enthusiasm knows no limits and for that I salute her spirit and passion. We can all learn from Sue Heck!

WILE E. COYOTE (1948 –         )

Chuck Jones and Michael Maltese original animated tortured soul IS Sisyphus incarnate. Doomed to pursuit and abject failure Wile E. Coyote just absolutely won’t give up chasing the Roadrunner. Slapstick violence and near-death pummels the damned creature’s soul; yet he comes back for more and more punishment without ever seeking an alternative food supply. I found the cartoons hilarious as a kid and still do now. Wile E. Coyote is the “living” epitome of Churchill’s quote which begins this piece and I love the character for his sheer bloody-minded stubbornness and refusal to yield.

CHANCE ENCOUNTER – A STAR TREK SHORT FILM – UPDATE #1

Having successfully hit our Kickstarter target for funding our latest short film goes into pre-production. And we have some exciting news in regard to casting!

If you didn’t already know Chance Encounter is the 9th short film from Fix Films.  The film itself is a 15 minute romantic drama, with a gentle and life affirming tone to it. Essentially it is a love story, dealing with the decision between spending a life with a devoted partner, or embarking on a dream career. There is also some intrigue, as two key characters investigate, pursue and attempt to make sense of the unusual actions of the leading man.

Our first actress – Ayvianna Snow – has been cast in the leading role of Rose Tennant and very talented she is too.

We are very excited about the project – please do check out the latest update video the director Gary has made. Expect more updates to come.

SCREENWASH – MAY 2016 – BY PAUL LAIGHT

SCREENWASH – MAY 2016 – BY PAUL LAIGHT

May was a decent month of viewing with some things old, some things new and nothing blue watched at all. So, here are my TV, film and comedy reviews for the month of May – with marks out of 11 as usual.

 

THE AFFAIR (2014) – SEASON ONE – NOW TV

Very much a “first world” problem drama starring the excellent Dominic West, Maura Tierney and the effervescent Ruth Wilson, it shows the events an extramarital affair causes to two different families. The acting and writing are just superb as West and Wilson’s sexually charged attraction spills into duplicity, body heat and suspense. The storytelling is excellent too as each episode shows multiple events from different perspectives and the characters are both irritating and intriguing with their wonky moral compasses and poor life choices. The Affair is highly compelling and keeps you gripped throughout. (Mark: 8 out of 11)

ARRESTED DEVELOPMENT (2003 – 2004) – NETFLIX

How the hell did I miss this cracking comedy first time round beats me?!  The hilarious show centres on the disastrous Bluth family who are all narcissistic egoists all trying to manipulate each other in some financial or emotional way. Even the sanest of the lot Michael Bluth (Jason Bateman) is a flawed “hero”, although he is positively angelic compared to the other members of his family including failed magician Gob (Will Arnett), pill-popping matriarch Lucille (Jessica Walter), deluded Lindsay (Portia De Rossi) and imprisoned father portrayed with sociopathic insouciance by Jeffrey Tambor. The brilliant ensemble cast (including among others: David Cross, Michael Cera, Henry Winkler, Liza Minnelli, Tony Hale etc.) hit the rapid-fire gags and deranged scenarios out of the ballpark; as the show perfectly encapsulates the very epitome of a dysfunctional family.  (Mark: 9.5 out of 11)

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007) – BLU RAY

Andrew Dominik’s moody Western is one of the BEST films I have seen in the last 10 years.  It was a box-office flop but everything about it screamed greatness to me: stunning cinematography; wonderful cast; beautiful vistas; elegant pace; resonating themes regarding notoriety; and so on and so forth.  Sam Rockwell excels in a supporting role as Charley Ford who gets caught between the eerie homo-erotic hero-worship-then-rivalry of his brother Robert (stunning Casey Affleck) and eponymous Jesse James (never better Brad Pitt).  The film moves at a glacial pace, building character and suspense, while in between, the sporadic bursts of violence startle and raise the pulse in an altogether memorable cinematic experience. (Mark: 10 out of 11)


CAPTAIN AMERICA 3: CIVIL WAR (2016) – CINEMA

Historical reviews on this very blog have been favourable about Captain America and his exploits; in fact he is probably my favourite Marvel Avenger I’d say.  His last outing Captain America: Winter Soldier (2014) was one of my films of the year, so I had high hopes for Civil War. The final film in the trilogy delivers a cracking rollercoaster ride filled with tremendous action, set-pieces and plot twists. As usual the army of Marvel effects technicians deliver an array of computer-generated mastery with a cacophony of colour, explosions, chases, fighting and bone-crunching sound effects.

The strong narrative involves a number of strands which link the prior two films as Steve Rogers protects his brainwashed buddy Bucky Barnes from the US government and allied Avengers attempting to bring him to justice for his crimes. Moreover, Iron Man, Black Widow, Vision and others face off against Captain America and his team in order to make the Avengers more accountable for their actions. This culminates in THE BEST ACTION SEQUENCE of the year as the Avengers have a battle royale on an airstrip in Germany. Overall, it’s a brilliant film which has welcome cameos from Ant-Man and another new Spiderman; while also introducing the all-action nobility of the Black Panther.  Again the Russo Brothers direct with whip-cracking pace and humour, making this easily the blockbuster of the year. (Mark: 9.5 out of 11)

GOTHAM (2015) – SEASON 1 – NETFLIX

TV boxset watching is often like a cultural version of Stockholm syndrome. Some programmes grab you immediately while others you have to watch enough of before you give in to their demands. With that in mind, it took about 11 episodes before started enjoying Gotham. It began poorly with terrible dialogue and hammy acting and the Batman canon timeline, tone and characters are all over the shop. However, by the end it had won me over as a trashy guilty pleasure mixing horror, comic-book, crime, Western and fantasy genres. Highlights are the succession of violent cartoon villains and young versions of villains-to-come while Ben Mckenzie (Gordon), Robin Lord Taylor (Penguin), Sean Pertwee (Alfred) and Corey Michael Smith (Edward Nygma) steal the show. (Mark: 7.5 out of 11)

GREEN ROOM (2015) – CINEMA

This was an excellent sophomore feature film from writer/director Jeremy “Blue Ruin” Saulnier, as we find a punk band pitted against neo-Nazis in the back beyond of Portland, USA. It borrows heavily from George Romero and John Carpenter but the filmmakers and cast create a really nasty horror-show as the death of a rock fan spirals totally out of control. A fine cast including:  Alia Shawkat, Joe Cole, Anton Yelchin, Amanda Poot, and an against-the-grain-playing-nasty Patrick Stewart. Despite the stupidity of the band and Nazis I was gripped throughout and there is some terrific gore and box-cutting violence and recommended for those who like their thrills rare and bloody. (Mark: 8 out of 11)

IT’S ALWAYS SUNNY IN PHILADELPHIA – SEASON 11 – NETFLIX

Oh the man-children, Dennis, Charlie, Mac and Frank – and not forgetting bird-girl Dee – are back for another season of anarchic derring-do at Paddy’s Pub and beyond. As a massive fan of this very naughty show I was very much looking forward to the mayhem of Season 11; and they did not let us down. In this season we had episodes: parodying 80s ski films; Charlie capturing a Leprechaun; the gang getting trapped on a Christian cruise; Charlie and Mac move to the suburbs; Dee gets involved in porn; a whole episode, rather scarily, shot from Frank’s point-of-view; and all manner of other bizarre incidents and behavior. The gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity. (Mark: 9 out of 11)

LINE OF DUTY (2013 – 2014) – SEASONS 1 & 2 – NETFLIX

Very solid cop drama written and produced by Jed Mercurio, this story of cops investigating cops has an excellent British cast across two seasons including: Lennie James, Craig Parkinson, Neil Morrissey, Adrian Dunbar plus leads Martin Crompston and Vicky McClure.  It’s tightly plotted with some brilliant twists and great suspense as you never quite know who’s on whose side. Special mention for Keeley Hawes who is a revelation as the cop being chased in the second season; as her acting is so brilliant, you never know if she’s good, bad, manipulative, a victim or just plain evil.  (Mark: 7.5 out of 11)


LIVING DAYLIGHTS (1987) – PRINCE CHARLES 007 RETROSPECTIVE

The Living Daylights, for me, is a very fine Bond film and Dalton is an incredibly under-rated 007. He only did two films but brought a pathos, depth and unpredictability to the role that Moore severely lacked. Bond is a stone-cold-killer-burnt-out-anti-authoritarian-adrenaline-junkie who has seen death a thousand times over; and Dalton plays him as such. Connery, Craig and at times Brosnan got this over in their performances but none as much as Dalton. The film works brilliantly on the big screen too and stands the test of time as both a sterling Bond film and cracking espionage action thriller. For my full classic review clink on this link(Mark: 9 out of 11)

NOSFERATU (1979) – SKY MOVIES

Werner Herzog’s atmospheric and moody adaptation of Stoker’s Dracula works brilliantly as both a horror film and homage to Murnau’s silent classic of the same name. Bruno Ganz excels as the unlucky Harker, sent to Transylvania to complete a property deal for his firm. Moreover, Klaus Kinski is chilling as the vampiric Count hell-bent on sucking the blood out of anyone who gets close. This has some exquisite cinematography plus an ethereal and dream-like style which makes this a memorable horror classic. (Mark: 8 out of 11)

OF MICE AND MEN (1992) – DVD

Steinbeck’s classic novel about two itinerant drifters is one of the best stories I have ever read.  This film version directed and starring Gary Sinise, with John Malkovich as the tragic Lennie Small, is a touching rendition of the depression-set story. It’s such a brilliant book that any screen version will pale in comparison but Sinise and Malkovich excel in their respective roles and it’s great to see Steinbeck’s rich, authentic and grim tale of existence brought to life and death. (Mark: 7.5 out of 11)

SON OF SAUL (2016) – SKY MOVIES

This is a heavy-as-hell-Hungarian-holocaust drama deserved won Best Film in a Foreign Language at the Oscars. The story focusses on the intense Saul (Geza Rohrig) and his search for a Rabbi to give his son the Kaddish to allow him a correct Jewish burial. It is a harrowing experience, presented in a 4:3 screen ratio and pretty much all over-the-shoulder of the protagonist. These stylistic choices narrow the focus on Saul’s tireless journey through the camps in vain pursuit of said Rabbi. Amidst his search death, fire and flesh bleed through the landscape and the whole experience is gruelling, overwhelming and upsetting. (Mark: 8 out of 11)

YAKUZA APOCALYPSE (2016) – SKY MOVIES

This film from insane Japanese director Takeshi Miike is just mental. I enjoy Asian cinema films and Miike’s previous movies such as Audition and Ichi the Killer were excellent just-the-right-side-of-bizarre spectacles, yet this is an unwatchable mix of martial arts, horror, and gangster and monster movies. Recommended only for the brave, foolhardy or clinically insane. (Mark: 3.5 out of 11)

 

THE WATER DIVINER (2014) – AMAZON PRIME

A muddled mix of war, family, romance and period drama genres from debutant director and star Russell Crowe, The Water Diviner, boasts some wonderful scenery and highly moving scenes, notably in the WW1 Gallipoli flashbacks. However, Crowe the director is let down by a hamstrung script plus the miscasting of Olga Kurylenko who just seemed too glamorous to fall for Crowe’s recently widowed character searching for the bodies of his three dead sons. While it fails as a movie epic there’s enough to recommend it as a matinee rental on a wet Sunday afternoon while nursing an uber-hangover. (Mark: 6 out of 11)

WILD (2014) – NOW TV

Reese Witherspoon as Cheryl Strayed is excellent in this road-movie-true-story-drama as she trudges the Pacific Crest Trail in order to exorcise the demons of her past and somehow redeem her soul. It’s very well directed and structured by director Jean-Marc Vallee and screenwriter Nick Hornby and works really well as a pathos-driven character study; as well as stunningly shot travelogue with wonderful vistas. (Mark: 7 out of 11)

THE LIVING DAYLIGHTS (1987) – CLASSIC FILM REVIEW BY PAUL LAIGHT

THE LIVING DAYLIGHTS (1987) – CLASSIC FILM REVIEW BY PAUL LAIGHT

**MAY CONTAIN SPOILERS**

While it’s not a terrible film in terms of action, theme song and the villainous Christopher Walken, Roger Moore’s final outing as James Bond, A View To A Kill (1985), is on the whole a kitschy let-down. A geriatric Moore planks woodenly through the dramatic scenes and the joins between him and his wiggy stunt-doubles are plain to see. Even Roger Moore admitted, in an interview, he was “400 years too old to play Bond.”

While Moore is my least favourite Bond there were some highlights during his tenure, notably: Live and Let Die (1973) and The Spy Who Loved Me (1977), plus his battles with arch-henchmen Jaws (Richard Kiel) and some fine gadgets were always memorable. However, I found his performances too cheesy and his Bond lacked the charisma and steel of the inimitable Sean Connery. Eventually, his performances and films overall slipped into parody and Moore’s 007 was rightly retired.

After A View to a Kill, Pierce Brosnan was all set to take over. But due to a last-ditch contract renewal of TV show Remington Steele – which ironically benefited from the publicity of Brosnan’s Bond casting – the role was taken by an actor of some standing, namely Timothy Dalton. Moore’s blonde, safari-suited playboy would be replaced by a brooding, angry, dark-haired Welshmen who had trod the boards at the Royal Shakespeare Company and played iconic roles such as Heathcliff and Mr Rochester in film and television.

Dalton’s debut Bond was The Living Daylights (1987) and having watched most of the Bond films a few years ago – when they were replayed on Sky in 2012 – this one stood out as a right cracking espionage thriller. It was annoying because in the past I had wrongly dismissed it due to Dalton’s short career as Bond. But the Prince Charles Cinema in London began a 007 retrospective this year, screening the entire Bond series, thus I decided to experience it on the big screen for the first time.

After years of fun but hollow and almost satirical spy performances from Moore, Dalton gave a darker more nuanced tone in The Living Daylights. The film opens with a thrilling skydive and chase involving a training exercise gone wrong and culminates in Bond battling an unknown assassin on top of an exploding truck. As Bond parachutes to safety atop a passing yacht you soon realise we’re in safe hands with Dalton as he’s tough, athletic and very realistic. In fact, from research I gather he did many of his own, less dangerous, stunts in order to assure authenticity.

The plot of The Living Daylights is one of its major strengths. There’s no one single pussy-stroking-scarred-megalomaniac threatening to take over the world but more of a corporation of villains, from Joe Don Baker’s over-the-top-military-nut-with-a-Napoleon-complex, Whitaker, to Jeroen Krabbe’s Georgi Koskov; a devious Russian triple-agent attempting to reignite Cold War tensions between the KGB and British Secret Service.  There’s also a formidable henchman called Necros played with physical prowess and Aryan superiority by Andreas Wisniewski.

Bond enters the fray when he is sent to take down a sniper sent to kill Koskov. In a plot twist, very much faithful to the energy of Ian Fleming’s original short story, he spares the baited “assassin”, a cellist named Kara Milovy portrayed with naive charm by Maryam d’Abo.  During the “assassination” attempt on Koskov Bond senses something is wrong and spares Kara’s life. This sets in motion some wonderful cat-and-mouse espionage set-pieces and chases through the streets of Vienna and on the ski-slopes of Austria. Indeed, the relationship between Kara and Bond, while starting from a deadly position, provides a key romance and subplot but never feels forced. I especially enjoyed the integration into the story of Kara’s cello which is used throughout as a means to bring the two together; notably during the early “sniper” scene; plus when they trick KGB agents in Vienna; and when it’s employed as a makeshift snowboard while escaping capture.

The “cello ski-slope” stunt is just one of the brilliant action sequences in the film. Other great action scenes are the gadget-heavy car chase featuring the Aston Martin which precedes it plus a heart-stopping stunt at the end involving the huge cargo plane. Bearing in mind this is before any kind of computer-generated imagery was used in cinema, the feat of the stuntmen hanging out of the plane on a net while fighting just took my breath away when witnessed on the big screen. Within the action there’s a lovely pay-off too as Bond eventually uses the ticking time-bomb he set to blow up an Afghan bridge to defeat the Soviets.

Of course, while Bond is ultimately a cartoon-action-spy-thriller there are some interesting socio-political points made. Whitaker, Koskin and Necros’ nefarious plans involve using Soviet funds to pay for a huge opium purchase from the Mujahedeen in Afghanistan and in turn use the profit to buy more weapons and further the Cold War conflict.  The film suggests certain Governments, Military and Secret Services often manufacture wars and assassinations for their own political and economic needs and Bond himself is the “Lone Ranger” policing the world against these crazed, avaricious warmongers. While I really like the Daniel Craig Bond era, on the main, his films do lack a certain political depth in regard to current topical events; desiring to avoid accusations of political incorrectness no doubt.

Compared to the Moore films it could be argued there’s a lack of humour in the Living Daylights. I think this is incorrect though as there’s some nifty laughs and fine one-liners throughout; it’s just Dalton plays it dark and deadpan. Yet there is also playful invention in the film, for example, I loved the way Koskin defects by being shot down a huge pipeline. Furthermore, Necros has a cheeky line in unlikely disguises and accents, while Dalton himself has some cracking puns, especially when Necros is literally given “the boot” during the final aerial punch-up. Right at the end during Cara’s cello recital we get the most risqué joke of the film as the Mujahedeen turn up adorned in full “terrorist” garb saying they “got held up at the airport.” In today’s po-faced, politically correct climate we probably wouldn’t get satire like that because it is arguably xenophobic and proffering certain derogatory Middle Eastern stereotypes. However, it gained a massive laugh while I was watching.

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The Living Daylights, for me, is a very fine Bond film and Dalton is an incredibly under-rated 007. He only did two films but brought a pathos, depth and unpredictability to the role that Moore severely lacked. Bond is a stone-cold-killer-burnt-out-anti-authoritarian-adrenaline-junkie who has seen death a thousand times over; and Dalton plays him as such. Connery, Craig and at times Brosnan got this over in their performances but none as much as Dalton. The film works brilliantly on the big screen too and stands the test of time as both a sterling Bond film and cracking espionage action thriller.

Writer. Filmmaker. Semi-Pro Comedian. Wageslave

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