20 YEARS OF SOUTH PARK ­– TWENTY GREAT TV & MOVIE-BASED PARODIES! – BY PAUL LAIGHT

20 YEARS OF SOUTH PARK ­– TWENTY GREAT TV & MOVIE-BASED PARODIES! – BY PAUL LAIGHT

South Park, incredibly, has been going for 20 years now!  Yet, up until 2013 I had only watched a handful of episodes of the irreverent and scurrilous animated show. Since then, however, I have caught up and it has become one of my favourite ever TV programmes. As such any new season of Trey Parker and Matt Stone’s potty-mouthed satire is usually a highlight of my cultural year.

South Park is more than just a crude animated show now; it is a socio-political tour-de-force which spikes sacred cultural cows and pokes fun at the ridiculous nature of the world; the rich and famous; and the political and religious and social leaders who profess to run the place. It also features some wonderful, bizarre and astute characters who are utilised to reflect society and our modern and post-modern times.

opening-shot-les-claypool%20-%20embed

South Park featured on my blog a few times. My review of Season 19 can be found here:

https://paulraylaight.wordpress.com/2015/12/29/check-your-privilege-south-park-season-19-review-by-paul-laight/

Plus, my favourite episodes up to Season 17 can also be found here:

https://paulraylaight.wordpress.com/2013/10/28/respect-my-authoritah-my-favourite-17-south-park-episodes-ever/

splash_southpark

Furthermore, to celebrate this legendary show I have listed twenty TV and movie inspired parodies that have featured over the years.

**CONTAINS SPOILERS**

24The Snuke – Season 11

South Park rip into general racial intolerance and over-the-top attitudes to terrorism as Hillary Clinton is found to have a snuke in her snizz!

BUCK ROGERS IN THE 21st CENTURY Go God Go XII – Season 10

The ever-impatient Cartman somehow freezes himself and wakes up in 2546 as a war wages between two atheist factions including futuristic talking Otters.

DOG THE BOUNTY HUNTERMiss Teacher Bangs a Boy – Season 10

Cartman becomes a hall monitor and the authoritah goes to his head; meting out Dog-style justice with hilarious consequences!

GODZILLA Mecha-Streisand – Season 1 + Season 14

Evil Streisand gets roasted with SP turning the diva into a Mecha-Godzilla-like monster who tortures people with her singing and monstrous demands.

 

GAME OF THRONES Black Friday/Song of Ass & Fire/Titties & Dragons – Season 17

HBO’s classic show was brilliantly parodied over three wonderful episodes. Here they satirize Black Friday hysteria as Cartman plots to get ahead in the PS4/XBOX one console war.

INCEPTION Insheeption – Season 11

Christopher Nolan’s mind-bending heist thriller gets slammed for the pseudo-intellectual plot which involves: Stan’s hoarding problem and a dark event in Mr Mackey’s childhood.

 

JAMES CAMERON – Raising the Bar – Season 16

This episode won an Emmy as it brilliantly made fun of egomaniac filmmaker Cameron, and the trailer-trash child monstrosity Honey Boo-Boo!

JERSEY SHORE – It’s a Jersey Thing – Season 14

Narcissistic New Jersey reality show “contestants” get the South Park treatment which also reveals a darker side to Kyle’s background. “Snooki wants smoosh-smoosh!”

 

LORD OF THE RINGSThe Return of Lord of the Rings to the Two Towers – Season 6

The kids go on a quest to return a video but are pursued by dark factions when a porno gets given to them by mistake. Butters as Gollum is just one of the stand-out elements here!

MEL GIBSON/PASSION OF THE CHRISTThe Passion of the Jew – Season 8

Gibson gets roasted to hell in this episode with enough chutzpah to offend everyone. Cartman goes uber-Nazi as Kyle’s interest in Judaism is explored in a typically crazy way.

ROB SCHNEIDER – The Biggest Douche in the Universe – Season 6

Z-movie actor Rob Schneider gets ripped apart in this episode which also slams “psychic” douche John Edward.  “Rob Schneider is the carrot!”

RUSSELL CROWE – The New Terrance and Philip Trailer – Season 6

Antipodean acting heavyweight Russell Crowe is shown to be an aggressive and drunk rover travelling round the world drinking and fighting everyone.

SCARFACEMedicinal Fried Chicken – Season 14

Randy takes advantage of a cancer “loophole” to grow enormous balls so he can smoke marijuana; while Cartman gets high too – but on his own KFC supply.

THE SHINING – A Nightmare on Face Time – Season 16

Randy opens up a Blockbuster store without taking into account the new-fangled online streaming sites. It’s not long before he becomes a haunted man!

SUPERHERO FILMS/COMICS – The Coon Trilogy – Season 14

Cartman is the Coon as he and his “friends” Mysterion, Mint-Berry Crunch, Iron Maiden etc. battle crime, then each other in a parody of comic-book and super-hero films.

SUPERNANNY Tsst – Season 10

The plethora of reality shows involving kids and pets deservedly get a pasting as Cartman’s mum calls in all kinds of ‘experts’ to try and tame her out-of-control son.

THE TERMINATORTrapper Keeper – Season 4

Cartman’s Dawson’s Creek uber-school folder becomes sentient and turns him into a monstrous cybernetic organism that wreaks havoc on the town.

TOM CRUISE – Trapped in the Closet – Season 9

Tom Cruise and Scientology get the scathing boot stuck into them, in an episode which is rarely seen in the UK but can be found online somewhere in cyber-space.

ep912-trapped_in_the_closet

TRONYou Have 0 Friends – Season 14

Battling the banality of social media and techno-fears has rarely been so fun, as Stan, in Tron-style, is somehow dragged into Facebook when he tries to quit it.

WORLD OF WARCRAFT – Make Love, Not Warcraft – Season 10

In one of the best episodes ever the boys all fall foul of an online ‘Reaper’ on Warcraft and set about defeating him with the help of Bengay and “having NO life”!

 

 

 

 

Advertisements

2016 – BFI – LFF – FREE FIRE (2016) – REVIEW

2016 – BFI – LONDON FILM FESTIVAL – FREE FIRE (2016) – REVIEW

TITLE:  FREE FIRE (2016)

DIRECTOR: Ben Wheatley

SCREENPLAY: Amy Jump, Ben Wheatley

CAST:   Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor, Noah Taylor, Babou Ceesay, Michael Smiley, Sam Riley, Sharlto Copley etc.

STORY:   An arms-deal-gone-wrong sets off a blistering gun fight in an abandoned Boston warehouse.

free_fire_premiere

REVIEW (CONTAINS SPOILERS):

I admire the film director Ben Wheatley, and his writing/editing partner Amy Jump very much. They essentially are in the kind of industry position I would love to be in. They make independent low-medium budgeted films, seemingly on their own terms, get cracking actors involved and receive decent critical praise too.  Moreover, they have become FILM 4/BFI/London Film Festival darlings receiving funding and heavy promotion for the films High Rise (2015) and most recently, the incendiary comedy-thriller Free Fire (2016). The latter closed this year’s festival to a packed and thoroughly entertained Odeon Leicester Square and I was very fortunate to see Wheatley and his stellar cast introduce the film. 

free_fire_poster_1_1050_591_81_s_c1

While I admire Wheatley’s career progression I have loved and not-quite loved his work. His first film Down Terrace (2009) was delightfully eccentric gangster film, while his next Kill List (2011), was a terrifying tale of two hit men’s descent into hell. Kill List fell apart for me with the grim yet overly surreal and symbolic ending, however, his work on comedy-serial-killer film Sightseers (2012) Dr Who, and Ideal confirmed him as a very talented filmmaker.  A Field In England (2013) could be praised as a brave filmic experiment which did not quite work as a story; while the stylized J.G. Ballard adaptation High Rise (2015) was an incredible film to look at, with Wheatley presenting some of his best work to date. However, the last 45 minutes was so chaotic it lost focus and while this was, arguably, in keeping with Ballard’s vision I would have preferred slightly more clarity.

free-fire-slide

I sensed from his brief introduction that Free Fire (2016) was Ben Wheatley’s attempt to return to something less socio-political, psycho-sexually and philosophically complex than High Rise (2015).  He basically said, “I wanted to make a film with guns where people get hurt.” And he has certainly succeeded there, because Free Fire is an all-out-ballsy-gritty-shoot-em-up which employs a wonderful 1970s Boston setting (actually shot in Brighton) to dress his actors up in flares, beards, sideburns, dagger-collars, long hair and Cuban heels, all while delivering a sweaty-fast-paced-high-octane-bloody-gun-fest.

free-fire

The premise is very simple: an arms deal between a Rhodesian gun runner and the IRA descends into chaos as opposing sides split amidst a series of bullets and double-crosses.  Having established the characters into archetypes such as the professionals, soldiers, sidekicks, junkies and Brie Larson’s broker the narrative splinters spectacularly into magnificent mayhem.  The cast are all brilliant, but I personally loved Armie Hammer’s suave Jewish hit-man and Sharlto Copley’s obnoxious Afrikaner; plus Sam Riley is also a standout as the junkie prick whose behaviour ultimately screws the deal.

freefire_armie

The whole thing plays out like a live-action cartoon but Wheatley and Jump do invest some empathy and likeability into the characters too. The subtext of world politics was not lost on me as Irish, Afro-American, South African, and American nationalities all face-off and later there’s a brilliant use of an old John Denver country classic. The script is terrific, full of violent delights and sparkling one-liners throughout as the cast spit out insults and zingers with glee. Do you remember when you play gunfights with your mates in the playground?  Well, this is the film equivalent of that – except with more blood and violence and death.

 

 

 

2016 BFI – LFF – PHANTASM REMASTERED (1979) – REVIEW

2016 BFI – LONDON FILM FESTIVAL – PHANTASM REMASTERED  (1979) – REVIEW

TITLE:  PHANTASM REMASTERED (1979 / 2016) DIRECTOR/SCREENPLAY:  Don Coscarelli

CAST:   Michael Baldwin, Reggie Bannister, Bill Thornbury

STORY:    A grieving boy and his older brother come face-to-face with an evil Funeral director named ‘The Tall Man’ and all hell breaks loose.

phantasm

REVIEW (CONTAINS SPOILERS):

This brilliant low-budget cult horror film from 1979 was made independently for around $300,000 by then twentysomething Don Coscarelli.  It has subsequently been lovingly remastered by J.J. Abrams production company Bad Robot and comes back to the screens in a glistening, shiny and bloody new print. Director Coscarelli introduced this screening and seeing it at the Central Picturehouse in Piccadilly was certainly a wonderful experience for this horror fan!

PHANTASM - Jody, Reggie, Mike in Doorway

Where do you start with a bizarre story such as this?  Well, firstly Phantasm is a great example of ideas and imagination being worth more than any big Hollywood budget. It’s the reason the film is held in such high regard by horror film fans. Indeed, if you can conjure up a series of iconic images, empathetic characters and scary moments and manage to tell a half-decent story then you have got a great chance to create a memorable experience for a cinema-going audience.

phantasm-tall-man-chill

The film opens with a grisly murder and then a funeral, before we are introduced to thirteen-year-old Mike and his older brother Jody. The brothers are grieving for the recent loss of their parents but remain close. Mike hangs out at the graveyard and then becomes suspicious of the funeral director when he incredibly picks up a heavy coffin on his own.  Mike manages to convince Jody and their friend Reggie (Reggie Bannister), a local ice-cream man, to investigate further and they are drawn into a series of insane and life-threatening situations.

phantasm_02

The narrative while seemingly linear jumps from one surreal set-piece to another and contains memorable images and characters such as: ‘The Tall Man’ portrayed menacingly by Angus Scrimm; the silver killing spheres; the murderous yellow-blooded dwarves; and the inter-dimensional portal which leads to a strange slave-planet. These are all unforgettable and the stuff of bloody death and nightmares. While the plot lacks clarity at times it moves at some pace and the combination of small town life mixed with insane killing devices and crazed creatures creates a wholly memorable mix.

phantasm-remastered-trailer

Phantasm is a synthesis of genres from rites-of-passage, suspense, horror and science fiction.  Ultimately, it’s the epitome of a cult classic and a triumph of concepts over finance. It’s full of mood and atmosphere and has a creepy synth-based soundtrack that cranks up the fear factor. Overall, super-positive Coscarelli created an imaginative fantasy concerned with death and mourning that has stood the test of time. It may lack the polish of big budget productions but the scares and surrealism reminded me of the works of Italian horror-master Lucio Fulci and Spanish filmmaking genius Luis Bunuel. It’s a film I would wholly recommend for devotees of horror and science-fiction and for those who like their movies raw, inventive and nightmarish.

Check out the trailer here: 

2016 BFI – LFF – THE BIRTH OF A NATION  (2016) – REVIEW

2016 – LONDON FILM FESTIVAL – THE BIRTH OF A NATION  (2016) – SPOILER FREE REVIEW

TITLE:  THE BIRTH OF A NATION (2016)

DIRECTOR/PRODUCER/WRITER: Nate Parker

CAST:  Nate Parker, Armie Hammer, Penelope Ann Miller, Colman Domingo, Aja Noomi King

STORY:  At the turn of the 1800s a charismatic preacher must decide between a life of slavery or to stand up and fight against his brutal captors.

thebirthofanation-mv-3

 

REVIEW:

This drama, written, produced, directed and starring by Nate Parker has, since its release at the Sundance Festival, created a whole host of controversies. There is a historical rape prosecution of which Nate Parker was found innocent of in 1999; there are accusations of historical inaccuracies in the story; plus the passivity of female characters within the narrative has been criticized too.  Not surprising though because any film about slavery, rape, abuse and murder is bound to set the cultural world, internet, film industry, social media, historians etc. alight with debate.

thebirthofanation-mv-14

Personally, when I watch a film I prefer to judge it purely on whether it has entertained, informed, provoked thought and created emotion. The filmmakers’ personal history or whether a film meets certain quotas on political correctness or even whether the history has been altered to suit a narrative are important factors but not my main viewing considerations. Of course, if it is an exploitative piece of crap then I would call it; but mainly I ask myself: did the film entertain me and is it a good story done well?

thebirthofanation-mv-8

Well, inaccuracies and controversies aside I was thoroughly moved and taken with emotion by The Birth of a Nation. It is ambitious, independent filmmaking which takes a figure from history that stood up against oppressors and fought back against the injustices that befell him and his people. In little over two hours we get a microcosmic view of the character of Nat Turner and the horrific period he lived in and get a short, sharp and shocking drama. Turner is shown to be an intelligent, proud and spiritual force who inspires those around him to fight against the brutality all around.

thebirthofanation-mv-2

You cannot underestimate Parker’s vision and determination to bring Nat Turner’s ‘story’ to the screen. On such a relatively low budget (reported to be £10 million) it is an admirable and risky project to pursue and deliver. Not as startlingly stylistic as the big-budget-spaghetti-slave-Western Django Unchained (2012), The Birth of a Nation is a heart-breaking narrative which posits the power of the scriptures and damns the beast of humanity which allowed free people to be stolen from their country and made to serve others.

birthofanation-pic1

Overall, the film works as a lower-budget epic in the vein of Braveheart (1995) and Spartacus (1960), while covering similar ground thematically as Oscar winner 12 Years A Slave (2013). It may not have the artistry of Steve McQueen’s directed epic, but it is still an important film about a fascinating historical figure. Whether it is accurate or not the film still made compelling viewing and Parker deserves all the praise he gets for such an assured debut.

2016 BFI – LFF – RAW (2016) REVIEW

2016 BFI LONDON FILM FESTIVAL – RAW  (2016) – SPOILER FREE REVIEW

 raw_01

TITLE:  RAW (AKA – GRAVE) (2016)

DIRECTOR/SCREENPLAY: Julia Ducorneau

CAST:  Garance Marillier, Laurent Lucas, Rabah Naït Oufella, Ella Rumpf

raw_04

REVIEW: Often you watch films and think it’s not a great movie but such is the intriguing premise or themes, it could make a fascinating essay. With Raw, however, it’s both a bloody good coming-of-age-gory-horror-story and has a number of thematically powerful messages that makes you think too. Indeed, in this film meat is definitely murder.

It begins with innocent-goody-two-shoes-veggie-star-student entering her first week at Veterinary college. With it being the first week she is subject to the more experienced student practical jokes and initiation ceremonies; all amidst hedonistic sex and drug parties reminiscent of something from the fall of the Roman Empire.

raw

Not surprisingly this is a very sexual, animalistic and instinctive film dealing as it does with beasts both human, canine and equine. The lead actress Marillier is a prominent force throughout as her journey follows a carnal, chemical and gory path. Ducorneau, the director, gets a great performance from this young talent as her character transforms from angel to devil without the loss of audience empathy.

1240291_raw

This is both an entertaining contemporary horror film and a very intelligent one. It works on so many different levels with themes covered including: veganism, peer pressure, initiation, fitting in, animal cruelty, sexuality. lesbianism, homosexuality, animalism, sisterhood, hedonism, nature versus nurture, cannibalism, family etc.  It crosses genres effortlessly and has one of the greatest and disgusting scenes I have had the pleasure to see for some time.         

 

 

2016 BFI – LFF – MINDHORN (2016) – REVIEW

2016 BFI LONDON FILM FESTIVAL – MINDHORN (2016) – SPOILER FREE REVIEW

mindhorn_2

TITLE:  MINDHORN (2016)

DIRECTOR:  Sean Foley

SCREENPLAY: Julian Barratt, Simon Farnaby

CAST: Julian Barratt, Simon Farnaby, Essie Davis, Steve Coogan, Jessica Barden, Russell Tovey.

STORY: Over-the-hill actor Richard Thorncroft reprises his 1980s TV role of Mindhorn in order to track down a vicious murderer on the Isle of Man.

mindhorn8

REVIEW:             

This hilarious comedy from the mind-tanks of Julian Barratt and Simon Farnaby is an absolute joy, both paying homage and taking the piss out of 1980s cop shows, actors, television and the Isle of Man in general. It centres on washed-up actor Richard Thorncroft, who having been a big TV star in the 80s is now an overweight, balding mess living in a Walthamstow bedsit. Thorncroft’s star rose when he portrayed a Manx detective with a very special power: through a Soviet bionic eye he was able to literally SEE THE TRUTH of the criminals.

 

Flash forward twenty-odd years and Thorncroft is making ends meet with corporate video jobs and working on adverts for girdles and deep-vein thrombosis socks. That is until a vicious and murderous lunatic is on the rampage on the Isle of Man, and by some insane quirk, will only speak Mindhorn to himself. So, Thorncroft dons the “eye of truth” again and heads back to the Isle of Man before catching up with his ex-wife, former stuntman and far-more successful TV nemesis portrayed by Steve Coogan.

mindhorn_5

Overall, this is an uneven comedy in terms of story and plot and lacks the cinematic verve of the Cornetto trilogy created by Edgar Wright and Simon Pegg. However, Julian Barratt is a comedy genius and his performance alone makes it worth watching. Barratt filters his cowardly, proud and foolish ‘Howard Moon’ persona into the flailing thespian with much hilarity. Moreover, Simon Farnaby hams up his Danish stuntman role to perfection and Russell Tovey is hilarious as “The Kestrel” (don’t ask!) The sight gags, parodies and one-liners come thick and fast and this is recommended for everyone who loves offbeat comedy. Indeed, fans of The Mighty Boosh, Alan Partridge, Harry Enfield’s Norbert Smith and Garth Marenghi’s Dark Place will love this comedic gem.

 

 

 

 

2016 BFI – LFF – MANCHESTER BY-THE-SEA (2016) – REVIEW

2016 BFI LONDON FILM FESTIVAL – MANCHESTER BY-THE-SEA (2016)

SPOILER FREE REVIEW

TITLE: MANCHESTER BY-THE-SEA (2016)

 manchester-by-the-sea-film-still

DIRECTOR: Kenneth Lonergan (You Can Count on Me (2000)

SCREENPLAY: Kenneth Lonergan (Analyze This (1999), Gangs of New York (2002)                

CAST: Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges etc.

STORY: A distant and emotionally disconnected man must face family and friends following the death of his brother.

manchester-by-the-sea1

REVIEW:             

Kenneth Lonergan, Casey Affleck and Michelle Williams should take a very long bow for their writing, directing and acting work in this moving and emotional, yet at the same time, humorous character drama.

Casey Affleck plays a seemingly unassuming handyman who buries anger and despair deep within his heart. Initially, he seems passive, yet during his interactions with one of his customers and during a bar brawl he reveals a volcanic tension simmering under the surface of his psyche. When his older brother passes away he returns to Manchester-by-the-Sea in Massachusetts and is forced to confront past tragedies plus take care of his brothers’ estate and teenage nephew.

manchester-by-the-sea-movie-november-2016

This is one of those films which moves at its’ own pace and in scenes of quiet drama, sporadic violence and subtle flashbacks, Lonergan builds a truly formidable narrative and character study. Moreover, Affleck portrays a lost soul with such exquisite pathos you could feel his characters’ pain jump out from the screen. His scenes with Michelle Williams genuinely made me want to cry because they were so sad.

manchester-by-the-sea-e1472055667619

Ultimately, this is Affleck’s film as he haunts the screen with a truly award-winning performance. As well as the dark drama there are many witty lines and scenes too in what is one of the best films I have seen in 2016. If you prefer your films as real and raw as possible and are happy to experience a few hours without explosions or special effects, then watch this everyday story of humans trying to cope with their past, present and future existence.