Category Archives: Short films

‘THRILL OF THE CHASE’ (SHORTS SCREENING) – LONDON FILM FESTIVAL 2017 – REVIEW

‘THRILL OF THE CHASE’ – LONDON FILM FESTIVAL 2017 – REVIEW

As I’ve written before I’m an avid short film viewer and maker. To tell an impactful story in a lesser period of time to a feature film can be a very difficult but ultimately rewarding experience. Plus, as a member of the audience and filmmaker myself I love seeing the different ways other creatives tell their stories in this medium.

‘Thrill of the Chase’ was curated by the London Film Festival and featured five shorts from Europe and I must say they were of the highest quality. I mean some of the budgets on these must have been very good because they were shot, acted and edited to an exceptionally brilliant standard.till-one-cries-2-lff17-793The first short, 1745, was a period pursuit drama. Two slaves, wearing big, colourful, tartan, traditional and unwieldy dresses of the Jacobean era, have escaped from a nearby castle and are chased by a steely Scottish Laird, hell bent on recovering his “property”. It’s incredibly well shot as the colour of the costumes countered the misty, green and vast mountainous landscapes up close and from a spectacular god’s-eye view. Overall, it’s a commendable story of two women escaping patriarchal oppression and abuse, set amidst an exquisite looking but harsh Scottish Highlands.

Next up was Oksijan. Set in the harsh contemporary now it also involved a set of characters escaping an oppressive regime. This time is was a group of Asylum seekers, adults and children, encased in the potential moving tomb of an articulated lorry transporting them from a refugee camp. Their deadly journey from Calais to the United Kingdom was made perilous by the air running out. A thrilling and suspenseful short it both raised the pulse and important issues in regard to the plight of human beings fleeing war torn countries.

After Scottish and English film productions we next had Hot and Cold from Poland. This was a very harsh film, thirty-five minutes long, and all shot in one take. Technically, it was incredible as the camera follows a young junkie mother throughout her day and her encounter with woman looking to get revenge on her husband. It’s a towering study of motherhood, grief and addiction which creates a claustrophobic nightmarish drama with the colour-bled bleakness of Polish council estates. I wasn’t sure the one-take was actually necessary as the narrative could’ve been pruned but it was very powerful nonetheless.

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The final two films came from France and Germany respectively. Both reminded me of mini-versions of excellent feature films. The French film Les Miserables (not the Victor Hugo version) concerned cops on a dangerous estate and their heavy-handed dealings with gang-members. It’s well filmed and acted, containing the bruising feel of the classic French movie La Haine (1995).

Similarly, the final short was another drama but this time of the romantic kind. Till One Cries concerned two drug-addled millennials sharing a crazy night within an urban German milieu. It reminded me somewhat, without the shot-all-in-one-take business, of the brilliant crime-romance Victoria (2015) and showed the hedonistic highs and lows of two free-wheeling characters.

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Overall, the programme was full of gripping drama and thought-provoking subject matter. I’d say the ‘Thrill of the Chase’ title was slightly misleading in my mind, as the films tended toward, not your classic genre thrillers, but rather more social realism and cinema verité rather than movie artifice. Indeed, it may have benefited throwing in a shorter, punchier thriller with an element of comedy to break up the incredibly heavy themes of the films presented. Nevertheless, this was a set of Premier League short films, in terms of production, performance and storytelling quality.  

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RAINDANCE FILM FESTIVAL 2017 – BEST OF BRITISH SHORTS SCREENING

RAINDANCE FILM FESTIVAL 2017 – BEST OF BRITISH SHORTS SCREENING

Just a quick heads up or shout out to the brilliant independent film festival that occurs in the UK every year called the Raindance Film Festival. Raindance are a terrific organisation who run film courses and support filmmakers from all backgrounds, as well as running their annual film festival – now in its 25th year!

If you are seriously interested in filmmaking and have no clue where to start you should definitely check out their website here. Filmmaking is bloody hard work and having made a number of short films myself — which can be viewed at my website here — I can safely say it is easier to review them than make a good one.

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Anyway, given my love of cinema and short films I checked out the ‘Best of British’ short film programme at the Raindance Film Festival this weekend. There were eight original productions, all of which were very well produced, written and acted. The programme included: low, middle and upper budgeted productions ranging from purely independent filmmakers to films backed by the BBC, BFI, National Film and Television School and Film 4.

Short films are a fascinating format and can be very challenging to make. They can encompass traditional linear and genre narratives but can also present character pieces dependent on a mood or a theme. Short films can of course experiment with form and be represented as documentaries as well as narratives. They can also act as calling cards for filmmakers cutting their teeth before they move onto feature or TV productions.

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Making films or, short or otherwise, is nowhere near as romantic as one would think. They are bloody hard work. So, I have much respect for anyone embarking on short film productions. Often, you will have NO money as funding is limited in the UK, but that should not stop you if you have an idea you are passionate about. Film on your phone if you have or if you need help get in touch with an organisation such as Raindance.

I watched eight films of varying length at the Vue Cinema on Saturday and they included: a brilliant comedy thriller about the threat of gentrification called CLA’AM directed by Nathaniel Martello-White. The hilarious horror short SMEAR  had me chuckling, while the harsh drama 46.0about a friendship that goes awry, unsettled me greatly. The short dramas CLEARED, WORK and SKIPPED presented fascinating short journeys from diverse perspectives.

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Meanwhile, WILD HORSES presented an off-centre mix of live action and animation concerning a young girl suffering fatigue-inducing condition M.E. Finally, the film DIAGNOSIS  arguably featured (along with Joel Fry in CLA’AM) the finest performance of the night from actress Charlotte Spencer.  In the film she brilliant portrayed an actor working on medical role-play whose emotions are slowly coming apart from the inside.

Overall, it was a short film programme of the highest quality and I can certainly recommend taking a break from the Hollywood productions and supporting independent filmmaking. Many well-known writers and directors today cut their teeth making short films, using the terrific resources places like Raindance offer. So, if you get a chance do check out such nights as they are very much worth your while.

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FIX FILMS RETROSPECTIVE #5 – ELEPHANT TRUNK (2008)

FIX FILMS RETROSPECTIVE #5 – ELEPHANT TRUNK (2008)

“Matt’s about to have a night he wishes he could forget!”

TITLE:                         ELEPHANT TRUNK (2008) – short film (15 mins)

DIRECTOR:                 GARY O’BRIEN

PRODUCERS:             ROBERT WARD, PAUL LAIGHT, GARY O’BRIEN

WRITER:                     PAUL LAIGHT

CAST:                          TOM FREDERIC, LUCIA GIANNECHINI, CHRIS CROCKER, MIA AUSTEN, HARRIET JEFFREY

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If you didn’t know, as well as writing reviews of films, TV, Tottenham Hotspur FC, South Park and Doctor Who, I also write and produce short films that will one day be watched by at least sixty-four people on YouTube! Hopefully anyway! Although having said that my last Star Trek fan film called Chance Encounter has over 30,000 views and counting! Not quite that cat playing Gangnam Style on a piano but not too bad. Anyhow, the 5th film I wrote and produced was a dark, romantic comedy called Elephant Trunk.

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Elephant Trunk – which if you didn’t know is cockney rhyming slang for drunk – came into production before The Hangover (2009) was released in the cinemas the following year. While not precisely the same story it still involves varieties of drunken mishaps as all manner of chaos ensues that destroys our hero Matt Sherry’s life as he attempts to get home while pissed. It’s a work of fiction but grounded in the many drunken nights I attempted to get home while hammered and follows the basic comedy rule that what can go wrong – WILL GO WRONG!!

I, and director Gary, could not have made this film without the help of my very good school friend Robert Ward, who for some kind reason, offered to put up the budget for the film; which as I recall was around £1000. As is usually the case myself and Gary smashed the script around building the protagonists’ journey as he lurches from one disaster to another; and looking back it remains a fun film to watch. We were also assisted by friends and family who got involved in the production and lent their time, bodies and properties throughout.

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Again, we cast the film very well with some excellent talent and much praise to everyone involved. I think Tom Frederic in the lead was absolutely brilliant! His young executive “everyman” has a simple arc in terms of the story. Tom brings a fantastic bemusement and physical commitment to the role, as his character falls, flails and fails over the course of the night. Amidst the slapstick there is some romance too as this story was an attempt to demonstrate our range in terms of writing and directing. Indeed, much of the production was shot guerrilla style (without permission) on the streets of London and on public transport. The urgency in the handheld camerawork and fast paced editing really enhances the “drunken” state of the hero during his plight.

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My two major regrets for this very entertaining short film was we had to cut (due to budget constraints) one very strange and creepy scene where Matt found his way into a house where a “sex party” was taking place involving a Gimp-like character. Also, that my distribution skills were absolutely terrible and, asides from one riotous screening night back in 2008 at the Exhibit Bar in Balham, I did not get Elephant Trunk the festival screenings I think it deserved. Anyway, maybe you think differently – here’s the film:

STAR TREK FANDOM by ASSHOLES WATCHING MOVIES

Thanks to this fantastic blog for promoting our short film Chance Encounter (2017)!!

ASSHOLES WATCHING MOVIES

Fans of Community might have been delighted to see Danny Pudi in Star Trek Beyond; they may also be forgiven if they missed him. Pudi was playing an alien and was unrecognizable. The role was the fulfillment of a childhood dream, and just 3-4 hours in a makeup chair transformed him into a creature only a mother could love.

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He learned fight choreography and studied the alien language alongside Kim Kold and Sofia Boutella. Despite the fact that sweat pooled under his prosthetics and his character gets beaten by Boutella, Pudi sounds ecstatic.

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There are lots of famous Trekkies: Mila Kunis, Daniel Craig, Angelina Jolie and Ben Stiller are all confessed die- hards. Whoopi Goldberg of course. Tom Hanks was such a fan that he went snooping on the Paramount lot where he was shooting Bosom Buddies at the time – it just so happened that The Wrath of…

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APOCALYPSE TO ZOMBIES: THE GIRL WITH ALL THE GIFTS (2016) REVIEW

APOCALYPSE TO ZOMBIES: THE GIRL WITH ALL THE GIFTS (2016) REVIEW

**CONTAINS SPOILERS**

Being an avid cinema-goer I love the experience and have few complaints as a pastime generally. Of course there are great, good, mediocre and bad movies but that’s the nature of any business. However, one of the things that often gets on my nerves is the lack of promotion for really good low-budget films produced in the U.K. Quite often such films on a lower budget fall foul of the power of the Multiplex domination by Hollywood where Disney, Marvel and Star Wars franchise films saturate the cinema screens. Don’t get me wrong I enjoy such cinematic entertainment, but every now and then, a real gem of a film falls between the cracks and does not get the attention it should. One such film is the British zombie-horror drama The Girl With All The Gifts (2016).

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Somewhere amidst the Hollywood marketing behemoth this film was released last year to very little fanfare and it deserved much more in my opinion. It has an excellent cast with Gemma Arterton, Paddy Considine and Glenn Close playing key characters. It also features an intriguing script – based on his novel – by M.R. Carey, succinct direction by Colm McCarthy; plus a standout performance from young actress Sennia Nanua. I must say that the score by Cristobal Tapia de Veer added to the overall dread, scares and brooding peril and I expect this composer to go to the top of his profession.

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Thematically, the film is very strong dealing initially with a skewed educational situation as Ms Justineau (Arterton) teaches her pupils; who are mysteriously chained to their desks. The reason for this is revealed slowly allowing the tension to rise gradually as Justineau’s special relationship with “gifted one” Melanie develops. Their bond builds throughout and one may argue Justineau’s feelings and decisions are misplaced as the adults versus children dynamic heightens. Indeed, the landscape is filled with monstrous orphans and suspense is generated because Melanie’s allegiance could switch any time between the adults and the other zombie children.

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Thus, compared to the very average rom-zom-com-mash-up Pride and Prejudice and Zombies (2016), which benefited from a £28 million budget, The Girl With All The Gifts (made for £4 million) contains a whole lot more suspense, imagination and atmosphere.  The story itself treads the familiar mud and blood road of a post-apocalyptic world where children are the only hope to combat a deadly virus that has wiped out humanity. It’s a standard scientists-and-soldiers-on-the-road-type-plot which wears a jacket of influences including: Lord of the Flies, 28 Days Later, and various George Romero films very well. Overall, this psychological horror contains a number of tense, heart-racing and gory scenes making it an under-rated classic which deserved more success at the cinema in my humble opinion.

 

 

 

FIX FILMS PRESENT: CHANCE ENCOUNTER (2017) – A STAR TREK FAN FILM

FIX FILMS PRESENT: CHANCE ENCOUNTER (2017) – A STAR TREK FAN FILM

If you didn’t know, as well as being a wage slave and film blogger, I am also a screenwriter, producer, caterer, florist, dead body and whatever job comes up during the low budget filmmaking process.  The production company I set up over ten years ago is called Fix Films and our work can be found here.

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Myself and my filmmaking partner – director, editor, cinematographer, visual effects dude – Gary O’Brien have worked on nine previous shorts and our tenth is now being released TODAY!

It is called Chance Encounter and is a gentle and heart-warming narrative set in the Star Trek Universe.  Yeah, that’s right – Star Trek!  We had a successful Kickstarter campaign and raised the £2,000 plus-some-change budget ourselves and made the film with professional actors and crew, plus I was involved too. The original Kickstarter video can be seen here:

Having written the screenplay myself with Gary and worked on the shoot I am very proud of the film and feel our intention of respecting the sci-fi and romance genres, as well as the Star Trek universe itself has been achieved. Indeed the trailer here really captured the mood of our intentions.

This has especially been a labour of love for Gary; and his work directing, creating the sets, editing and designing all the visual effects himself is an incredible achievement on such a small budget. So well done to him for doing the screenplay justice. I also thank the brilliant cast and crew for their professionalism and efforts. We could not have done it without you.

So it is with great pleasure I present Chance Encounter (2017).    This is our short film – please watch it!

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016 – SCREENWASH SPECIAL BY PAUL LAIGHT

Well, here’s wishing you a prosperous New Year going forward!  I’ve read somewhere that apparently 2016 wasn’t a vintage year for movies but I went to the cinema a lot and saw a whole host of cracking entertainment.  Likewise, television budgets and production values continue to soar and there were some incredible shows produced too.

So, here are my TOP TWELVE films I saw at the cinema AND TOP TWELVE television shows watched/streamed.  Some of the films and TV programmes may have bled from 2015 into 2016 release-wise; moreover, I have also included a couple of yet-to-be-released films I saw at the London Film Festival.

Remember dudes these are not necessarily the best films or shows but the ones I enjoyed the most. So, overall, it’s just my opinion, man.

TOP TWELVE FILMS SEEN AT THE CINEMA IN 2016 (in alphabetical order)

ARRIVAL (2016)

“. . .an intelligent and emotional science-fiction drama with a beautifully constructed narrative.”

BONE TOMAHAWK (2015)

“A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic.”

CAPTAIN AMERICA 3: CIVIL WAR (2016)

“. . . again the Russo Brothers direct with whip-cracking pace and humour, making this easily one of the blockbusters of the year.”

DOCTOR STRANGE (2016)

“. . .wonderful fun with hallucinogenic visuals, eye-popping fight scenes plus mystical marvels!”

THE HATEFUL EIGHT (2015)

“. . . QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.”

MANCHESTER-BY-THE-SEA (2016)

“. . . heart-racking drama which stretches the emotions while also providing flickers of light amidst the pain.”

MEN AND CHICKEN (2015)

“. . . lurches from hilarious physical violence to examinations of religion and science in a film I can only describe as being like the Three Stooges meet The Island of Dr Moreau.”

THE NICE GUYS (2016)

“. . . pings a shaggy-dog narrative along at a cracking pace with a script filled with so many hilarious punchlines and sight gags.”

RAW (2016)

“. . . great horror film which has one of the most disgusting scenes I have had the pleasure to see for some time.”

THE REVENANT (2015)

“. . . just superb, grueling, bloody, epic and beautiful filmmaking!”

ROGUE ONE: A STAR WARS STORY (2016)

“. . . a rip roaring mission-in-space-war movie set just before the original Star Wars movie!”

ROOM (2015)

“. . . a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child.”

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TOP TWELVE TV SHOWS SEEN IN 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

“Are there any better character drama shows around than this show? The writing and acting in Season 2 was just brilliant.”

BILLIONS (2016) – SEASON 1

“. . . great acting, script and cat-and-mouse twists galore in a meaty twelve episodes.”

DAREDEVIL (2016) – SEASON 2

“This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do!”

FARGO (2015) – SEASON 2

“. . . drama, humour and suspense are incredible as is the cast.”

GAME OF THRONES (2016) – SEASON 6

“. . . these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.”

GOMORRAH (2016) – SEASON 2

“. . . further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire.”

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

“. . . gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity.”

MAKING A MURDERER (2015) – SEASON 1

“. . . It is as thrilling and suspenseful as anything Hitchcock created as the trials of these men and their families are thrust before us.”

PENNY DREADFUL (2016) – SEASON 3

“. . .a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was gone.”

SOUTH PARK (2016) – SEASON 20

“. . . yet another fantastically gross, satirical and ballsy animated series from Parker and Stone.”

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

“. . . Lee is a human anti-depressant lifting my spirits while at the same time making me think about the very nature of the subjects he tackles.”

WESTWORLD (2016) – SEASON 1

“Brilliant and exquisite Sci-fi-western-mash-up from Michael Crichton, Jonathan Nolan and Lisa Joy.”