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CLASSIC MOVIE SCENES #5 – CAPTAIN AMERICA: WINTER SOLDIER (2014) – “THE ELEVATOR SCENE”

CLASSIC MOVIE SCENES #5 – CAPTAIN AMERICA: WINTER SOLDIER (2014) – “THE ELEVATOR SCENE”

Directed by: Anthony Russo, Joe Russo

Produced by: Kevin Feige

Screenplay by: Christopher Markus, Stephen McFeely

Based on: Captain America: by Joe Simon , Jack Kirby

Starring: Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie

Cinematography: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

**CONTAINS SPOILERS”

In my original review of Captain America: Winter Soldier (2014) – which can be found here – I described the film as: “. . . neat socio-political commentary – full of the rip-roaring action.” In fact I think it is still my favourite Marvel film of the lot due to the fantastic conspiracy driven plot allied with some incredible stunts and action. Moreover, Steve Rogers’ relationship with Bucky Barnes is also further developed and thoroughly tested in an emotionally effective fraternal friendship breakdown.

The film has many standout scenes but one is more memorable than others in my view. It’s the scene in the elevator where Rogers finds himself being turned on by those he believed he could trust at Shield. It doesn’t intrinsically, until the culmination of the set-piece, involve massive explosions and CGI-driven action. Indeed, the “elevator/lift scene” is a wonderfully executed fight scene which makes use of its limited space to place our protagonist in an almighty bind.

Rogers enters the lift and immediately begins to feel something could be afoot. As more and more – what we eventually learn to be – Hydra henchmen enter the lift the editing builds fantastic suspense. Various shots build anticipation: looks from Rogers; a bead of sweat running down a man-in-black’s back; plus hushed conversation from an “office worker” in the lift. Then just before the fight ensues Rogers utters a great one-liner to set it all up: “Before we get started – does anyone want to get out!”

It’s already a classic scene before the brutal hand-to-hand combat kicks off and encapsulates the mix of paranoia and adrenalized action present within the whole movie. Watch it here:

 

 

 

 

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AVENGERS: INFINITY WAR (2018) – MOVIE REVIEW

AVENGERS: INFINITY WAR (2018) – MOVIE REVIEW

Directed by: Anthony Russo, Joe Russo

Produced by: Kevin Feige

Screenplay by: Christopher Markus, Stephen McFeely

Based on: The Avengers by Stan Lee, Jack Kirby

Starring:  Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista,  Zoe Saldana. Josh Brolin, Chris Pratt etc.

**SPOILER FREE**

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The reward for Marvel fans and cinemagoers committed to watching every single film – from Iron Man (2008) to Black Panther (2018) – is a gigantic, breath-taking, explosive, colourful, dark, epic, fantastical end-game blockbuster. Unless you have been stuck on a desert island or on a digital detox, Infinity War (2018) is the culmination of decades of comic-book and cinema storytelling coming to a head in one incredible feat of spectacle and super-hero conflict.

The film opens pretty much immediately after the end of Thor: Ragnarok (2017). The Titan Thanos (Josh Brolin) has hunted down Thor, Loki and the Hulk in order to obtain the Tesseract and the Infinity Stone within it. In fact, he is after all six Infinity Stones in order to gain twisted, yet in his mind, logical control over the Universe by killing half its inhabitants. Thanos’ characterization as a villain is given the most narrative power throughout and via him we get some nuance and subtext.

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While brilliantly rendered, in look, by the army of special effects, and performance by Brolin, I kind of felt we were missing an element of mania and a committed statement of intent. I knew why Thanos was doing what he was doing but aside from an opening speech about destiny his mission lacked the political or social context compared to say that of Hydra from The Winter Soldier (2014) or Erik Killmonger from Black Panther (2018).  Nonetheless, lack of political context is a mild gripe because spectacle in terms of power and storytelling is what Infinity War is all about.

Thanos’ quest for domination was still a pretty decent structure to hang the story beats on and the writers should be applauded for trying to create a rounded super-villain. Because, allied with the incredible set-pieces and locations across the various galaxies, a major strength of Infinity War’s screenplay was the pace, power and interplay between the multiverse of characters and plot strands which were fantastically juggled by the directorial and editorial teams. This was epic storytelling, not just in length, but in scope. As we cut between Dr Strange, Iron Man and Spiderman on their particularly deadly mission; we also cut between Thor, The Guardians of the Galaxy, Vision, Wanda the Scarlet Witch, Captain America and their respective advnetures. There are so many different elements at play there is little breathing space, yet with a whip-smart script full of one-liners any plot deficiencies are masked expertly with perpetual motion and punchlines.

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Visually, the film is also extremely strong with bright funky new suits for the Hulk, Tony Stark and Peter Parker. Moreover, the locations in space and on Earth from the dark lands of Vormir to the verdant pastures of Wakanda are rendered beautifully on the screen. All manner of magical weapons, space-ships and military hardware explode and destroy and whizz-bang throughout. There is SO much crammed into the film that it’s a major coup that it worked so well. At one point I felt like I was watching three films in one echoing the great ensemble films I grew up with such as The Great Escape (1963). While the now obligatory end-game battle sequence echoed the likes of: Spartacus (1960), Braveheart (1995), The Return of the Jedi (1985) and more recently HBO’s epic Game of Thrones (2011 – )

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In terms of performance it’s difficult to pick out any one stand-out as the ensemble cast were uniformly impressive. My particular favourites were Benedict Cumberbatch as Dr Strange, Chris Pratt as Peter Quill and Zoe Saldana as Gamora, all giving memorable performances. Saldana’s Gamora arguably had the most powerful moments of stillness and pathos especially in her tragic backstory. Drax (Dave Bautista) and Tom Holland’s Peter Parker nailed their comedic patter too; the former’s deadpan literalism raising many laughs throughout. I also thought the details in look and voice given to Thanos’ Black Order stood out; notably the wonderfully named Proxima Midnight (Carrie Coon) and Corvus Glaive (Michael John Shaw).

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In conclusion, Avengers: Infinity War (2018) overall was spectacular blockbuster filmmaking which entertained me thoroughly for over two-and-a-half-hours. It could be argued that the army of special effects technicians, plethora of Disney and Marvel executives, array of Hollywood acting and filmmaking talent and the obscene amount of money spent has churned out YET another soulless super-hero film but wow didn’t they do it in style!!

(Mark: 9.5 out of 11)

MY EIGHT FAVOURITEST FILMS OF 2014 BY PAUL LAIGHT

MY EIGHT FAVOURITEST CINEMA FILMS OF 2014

BY

PAUL LAIGHT

In 2014 I set myself a project which was to write a review for every film I saw at the cinema and post on my blog.  I viewed TWENTY-EIGHT films at the cinema in 2014 and pretty much achieved my writing goal aside from one anomaly which is in hand.

Why EIGHT you may ask?  Well, I wanted to put a bit of pressure on myself to really nail these choices and TOP TEN’S are a bit obvious too.  Of course there are loads of films I DID NOT see plus many, many more films I did see on DVD, Netflix and Sky but you can only judge a films’ true qualities by watching it on the big screen.

So, these are my TOP EIGHT FAVOURITEST CINEMA FILMS OF 2014. They are maybe not necessarily the most-awards-friendly-critically- acclaimed films hence but they are the ones which completely blew me away when I saw them.  They are ALL films I saw at the cinema BUT for one which is a TV movie.  If you’ve seen it you’ll know why it’s on the list.

For the record the list will include:  the film title; link to original review; quote from post; and a clip.

**MASSIVE SPOILERS**

  1. UNDER THE SKIN (2013) – Director: JONATHAN GLAZER

UNIQUE filmmaking comes along every so often into the Multiplexes. This is cinematic Art of the highest quality, a sheer visual treat and an unnerving and very memorable experience…

..like all great art it stayed with me and I could not get it out of my mind. And I still can’t. It’s not a super-hero film. It’s not a date movie. It’s not a 3-D CGI sick-fest. It’s pure, pulsing, hypnotic cinema of the highest quality…”

2.  TRUE DETECTIVE (2014) – Creator: NIC PIZZOLATTO – Director: CARY FUKUNAGA

**Yes I know this wasn’t on the cinema but it should’ve been!**

“Writer Nic Pizzolatto delivers a corrupt vision of humanity,
Amidst the Cajun swamps we’re in David Fincher territory,
Standard cop stuff like the Chief screaming “you’re off the case!”,
Is deftly masked by Cary Fukunaga’s directorial style and pace,

McConaughey’s Rust Cohle is post-modern Sherlock,
He will never cease until the mystery is unlocked,
Allied with Harrelson’s Watson the two just won’t stop,
Title may say True Detective but it should be Existential Cop!”

3.  NIGHTCRAWLER (2014) – Director: DAN GILROY

“Bloom was a ghost; a shell of a man with little in the way of backstory and yet through his actions we absorb the horror of his character. I was drawn in so much by Gyllenthaal’s magnetic performance as well as a fine supporting cast… Through Bloom the parasitic press and public are shown to both be vampires draining the life out of humanity. WE ARE ALL MONSTERS AT HEART!”

4.   CAPTAIN AMERICA – THE WINTER SOLDIER (2014) – Directors: RUSSO BROTHERS

“Captain America: TWS delivers in a way The Avengers did. Although it’s a darker, grounded and more complex film as the screenplay transplants the story of conspiracy thriller Three Days of the Condor (1975) into the Marvel Universe… links well the past and present; soldiers attempting to come to terms with post-war issues; Roger’s regret over historical events and a touching Benjamin Buttonesque scene with a character from the first movie. Moreover, there’s also some neat socio-political commentary in their too with references to shadowy NSA operations and Government kill lists.  Of course none of this gets in the way of the rip-roaring action.”

5.   WOLF OF WALL STREET (2013) – Director: MARTIN SCORCESE

“Martin Scorcese is one of the greatest living filmmakers still working today and The Wolf of Wall Street feels like a greatest hits package combining all of the finer ingredients from his other films.  You’ve got the classic swooning camera moves;  the direct address to camera; cat-and-dog couples fighting as seen in Casino and Goodfellas; the boat-in-peril sequence as seen in Cape Fear; the multi-character voiceovers;  the dumb criminals putting themselves in the shit;   characters turning on each other and ratting each other out as seen most recently in The Departed; plus many more.” 

6.  GUARDIANS OF THE GALAXY (2014) – Director: JAMES GUNN

“I loved this film for so many reasons.  It’s a nostalgic rush and push of music, action, fantastical creatures, space operatics, zinging one-liners, knowing humour, spectacular effects and in Chris Pratt — a new cinema star (lord) for the millennium is born.  Let’s be honest there isn’t an original bone in its body but the fleshy pastiche and meaty cultural references Guardians of the Galaxy wears proudly on its sleeves take the audience on one hell of a journey”

7.   DAWN OF THE PLANET OF THE APES (2014) – Director: MATT REEVES

“… the original book and 1968 film and gave us some serious action and brain-food encompassing themes and historical events such as: Darwinism; dystopic future visions; civil and social unrest; slavery; man’s inhumanity to animals; medical experimentation; the Vietnam and Cold war; civilisation versus savagery; anthropology; Frankenstein myth; space and time travel; and many other socio-political and science fictional motifs.  Overall, the Apes series is a conceptual and cultural phenomenon and Dawn of the Planet is a wonderful addition to the series.”

8.   THE IMITATION GAME (2014) – Director: MORTEN TYLDUM

“There is so much heartache in the character of Turing.  The flashbacks to Turing’s school years when he was bullied and suffered personal loss garners further pathos. Moreover, the “peas and carrots” scene alludes to the possibility of Turing having Asperger’s or similar high-functioning autism.  And in Benedict Cumberbatch we have an actor who imbues Turing with a grandiose pain which I found genuinely moving. Here’s is an actor — who while cornering the market on misfit geniuses — once again shows terrific range and surely he will be nominated come Awards ceremony time.”

CAPTAIN AMERICA: WINTER SOLDIER (2014) – FILM REVIEW by PAUL LAIGHT

CAPTAIN AMERICA: WINTER SOLDIER (2014) – FILM REVIEW by PAUL LAIGHT

**Contains clips and spoilers**

Literary and filmic characters are aspirational figures; icons to live one’s life vicariously through in order to escape the often mundane drudge of everyday existence. Essentially, I mostly go to the cinema to witness characters doing incredible things which I either cannot do or will never get the opportunity to do.  Some characters I aspire to be more like than others. I’m not a fan of Wolverine or neither am I mad about Superman but can understand why people are.  I like Batman and I loved the Avengers film and perhaps surprisingly my favourite character — along with the Hulk and Iron Man — is good old Captain America AKA – Steve Rogers.  The reason I like him is thus:

1) He doesn’t like bullies.

2) His character never knew when he was beaten.

3) He’s very by the book and organised and likes order. I imagine he would be very good at managing an office.

4) Having said that he will break the rules if the need arises and question authority if the authority needs to be questioned.

5) His shield is made from Vibranium – a seemingly made-up element which sounds really really cool.

6) He’s an anachronism and character tension comes from not fitting into the present.  As I get older I feel the same.

7) Anyone who beats the crap out of movie Nazis is fine by me!

8) Chris Evans is a decent actor as he demonstrated in films like:
Puncture, The Iceman and Captain America: The First Avenger.

9) Captain America’s origins are of working class stock. A little guy come good. He’s not a god or scientist or billionaire or spy. He’s a believable figure to aspire to.

10) He’s living proof drug experimentation can work.

So, divorcing my mind from the overly jingoistic American theme of the costume and political associations with US foreign policy I really looked forward to Captain America: The Winter Soldier.

I loved Iron Man, The Avengers, and Thor and compared to some opinions I read I thought the first Captain America worked well as an origins film. Iron Man 2 and Thor 2 were lacking a bit while Iron Man 3 had some great moments and a witty script. Moreover, Avengers Assemble was an amazing bit of entertainment and Joss Whedon did a great job bringing the team together. Likewise, Captain America: TWS delivers in a way The Avengers did. Although it’s a darker, grounded and more complex film as the screenplay transplants the story of conspiracy thriller Three Days of the Condor (1975) into the Marvel Universe. Also, the CGI is played in a somewhat lower key as the action sequences have a raw, immediate feel to them with proper stunts and hand-to-hand combat rather than feeling green-screened to hell. It felt like the production team had been watching Michael Mann’s Heat and the Bourne trilogy for homework.  And boy did that work!

After a prologue where we meet Steve Roger’s soon-to-be-ally Falcon (Anthony Mackie) the Captain is thrown into a mission to rescue a hijacked SHIELD ship in foreign waters. So far-so-Bond but what happens after gets pretty complicated as we’re thrown into a plot involving dirty cops and agents as SHIELD’s Nick Fury (Samuel L. Jackson) is attacked in one of many great set-piece action chases within the movie. The filmmakers don’t rest there though as Captain America himself becomes under suspicion and goes on the run from SHIELD with the Black Widow (Scarlett Johansson) helping him on the road. They got the script pretty decent too when compared to the awful Man of Steel.  Definitely worth the price of a cinema ticket and then some.

The classic Hollywood movie model is to standardize and differentiate production and Marvel comic-book films follow the same formula. We know what we’re going to get as standards: one-liners, action, chases, explosions, hand-to-hand combat, big noises and crashes interspersed with some quieter moments where exposition and some character is revealed before the next big on-screen bang. Having said that Captain America: Winter Soldier differentiates itself in terms of characterisation, action and plot twists and it is also pretty strong thematically.  It links well the past and present; soldiers attempting to come to terms with post-war issues; Roger’s regret over historical events and a touching Benjamin Buttonesque scene with a character from the first movie. Moreover, there’s also some neat socio-political commentary in their too with references to shadowy NSA operations and Government kill lists.  Of course none of this gets in the way of the rip-roaring action.

The action is unrelenting and explosive as he is aided by the gorgeous but deadly Black Widow and war veteran the Falcon.  You can see the twists coming (even from the trailer to be honest) and you can’t escape some silly dialogue.  Robert Redford adds some class and I really look forward to more in the franchise. You’re going to get a few workmanlike efforts like Iron Man 2 and Thor 2 but this was a blinder. Chris Evans carries the role off perfectly too offering enough grit, humour, muscle and film-star good looks to carry the film brilliantly. And after her amazing performance in weird but wonderful Under The Skin it was good to see Scarlett Johansson kicking butt again. The chemistry between Evans and Johansson adds a fun dimension to the action too.

This isn’t just a great comic-book film it is also a very, very well-crafted big-budget slice of cinema.  Directed with verve by the creative duo of the Russo Brothers and the massive production team, Steve Rogers AKA Captain America finds himself post-Avengers pitted against an impressive foe in the Winter Soldier and a legion of other enemies – some very close to home. Of course it wouldn’t be a Marvel film if they didn’t make you wait until the end to see what’s coming next and all I can say is if quality shown in Captain America: Winter Soldier and Avengers: Assemble are anything to go by then Age of Ultron promises to something very special entertainment wise indeed.