Tag Archives: EMILY BLUNT

‘SIX OF THE BEST’ #5 – BRITISH ACTRESSES

‘SIX OF THE BEST’ #5 – BRITISH ACTRESSES!

In my occasional series called Six of the Best, I select six of something of the other which I like the best. So here goes with six of the best British actresses working today and who, of late, have put in some sterling performances which have very much impressed me.

There are some great actresses not on the list such as: Judi Dench, Kate Winslet, Keeley Hawes, Rosamund Pike and Helen McCrory but while they are awesome the performers listed have stood out for me slightly more.

**MAY CONTAIN SPOILERS**

CHARLOTTE RAMPLING

Rampling has had a wonderful career which began in the sixties and had continued powerfully ever since. Some of my favourite performances of hers include the films: The Verdict (1982), Angel Heart (1987), Lemming (2005) to name but a few. For someone so beautiful she owns a fragile vulnerability which she puts to great effect. Having impressed me in the second season of TV drama Broadchurch, I found her role in bittersweet drama 45 Years (2015) to be so compelling. She just owns this story of a woman “celebrating” forty-five years of marriage, shook up by revelations from her husband’s past.

EMILY BLUNT

Has Emily Blunt ever given a bad performance? I don’t recall one! She is funny, attractive and tough when she needs to be, but I think her greatest asset though is portraying sensitive vulnerability amidst steely determination. This is borne out in roles such as Looper (2012), Sicario (2015) and the movie potboiler Girl on the Train (2016). The latter had mixed reviews yet Blunt was terrific in a complex performance which really drew you into her characters’ plight. She’s funny too as seen in her scene-stealing role in The Devil Wears Prada (2006).

IMELDA STAUNTON

Imelda Staunton gave one of the greatest acting performances I have ever seen when I witnessed her live in the stage show Gypsy.  It was a barnstorming delivery of passion, energy, singing and pathos.  Staunton has been giving her all for many years now and was, in my view, the best Harry Potter villain ever as the venal Thatcherite matriarch Dolores Umbridge. Her stage and screen CV is second-to-none and in Vera Drake (2004) she gave one of the most subtle and emotional performances ever committed to celluloid.

OLIVIA COLMAN

The Night Manager (2016), Hot Fuzz (2007), Tyrannosaur (2011), Broadchurch (2013), The Lobster (2015), Rev (2010 – 2014)), Doctor Who (2010), Peep Show (2003 – 2015)  and much more film and television work confirms Olivia Colman as a doyenne of her field. She can play funny and sad and angry which is to be expected from such a talented actress but Colman does everything in such a memorable manner. No matter who she portrays they’re always believable and played with a warmth, toughness and humanity. Her character in Tyrannosaur (2011) was so heartfelt and empathetic you wanted to reach into the screen and rescue her.

 

SHERIDAN SMITH

Having seen Sheridan Smith in the stage musical Funny Girl I was left very impressed. As Fanny Brice she had big shoes to fill in a role previously owned by the incomparable Barbara Streisand, and fill them she did with aplomb. She was indeed funny and spirited and has a fantastic vocal range; a voice which was put to great use in the not-bad Cilla Black biopic called, surprisingly enough, Cilla (2014). Yet, her acting as Charmian Biggs in TV drama Mrs Biggs was exceptional as she gave her all as the long-suffering wife of train robber Ronnie Biggs. All-round she can do comedy, drama and sing brilliantly too.

THANDIE NEWTON

Thandie Newton has been working very successfully in all manner of film and televisual work for years now. I recall her debut appearance as the object of Noah Taylor’s desire in the film Flirting (1991) and showing spark in the crime noir Young Americans (1993). Subsequently Newton has worked regularly in Hollywood and was a standout performer in ensemble drama Crash (2004). However, her recent performance in HBO’s post-modern sci-fi-Western Westworld (2016), confirms Newton as one of the most compelling actresses around. Her character work as Maeve Millay is a masterclass of rage, pathos and devious delight.

 

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FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014 by PAUL LAIGHT

FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014

BY

PAUL LAIGHT

In no particular order here are FIFTEEN moments, actors, scenes, characters, set-pieces, dialogue etc. which stuck in my noggin during the year of 2014.

SET-PIECE OF 2014 – QUIKSILVER SCENE IN FORT KNOX DAYS OF FUTURE PAST (2014)

VISION – JONATHAN GLAZER – UNDER THE SKIN (2013)

Glazer showed that with a low budget, vision and  powerful concept you could genuinely move, surprise, creep and capture the imagination of an audience.  Sparse and enigmatic this film was my best of the year while scene on the beach was one of the most harrowing I ever seen. I hope this filmmaker doesn’t leave such a gap following the under-rated Birth (2004) ten years prior.


VILLAIN – MARTON CSOKAS – THE EQUALIZER (2014)

This okay-Denzil Washington-violent-80s-remake was lifted above the parapet by a stunning turn by Marton Csokas as the main evil Russian stereotype.  I had a lot of fun with his actoring as he  scoffed not just the furniture but the upholstery as well.

KICKING ASS – EMILY BLUNT – EDGE OF TOMORROW (2014)

Doug Liman’s very entertaining sci-fi movie turned the gender tables with Blunt playing the action hero. Of course, the universe could not sustain such a polarity and in the final act Cruise’s initial anti-heroism was blown away. But it was good while it lasted!

FUNNIEST USE OF AIR BAGS – BAD NEIGHBOURS (2014)


BEST FIGHT SCENE IN A LIFT – CAPTAIN AMERICA: TWS (2014)


WORST BEST MAN’S SPEECH EVER – TRUE DETECTIVE (2014)

Take it away Nic Pizzolatto and McConaughey in the best monologue of the year.

 HAIR – AMERICAN HUSTLE (2013)

A funny and suspenseful character-led con story found Bale, Lawrence, Cooper and Adams chewing up the scenery. However, their scenes were quite often stolen by their hairstyles and toupees.

STYLE – INSIDE LLEWYN DAVIS (2013)

Not much happened in this story of a failed folk musician grieving for a lost friend. But the whole design, look, colour, cinematography, music, period setting and cast made it an utter joy from start to end.

AWE-INSPIRING VISUALS – INTERSTELLAR (2014)

I have only seen this film once but had very big problems with the script but there is no taking away the incredible visuals on show. It was the storytelling and what the humans were saying I took issue with.

DEPICTION OF ADDICTION – THORIN OAKENSHIELD
THE HOBBIT: BATTLE OF THE 5 ARMIES (2014)

Peter Jackson dug into his box of magic tricks to pull off ANOTHER Tolkien-inspired series of battles. But it was Thorin’s battle with his addiction to gold which I connected with most.

BEST WAR – DAWN OF THE PLANET OF THE APES (2014)

Arguably one of the most enduring images of the year was Koba riding into battle with fire burning behind him capturing the passion and anger of the character and intensity of battle raging at the time.

Dawn-of-the-Planet-of-the-Apes-2

 ONE TAKE – TRUE DETECTIVE (2014)

MOST COMPELLING CHARACTER
LOU BLOOM/JAKE GYLLENTHAL – NIGHTCRAWLER (2014)

DRUGS – WOLF OF WALL STREET (2014)

EDGE OF TOMORROW (2014) FILM REVIEW By PAUL LAIGHT

Edge_of_Tomorrow_Poster

EDGE OF TOMORROW (2014) FILM REVIEW by PAUL LAIGHT

**CONTAINS MASSIVE SPOILERS**

The pitch:  Groundhog Day with guns!    The review:  it’s bloody brilliant.

While it may have lifted it’s premise from Harold Ramis’ classic Sisyphian comedy, Edge of Tomorrow, is a sterling example of high-concept futuristic action which twists and turns and repeats and explodes in a breathlessly paced Alien v Human death-match.  Also, Doug Liman is a fine genre director and handles the action, twisting plot and characterisation with an assured vision and touch. While perennial scene-stealer Emily Blunt shifts gear again from supporting-kooky-girlfriend-roles-to-hard-assed-action-hero with lusty aplomb; more than proving herself next to action veteran Tom Cruise.

EDGEOFTOMORROW

Based on a Japanese novel All You Need is Kill, this is black-belt genre filmmaking and I more than got my money’s worth with Tom Cruise — after the kind-of-okay-but-ultimately-confusing-Oblivion (2013) — on excellent form. In fact, he plays against type at the start of the film as non-combative and cowardly PR expert William Cage who is thrown into battle against the monstrous Mimics from outer space.
He is killed very quickly during first combat and then finds himself back where he started living the same day over and over again.

edge-of-tomorrow-movie-trailer

The story evolves as Blunt’ Rita Vrataski and Cage join forces to destroy the Aliens.  Usually Cruise movies have Tom as a hard bastard from the start brilliant at everything including fighting, jumping, killing, driving etc. The joy with this film is watching Cruise begin as an army novice and gain these skills throughout the film.  Blunt in fact is in the Cruise role here being the kind of confident all-out action hero who we have come to expect Hollywood’s Dorian Gray to play in his sleep. But Blunt excels in a physically crunching Alien-killing role emanating a toughness allied with insouciant sexuality and sarcasm.  Her partnership with Cruise is also a treat as the two physically and verbally spar and flirt with an always inventive and witty screenplay.

Edge-of-Tomorrow-Emily-Wallpaper

Every person involved in the creation of Edge of Tomorrow from the original writer, the scriptwriters, costume designers, special effects team, cast, composer, post-production team and so on and so forth deserve the plaudits for creating a blockbuster that has heart, humour and a brain.  Okay, Groundhog Day did it first but if you’re going to rip off a classic then do it with class and Edge of Tomorrow certainly does that.