Tag Archives: Game of Thrones

SIX OF THE BEST #11 – GAME OF THRONES – GREATEST BATTLES

SIX OF THE BEST #11 – GAME OF THRONES (S: 1 – 7) – GREATEST BATTLES

Game of Thrones is one of the biggest literary and TV phenomena of recent years. It has entered Western cultures’ psyche offering a glut of: plotting, death, sex, class-divide, war, fantastical beasts and devilish sorcery!  I think the main strength lies though in the wonderful writing that stems first from George R.R. Martin’s behemoth tomes and the incredible production values of the show. Plus, the casting, acting and directing is more often than not better than most cinema offerings.

For my latest article on the show I would like to look at six of the best battles. The spectacular fighting and warring is often amazing but what makes it work is the emotional impact you feel during the battles. The writers have always strove to build empathy, sympathy and antipathy with the characters so you feel strongly as to whether they live or die. Heroes, anti-heroes, friends and nemeses are often pitted against each other in the most violent fashion and epic quite frankly doesn’t cut it as a word to describe such rousing and emotional action.

**MAY CONTAIN SPOILERS**

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BLACKWATER (S2 – EPISODE 9)

Arguably the first major battle epic of the whole show found Stannis Baratheon (Stephen Dillane) attacking King’s Landing in an attempt to smash through the Lannister’s stronghold and claim the Iron Throne.  Shadowed boats float amidst the blaze of wildfire as men cut down other men on the shore. Tyrion (Peter Dinklage) gives a rousing speech as the Hound (Rory McCann) spites barbs and curses before finding fear in fire. Within the castle keep Cersei (Lena Headey) gets drunk and bullies Sansa (Sophie Turner) to tears. It’s a dirty, bloody and fiery battle tremendously edited and expertly directed by Neil Marshall.

THE MOUNTAIN AND THE VIPER (S4 – EPISODE 8)

While this fight between the Mountain (Hafþór Júlíus Björnsson) and Prince Oberyn Martell (Pedro Pascal) is nowhere near as big as the others on this list, it does not make it any less impactful or brutal. Their hand-to-hand trial by combat is a both a legal fight to determine Tyrion Lannister’s guilt for the crime of murder; and a personal revenge for Prince Oberyn for the death of a loved one. Pascal is absolutely superb in his performance throughout this season and the hatred he for the Lannister’s spits out of his whole being. He is a skilful fighter and linguist too but sometimes that just isn’t enough as hubris proves his downfall. This fight is as unforgettable as it is gruesome and the end is one I will never forget.

THE WATCHERS ON THE WALL (S4 – EPISODE 9)

With the White Walkers march painstakingly forward toward the realms of men and women, The Wildling tribes and their hordes of men, women, barbarians, cannibals, Worgs and giants descended upon The Wall in this brutal episode. Like the battle of Blackwater, Neil Marshall again directs the whole shebang as we get fifty or so minutes of spectacular cinematic action throughout. The brave soldiers of the Night’s Watch essentially re-enact the conflict of Rourke’s Drift – albeit with a massive wall in the way – as they fend off the Mance Ryder’s fierce Wildlings. The emotion is high to as Ygritte (Rose Leslie) once again comes face-to-face with her lover Jon Snow (Kit Harrington), as their savage romance ultimately proves to be a doomed one also. Its fire, it’s ice; it bones crunching and bloody to the end.

HARDHOME (S5 – EPISODE 8)

The walking, running and horse-riding dead finally reach some semblance of civilisation as they launch a vicious attack on the Wildling settlement of Hardhome. It’s a beautifully designed battle sequence which begins with unease between Jon Snow and his Wilding allies, before a deathly silence befalls the area. After which silence gives way to: the slow drumming of feet, the slippage of snow and then the racing army of skeletal men and women smashing toward the living. We knew the first major battle with the Night King and his acolytes would prove deadly and just the beginning of the cold war. As Jon Snow and the flame-haired Tormen take the fight to the zombie foes many Wildling lives are lay waste in the sodden black and red dirt of Hardhome; only for them to rise again.

BATTLE OF THE BASTARDS (S6 – EPISODE 9)

I recall seeing an advert for Sky TV and Game of Thrones at the cinema. They ran with the tagline “Believe in better!” over an image of Jon Snow, sword held in hands, while affront him is an army of Ramsey Bolton’s cavalry charging toward him. It is a moment of sheer breath-taking spectacle. Designing and filming war scenes must be some of the most difficult for filmmakers. The Game of Thrones directors are under added pressure to differentiate their images as well. In the Battle of the Bastards the director, Miguel Sapochnik, and his team of cameras, actors and stunt-people open with these incredible wide shots before taking us into the nitty gritty of the fight. It’s all shot from Jon’s perspective. He fights off foes on foot and horse; mud and blood splashes and soaks him until the Bolton army are pushing the Stark’s army back and back until all seems lost. There’s one further twist before the end of a quite amazing battle set-piece.

THE SPOILS OF WAR (S7 – EPISODE 4)

Season 7, while suffering from pacing issues due to a speeding up of the narrative, was arguably the most cinematic and spectacular season of all. There were so many great battles as in Stormborn, where Euron Greyjoy’s attacked his niece’s Yara’s ships in a burning row under moonlight. Moreover, in the episode Beyond the Wall, the magnificent seven (Hound, Jon Snow, Tormen, Gendry, Davos, Jorah etc.) of Game of Thrones went white-walker hunting and found themselves surrounded by the dead. But, arguably the most exhilarating battle was in The Spoils of War. Having been blindsided tactically by Jaime Lannister (Nikolaj Coster-Waldau), Daenerys (Emilia Clarke) went on a Dothraki and dragon offensive and set about destroying the Lannister army and allies. Like a medieval Saving Private Ryan (1998), we are thrown from the air to ground to right into the faces of the soldiers. The shot where we track Bronn (Jerome Flynn) as he attempts to load the Scorpion catapult is incredible. Emotions are high too as our favourite characters face off against each other as they all perilously come close to losing their lives. Kudos goes to the stunt-team, extras and crew for pulling off one of the most memorable battles ever committed to celluloid.

 

If you love the show like me, please check out my other articles on Game of Thrones listed below.

Game of Thrones – Season 7 Review HERE:

Game of Thrones – Finest Heroes HERE:

Game of Thrones – Memorable monologues HERE:

Game of Thrones – Most evil villains HERE:

Game of Thrones – Scene Stealers HERE:

 

 

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THE LEVELLING (2016) – SKY CINEMA REVIEW

THE LEVELLING (2016) – SKY CINEMA REVIEW

Directed by: Hope Dickson Leach

Written by: Hope Dickson Leach

Starring: Ellie Kendrick, David Troughton, Jack Holden

Music by: Hutch Demouilpied

Cinematography: Nanu Segal

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I grew up watching visions of the English countryside as represented by television shows such as H.E. Bates’ The Darling Buds of May and James Herriot’s All Creatures Great and Small. With such rural narratives you were never far from a beautiful landscapes, wonderfully sunny skies and country folk working together, on the main, as a community. Hope Dickson Leach’s independent British drama is an altogether different beast. It’s a muddy, grieving, bloody and filth-ridden exploration of how tough family and farming existence is.

Featuring some fantastic performances from Ellie Kendrick and David Troughton the story is very simple. Clover (Kendrick) returns from Veterinary College following the sudden death of her brother. While her father is steadily drinking himself to death, she tries to make sense of her sibling’s apparent suicide. Her father, an army man and farmer is living in a caravan next to the battered family home. The farm business is sliding to bankruptcy and their home has been rotting since the Somerset floods a couple of years before. All round their property and livestock are threatened by damp, disease and death.  In short: this is NOT The Darling Buds of May.

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Ellie Kendrick, who I recognised from several TV shows including Game of Thrones, absolutely owns the character of Clover. She is seen as weak and unreliable by her father but is in fact an intelligent and resilient character who is prepared to work hard and dig deep for some respect. The plot itself reminded me a lot of the Michael Caine gangster classic Get Carter (1971); accept with a female lead and more cows. As Clover attempts to steady the fortune of the farm, caused in part to mis-management by her father and brother, she also turns detective, stealthily delving into circumstances relating to her brother’s death.

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Overall, Hope Dickson Leach has made a really touching personal story of grief. This is a very emotional story about a family torn apart by death on personal and financial levels. I don’t know much about farming life, but while it may be idealized in certain books and films the reality is much tougher. Animals, while commodities are often culled because of disease and farmers are at the mercy of the weather. Moreover, it would appear to be much tougher for women too progress in a male-dominated world which favours sons over daughters.  What the film ultimately shows too, in many brilliantly acted and directed scenes, is we must transcend our differences and work together as one – as family – in order to survive.

(Mark: 8.5 out of 11)

 

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

Our TV watching experiences are very different now with the various platforms available, so the idea of viewing shows live and week-to-week is a thing of the past. Moreover, the quality bar and production values of television programmes are getting even higher; especially where HBO, Amazon, Showtime and Netflix are concerned.

I have my perennial favourites so my list this year may look very similar to last year (see below), yet I’ve not yet seen the latest seasons of Better Call Saul or Black Mirror yet. Neither did I see the much lauded shows: Twin Peaks: The Return, The Deuce or anything on Amazon but overall it was a great for new TV shows and some classic long-running programmes.

FAVOURITE TWELVE TV SHOWS OF 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2
BILLIONS (2016) – SEASON 1
DAREDEVIL (2016) – SEASON 2
FARGO (2015) – SEASON 2
GAME OF THRONES (2016) – SEASON 6
GOMORRAH (2016) – SEASON 2
IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11
MAKING A MURDERER (2015) – SEASON 1
PENNY DREADFUL (2016) – SEASON 3
SOUTH PARK (2016) – SEASON 20
STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4
WESTWORLD (2016) – SEASON 1

 

FAVOURITE TWELVE TV SHOWS OF 2017 (in alpha order)

BIG LITTLE LIES (2017) – HBO

“. . .  inter-weaving stories concerning an unknown murder victim; school bullying; warring parents; extra-marital affairs; and the abusive relationships, is expertly played out over seven compelling episodes.”

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CURB YOUR ENTHUSIASM – SEASON 9 (2017) – HBO

“. . . Curb Your Enthusiasm comes back as if has never been away as it revels further in the adventures of Larry David’s pedantry, un-PC behaviour, poor decisions, risky statements and strict adherence to the social etiquette and unwritten rules of life!”

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FARGO – SEASON 3 – FOX / CHANNEL 4

“. . . Slyly satirising the police procedural drama with off-centre plot twists and dark humour, David Thewlis’s scumbag businessman and Mary Elizabeth Winstead crafty femme fatale steal the show in Season 3 of Noah Hawley’s pitch perfect Coen Brothers’ pastiche.”

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GAME OF THRONES
(2017) – SEASON 7 – HBO

“. . . containing great direction, acting, design and character twists throughout and while it felt rushed at times these seven episodes were still amazing from my perspective! And the dragons and zombies and battles and death! Winter is definitely here!”

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HANDMAID’S TALE (2017) – HULU

“. . . containing suggestions of hope, light, rebellion and solidarity in a grim, patriarchal world which crushes life and colour; this impressively directed, acted and shot series had me transfixed throughout. Elizabeth Moss is a revelation. . .”

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IT’S ALWAYS SUNNY IN PHILADELPHIA (2017) – SEASON 12

“. . . In the current superb 12th season one episode is presented from a supporting characters dream; while the most impressively detailed formal presentation has Dennis becoming a god-like TV director. This intelligence keeps the show fresh and funny.”

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LEAGUE OF GENTLEMEN – 20TH ANNIVERSARY (2017) – BBC

“. . . Reece Shearsmith, Steve Pemberton, Mark Gatiss and Jeremy Dyson are geniuses! In 1999 they brought an array of beautifully ugly comedic grotesques to the TV screen. After 3 seasons, stage tours and a movie the League of Gentlemen ceased. But they were back at Christmas with three episodes of brilliant black comedic sketches and set-pieces.”

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LEGION (2017) – FOX

“. . . as imaginative and original take on the mutant/X-Men genre you are going to find. It also very cleverly melds themes relating to: mutation, telekinesis, disassociation and schizophrenia expertly; while Aubrey Plaza and Dan Stevens are incredible in the show.”

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MINDHUNTER (2017) – NETFLIX

“. . . both dark and stylish, this David Fincher production, created by writer Joe Penhall, took elements from Zodiac (2007), Silence of the Lambs (1991) and standard FBI procedural dramas to brilliantly highlight the embryonic stages of the serial-killing profiling team.”

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SOUTH PARK – SEASON 21 – SOUTH PARK STUDIOS

“. . . The bar was raised SO high by Season 19 that Season 20 was bound to suffer, especially in the complex serialization approach. Yet, Parker and Stone are back in Season 21 with satire of the highest order! Some classic episodes such as: Sons of Witches, Put it Down and Hummels and Heroin and more, made this must-watch classic comedy.”

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STRANGER THINGS 2 (2017) – NETFLIX

“. . .Netflix’s first season sci-fi-80s-Spielberg-King-Carpenter-nostalgia-fest was arguably padded out and over-hyped; but Season 2, after a slow start, really hit the ground running as the small town kids battle inter-dimensional monsters with fantastic style and scares.”

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THE YOUNG POPE (2016) – HBO

“. . .  The Young Pope contains some wry and delicate humour too. I mean ten episodes of a Vatican-based comedy it isn’t, but Paulo Sorrentino’s skewed look shows the priests and nuns, not as higher beings but rather flawed humans like the rest of us.”

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TO CODA:

Of course, there’s probably loads of shows I’ve missed, yet I must make a special mention for the old BBC classic , Doctor Who, which while not on the above list, makes it in spirit. While the show is now older than time there were a few great episodes in Peter Capaldi’s final season as the eccentric and genius Time Lord! So, I bid you bon voyage and here’s to productive viewing in 2018.

 

 

HEARING STORIES: SOME THOUGHTS AND REVIEWS ON AUDIO-BOOKS

HEARING STORIES: SOME THOUGHTS AND REVIEWS ON AUDIO-BOOKS

Six months ago I was reading a physical book of Joseph Heller’s Catch 22 and I was just not feeling it. Not the actual book as it is a classic novel of our time but the actual activity of reading itself. I just did not want to read anymore. Of course, I can do it but my mind just didn’t have the desire or energy. What did this mean?

Had I been dumbed down and rendered attention deficient by virtue of the constant viewing of films, TV and the barrage of internet viewing. Perhaps my brain had been become punch-drunk and distorted my mind, like an over-the-hill boxer who’d just had one too many fights. It was confusing. I’ve always loved reading and did not want to stop.

So, I thought why not try out the Audio-book route?  What’s the worst that could happen?  I could LISTEN to someone reading the book to me and experience the literature from an aural perspective. I have to be honest – I’m glad I did! Because I have been listening to a number of audio-book productions and they have been very rewarding from all manner of dramatic, artistic, comical and emotional directions. Moreover, I listen to these books while walking and at the gym so my “reading” has become a very pleasing mobile pursuit.

Anyhow, here are some reviews of the books I have been listening to over the past months. If you also listen to audiobooks please feel free to suggest any good “reads” or narrations.

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BACK STORY – DAVID MITCHELL (narrated by David Mitchell)

Comedian, actor, panel-show humourist and writer David Mitchell takes us on a literal walk of London landmarks and streets, while also wandering down his own personal memory lanes and avenues. Pedantic, neurotic, angry and insightful in equal measures this is an entertaining and intelligent journey full of hilarious rants and stories relating to Mitchell’s life; one which is blighted, not by personal tragedy, but rather a very painful bad back. His narration too is very funny and listening to him speak is like having your very own personal version of the brilliant comedy show Peep Show in your head.  I especially, from a creative point-of-view, enjoyed his analysis of comedy past, present and the actualities of writing sketches, jokes and performing too.

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CATCH 22 – JOSEPH HELLER (narrated by Trevor White)

The novel which began my whole diversification into the audiobook territories is a startling anti-war character drama full of tragedy and black comedy, highlighting the folly of humanity during conflict. I was both laughing out loud and crying inside as Heller’s seminal work crashes us into the heart of madness during World War II. Featuring any number of crazed pilots either being killed or trying not to be killed while flying over Italy, this novel expertly takes you up and down and up and down. Heller does this with a meticulously acute writing style and via characters such as the wonderfully named: Yossarian, Milo Minderbinder, Doc Daneeka, Snowden, Nately, Nurse Cramer, Captain Aardvark, Colonel Cathcart and many more lunatics. This is a sprawling insane war-set epic which satirizes and laments the folly and destructive behaviour of mankind, and is all the more relevant today because we still can’t fucking learn to stop killing each other over ridiculous things like money, land, God and love.

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DO ANDROIDS DREAM OF ELECTRIC SHEEP – PHILIP K. DICK (narrated by Scott Brick)

Dick’s classic science-fiction novel is better known now as Blade Runner and the film versions are incredibly stylish and powerful genre works. Yet, Scott Brick’s narration of Dick’s source novel is absolutely perfect in its rendition, creating a haunting pathos beyond that featured in the film. The story covers one day in the life of Rick Deckard – an “Andy” or android bounty hunter who must track down a series of superior robots of the Nexus Six variety. The original Blade Runner (1982) film did well to distil and simplify the narrative but it only touched the sides where the complex themes are concerned. The novel is far more involved with subtext relating to: simulations; animal husbandry; Artificial Intelligence; Virtual-reality religious fervour; and the existential pain or humans and robots, being explored within the rotting dystopic, Earth setting.

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GAME OF THRONES – GEORGE R.R. MARTIN (narrated by Roy Dotrice)

George R. R. Martin’s North-versus-South-Westerosian fantasy epic has provided hours of entertainment via HBO’s massive hit TV adaptation. The original source novel is a literary monster of a book with an over 33 hours running time, so kudos to the talented, yet ageing actor, Roy Dotrice for staying alive during the recording and finding the energy to narrate it. If you don’t know the Game of Thrones TV show, it has become an iconic narrative of Starks versus Lannister’s versus Targaryen’s versus zombies versus dragons and all manner of: lords, ladies, monsters, whores, hordes, henchmen, sorcerers, warriors, Kings, Queens and peasant scum; all fighting and spitting hate at each other for a baying public’s bloodthirsty satisfaction.

The book, of which Game of Thrones is based, is an intricately plotted, brilliantly characterised and action-packed joy. Not for the faint-hearted it is explicit from a violence and erotic perspective and Martin’s writing is believable unbelievability of the highest order. While it may be fantastic in regard to many of the concepts it is grounded in a raw and human reality as the flawed characters conflict with each other in all manner of familial jousting, hearty battling and political chicanery. The book has all the greatest qualities of the television show and much more besides and well worth the many hours it took me to “read”.

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HOW NOT TO BE A BOY – ROBERT WEBB (narrated by Robert Webb)

The other half of the Mitchell and Webb double-act, Robert, narrates his own story with an adept sarcasm, intelligence and over-riding sense of grief throughout. As a big fan of Peepshow, his brilliance as an actor is playing unlikeable-selfish-man-boys with devilish charisma. He’s obviously very funny too and his anecdotes and memories of growing up in a Lincolnshire town and overcoming family heartache before joining the so-called Cambridge academic elite are very honest and personable. I would have liked a bit more detail about his creative process but reading between the lines I felt that it all came very naturally and unpretentiously to Webb. Overall, this is a terrific listen, full of funny and tragic moments; plus given I’m the same age as Webb, his references to televisual, pop, film and comedy culture were immediately recognisable to me, only adding to the book’s enjoyment.

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I, PARTRIDGE: WE NEED TO TALK ABOUT ALAN – ALAN PARTRIDGE (read by Alan Partridge)

Steve Coogan’s genius comedy creation Alan Partridge has been part of my life since the 1990s when I first saw him on the brilliant satire show The Day Today. There he presented the sports and would subsequently go on to a kind of greatness as a chat show host on Knowing Me, Knowing You and starring in one of the best sitcoms of all time, I’m Alan Partridge. It is a testament to the acting ability, quality of writing and sheer stamina of Coogan that he continues to mine comedy gold from the hills of Partridge, as it were. Coogan narrates (in the glorious character of Partridge) a fictional autobiography from actual cradle to career grave. It also hilariously covers how he bounced back from the precipice of a chocolate-driven-frenzied-nervous-breakdown-suicide-attempt in Dundee. I have never laughed so much as six hours of comedic gold entered my brain and left me in stitches throughout. This is one of the funniest things I have had the pleasure to listen too; full of bitter rants, vengeful asides, over-elaborate similes and a litany of what I can only call Partridgeisms! Is that a word: well it is now!

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GAME OF THRONES – SEASON 7 – REVIEW & RANDOM THOUGHTS

GAME OF THRONES – SEASON 7 REVIEW & RANDOM THOUGHTS

**ABSOLUTELY NO SPOILERS**

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I’ll be honest: in my younger days of arrogance or confidence or know-it-all-prideful-youth – whatever you want to call it – I used to be an ultra-critical, negative and a bit of a spoilt moaner. But, as my time ticks away ever so slowly and I crawl closer to death, I believe I have grown more mature and reasonable. I remain analytical and active in my viewing and while I am someone who mildly obsesses about certain movies, TV shows, sports and other cultural stuff, I still recoil with embarrassment at the negative hysteria you get online and in social media in regard to life, politics, celebrities, pop videos and more specifically TV programmes or films.

Of late the fury of the Internet “haters” or “trolls” was aimed with fundamental ire at the all-female-led-cast Ghostbusters movie. Who really cared?!?  It was an okay film; not great. My main problem was that it was not particularly well written or directed despite the excellent efforts of the cast. In another sexist tirade the online public hacks also attacked the casting of excellent actress Jodie Whittaker as the new Doctor Who. I mean the Doctor is a shape-shifting alien who changes bodies and heaven forbid that, after thirteen men (including John Hurt’s War Doctor) in the role, a woman suddenly be cast!

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Why are people so over-the-top with their reactions I ask myself? Maybe they are channelling their life disappointments or existential anger by way of dissociative behaviour. Criticizing these casting decisions could be a way of distancing themselves from the pain of life.  Or perhaps the more socially-charged analysts could argue that filmmakers and TV showrunners are cowering to the liberal left and changing such roles to be more PC! Or maybe they are simply just nuts!?

I guess everyone is entitled to an opinion and the Internet, for better or worse, has given power to those opinions. I just don’t understand why people get so angry though!  I mean some of the criticisms aimed at the latest season of Game of Thrones were admittedly erudite and thoughtful; however, much of the wrath toward the writers ranged from the silly to the furious to nit-picking pedantry of the highest order. It’s as if the online villagers of YouTube, Facebook and Twitter had been sharpening their pitchforks and lighting their torches before the show had even aired.

My view of Game of Thrones is simple. The first six seasons gave me some of the greatest televisual enjoyment I have ever experienced. In terms of character, plotting, dialogue, action, reversals, twists, shocks, romance, performance, political intrigue, editing, direction and jaw-dropping-heart-pounding-tension it is ONE OF THE GREATEST TV SHOWS EVER!

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Thus, Season 7 had a lot to live up to and in some ways it has been a victim of its own success. When you raise the bar that high it is of no surprise if such heights dip on occasions. Having said that I thought Season 7 was fantastic TV; and I’m not the only one. It was seven episodes of brilliant entertainment with too many wonderful moments to mention.  But the online village hordes were quick to complain with vehement cries of “Burn the Writers!”  Moans included:

  • The writing’s not as good as the earlier Seasons!
  • George R. R. Martin’s careful characterisation and plots have gone!
  • The pace is TOO quick compared to the prior Seasons!
  • Too many character reunions!
  • The map has been compressed and characters seem to teleport!
  • Too many plot-holes and character inconsistencies.
  • The White Walkers / Night King enemy are too one-dimensional.
  • It’s just not as good as the books!
  • It’s become too predictable!
  • Show-runners D.B. Weiss and David Benioff are the Anti-Christ!  game-of-thrones-season-7-arya

While I agree in regard to the geographical shifts of characters and speeding up of the plot points is different to the previous Seasons, I don’t believe the entertainment value has been lost; in fact it has been heightened. I also don’t agree that the writing is bad. The show, having built up much good faith in the earlier more politically charged Seasons has now shifted to a faster more cinematic pace rather than the steady literary tread of George R. R. Martin’s work. Of course, the book is ALWAYS better than the film or show as a rule but it’s a different medium altogether.  We’re reaching the end of the show and the characters’ arcs are peaking toward denouement so the increased pace is understandable.  In regard to predictability, well, there’s only one way the whole show was going and the battle between Ice and Fire has been on the cards since the first episode! WINTER IS HERE!!  I realise many are disappointed in this shift having committed many hours to watching the show; but I honestly think the show remains as powerful as ever.

EVERYONE is now a screenwriter and while it is much fun to decide how you want the characters you love to behave, just because they do something slightly different to what you, or George R.R. Martin would do, it doesn’t mean it is bad writing or illogical. On the contrary Season 7 contained some exciting writing and an incredible amount of memorable moments. These included: Daenerys’ dragons wreaking havoc; the magnificent masculine mission beyond the Wall; Oleanna and Jamie’s words; Cersei’s continued despotic mania; a summit meeting between many of our major characters; the Hound; Jorah’s redemption; Arya’s special set of skills;the Night King and his horde; Jamie’s doubts; Brienne’s loyalty; the weirdo Bran; and all manner of incredible battle scenes on sea, air, ice and land.

These sequences plus many more and the great direction, acting, design and character twists throughout meant that I was transfixed from start to finish. I do agree that at times it felt rushed in places and ten episodes would have fleshed out some of the more temporal issues. But hey, it was still amazing from my perspective.

Game of Thrones, ultimately is a TV programmes with dragons and zombies and in between human beings attempting to out-plot and out-kill each other.  I agree there was a more Shakespearean feel to the earlier episodes and we have experienced a shift from a literary style to the cinematic.  However, I couldn’t care less and would advise the armchair screenwriters, clickbait critics and online trolls to cease bitching and stop watching the show if you don’t enjoy it any more. Because unlike this highly entertaining show YOU ARE GETTING VERY BORING!

SIX OF THE BEST #10 – GAME OF THRONES FINEST HEROES!

SIX OF THE BEST #10 – GAME OF THRONES FINEST HEROES!

According to Christopher Booker’s text The Seven Basic Plots: Why We Tell Stories, there are in essence only a limited number of narratives including the: ‘Overcoming the Monster’, ‘Rags to Riches’, ‘The Quest’, ‘Comedy, ‘Rebirth’, ‘Tragedy’ and ‘Voyage and Return’. Booker echoes too the studies of mythologist Joseph Campbell who argues that the ‘Hero’s Journey’ or monomyth is the common template of most stories.

Christopher Vogler followed on from Campbell’s extensive work in his book, The Writer’s Journey: Mythic Structure for Writer arguing that most popular stories can be narrowed down to a series of basic structures and archetypes. Indeed, while watching Game of Thrones you can certainly identify many of them notably the Heroes Journey!

So, to continue my exploration of the first six seasons of one of the greatest shows ever, I look at some of the more heroic characters in HBO’s TV masterwork.

**CONTAINS MASSIVE SPOILERS – SEASONS 1 – 6**

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ARYA STARK – MAISIE WILLIAMS

A young tomboy at the start of the show Arya’s transformation from fresh-faced waif into a face-shifting-sword-fighting-deadly-assassin has been nothing short of extraordinary. What strikes me as most heroic is Arya’s propensity for bouncing back and that mental toughness has seen her overcome going blind, being enslaved, kidnapped, beaten and left for dead and STILL managing to get revenge on her enemies.

BRIENNE OF TARTH – GWENDOLINE CHRISTIE

I don’t think there is a nobler character than Brienne of Tarth. She is an honest and loyal Knight of the highest order and an incredibly tough swordsperson too. I was surprised more than anything when she defeated the Hound in combat. Furthermore, her unrequited romance with Jamie was very touching. She is probably the hero with the biggest heart and I hope she gets a good ending in the show.

DAENERYS TARGARYEN – EMILIA CLARKE

Daenerys is arguably not as sympathetic a hero as many of the others on the list. Perhaps, her demand and pursuit for the Iron Throne could be seen as power hungry; and in recent seasons her desire for fire and blood have shown a more dangerous side to her. However, her journey has been from a naïve, sold-off bride to a storming Queen; one that has not only commandeered the Dothraki and Unsullied but also defeated the venal Slave-Masters.

JON SNOW – KIT HARRINGTON

Probably the most heroic character of them all as he had outsider beginnings as an illegitimate bastard before growing in stature and experience to become the King of the North. Having made vows to the Nightwatch his desire to form an alliance with the Wildlings became his undoing and only the Lord of Light prevented him passing into the next world. A handsome, rugged and fine fighting specimen, Jon Snow leads by example inspiring those around him to greater things.

SAMWELL TARLY – JOHN BRADLEY-WEST

Samwell is what I would class as a quiet hero. Ridiculed for his larger size on first meeting he slowly, through intelligence and diplomacy, came to be respected by the Nightwatch; notably Jon Snow. However, it is his protection of Gilly which has seen his heroic stock rise. Having rescued her from the evil Crastor; adopted Gilly’s son as his own; fought off a White Walker; he even stood up to his bullying father, proving Sam to be a right decent chap all round.

TYRION LANNISTER – PETER DINKLAGE

Much maligned and ousted from the Lannister family following Joffrey’s deserved death Tyrion has proved his bravery and fortitude in many desperate circumstances. I feel his heroism comes from the determination to never give up despite his physicality and the demonization which occurred when he was born. Be it on during the Battle at Blackwater Bay or when standing up to his father Tywin, Tyrion just refuses to buckle and heroically ploughs on.

 

SIX OF THE BEST #9 – GAME OF THRONES MEMORABLE MONOLOGUES!

SIX OF THE BEST #9 – GAME OF THRONES MEMORABLE MONOLOGUES!

Whereas the sex, death and battle scenes are the flesh of HBO’s Game of Thrones, the bones of the show can be found in the characters and serpentine narratives. From the characters, by way of the writers, we always get some cracking monologues throughout the show too. Here are a mere six from the first six seasons which stand out for me.

**CONTAINS MASSIVE SPOILERS!**

chaos

THEON GREYJOY – “WHAT IS DEAD MAY NEVER DIE!” – S2 – EP. 10

Having made a bold move on Winterfell the tragic Theon attempts to rally his bedraggled troops in order to fend off the enemy at the gates. It’s an excellent speech that really belongs in the mouth of someone a bit nobler, as the humorous punchline really sums up the pathetic nature of his character. After a sabre-rattling speech he’s then ignominiously thumped by Finchy from The Office. Brilliant!

JAMIE LANNISTER – “LANNISTERS HAVE ALWAYS BEEN TRUE FRIENDS.” –  S3 – EP. 5

What makes this speech stand out is that it’s a quiet scene with both Jamie and Brienne naked and vulnerable in the bath. They are both stripped of their armour and Jamie is quite pitiful having lost his hand to Locke of House Bolton. Broken, he confesses as to why he killed the Mad King, and so begins a potential redemptive path for Jamie through his touching relationship with Brienne.

PETYR BAELISH – “CHAOS IS A LADDER!” – S3 – EP. 6

Varys and Baelish’s exchanges have been missed since they went their separate ways. With Aidan Gillen’s rasping delivery this wonderful speech captures everything evil and great about the duplicitous nature of humanity within the show. It’s made all the more powerful by the images of Joffrey killing the prostitute and Jon Snow and Ygritte scaling the Wall together!

TYRION LANNISTER – “I’M GUILTY OF BEING A DWARF!” – S4 – EP. 6

I was going to choose Tyrion’s brave speech at the Battle of Blackwater Bay but this one is so full of pain and pathos at his betrayal by the women he loves, Shay. His vicious tirade at his captors contains many a fist-bump moment as Peter Dinklage spits revenge and venom while delivering a truly grandstanding monologue.

CERSEI LANNISTER – “THIS IS YOUR GOD, NOW!” – SEASON 6 – EPISODE 10

As revenge goes Cersei Lannister blowing up the Sept. was something else, not only wiping out the High Sparrow and his Faith Militant but also most of the Tyrells too. She then goads Septa Unella, the nun who was her jailer and rang the bell during the “Walk of Shame.” In villainous fashion Cersei confesses her “sins” and states she does it because she ENJOYS IT! She then brings in the Mountain!

DAENERYS TARGARYEN – “KILL MY ENEMIES IN IRON SUITS!” – S6 – EP. 6

Daenerys has some wonderful fiery moments throughout the battling slavers, barbarians, sorcerers and soldiers. Here, atop of a dragon, she belts out her vision for the future and that of the Dothraki hordes. The music, Drogon the dragon, the cheering men and Emilia Clarke’s passionate fervour all add up to a highly impactful Game of Thrones speech.