Tag Archives: Game of Thrones

GAME OF THRONES – SEASON 7 – REVIEW & RANDOM THOUGHTS

GAME OF THRONES – SEASON 7 REVIEW & RANDOM THOUGHTS

**ABSOLUTELY NO SPOILERS**

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I’ll be honest: in my younger days of arrogance or confidence or know-it-all-prideful-youth – whatever you want to call it – I used to be an ultra-critical, negative and a bit of a spoilt moaner. But, as my time ticks away ever so slowly and I crawl closer to death, I believe I have grown more mature and reasonable. I remain analytical and active in my viewing and while I am someone who mildly obsesses about certain movies, TV shows, sports and other cultural stuff, I still recoil with embarrassment at the negative hysteria you get online and in social media in regard to life, politics, celebrities, pop videos and more specifically TV programmes or films.

Of late the fury of the Internet “haters” or “trolls” was aimed with fundamental ire at the all-female-led-cast Ghostbusters movie. Who really cared?!?  It was an okay film; not great. My main problem was that it was not particularly well written or directed despite the excellent efforts of the cast. In another sexist tirade the online public hacks also attacked the casting of excellent actress Jodie Whittaker as the new Doctor Who. I mean the Doctor is a shape-shifting alien who changes bodies and heaven forbid that, after thirteen men (including John Hurt’s War Doctor) in the role, a woman suddenly be cast!

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Why are people so over-the-top with their reactions I ask myself? Maybe they are channelling their life disappointments or existential anger by way of dissociative behaviour. Criticizing these casting decisions could be a way of distancing themselves from the pain of life.  Or perhaps the more socially-charged analysts could argue that filmmakers and TV showrunners are cowering to the liberal left and changing such roles to be more PC! Or maybe they are simply just nuts!?

I guess everyone is entitled to an opinion and the Internet, for better or worse, has given power to those opinions. I just don’t understand why people get so angry though!  I mean some of the criticisms aimed at the latest season of Game of Thrones were admittedly erudite and thoughtful; however, much of the wrath toward the writers ranged from the silly to the furious to nit-picking pedantry of the highest order. It’s as if the online villagers of YouTube, Facebook and Twitter had been sharpening their pitchforks and lighting their torches before the show had even aired.

My view of Game of Thrones is simple. The first six seasons gave me some of the greatest televisual enjoyment I have ever experienced. In terms of character, plotting, dialogue, action, reversals, twists, shocks, romance, performance, political intrigue, editing, direction and jaw-dropping-heart-pounding-tension it is ONE OF THE GREATEST TV SHOWS EVER!

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Thus, Season 7 had a lot to live up to and in some ways it has been a victim of its own success. When you raise the bar that high it is of no surprise if such heights dip on occasions. Having said that I thought Season 7 was fantastic TV; and I’m not the only one. It was seven episodes of brilliant entertainment with too many wonderful moments to mention.  But the online village hordes were quick to complain with vehement cries of “Burn the Writers!”  Moans included:

  • The writing’s not as good as the earlier Seasons!
  • George R. R. Martin’s careful characterisation and plots have gone!
  • The pace is TOO quick compared to the prior Seasons!
  • Too many character reunions!
  • The map has been compressed and characters seem to teleport!
  • Too many plot-holes and character inconsistencies.
  • The White Walkers / Night King enemy are too one-dimensional.
  • It’s just not as good as the books!
  • It’s become too predictable!
  • Show-runners D.B. Weiss and David Benioff are the Anti-Christ!  game-of-thrones-season-7-arya

While I agree in regard to the geographical shifts of characters and speeding up of the plot points is different to the previous Seasons, I don’t believe the entertainment value has been lost; in fact it has been heightened. I also don’t agree that the writing is bad. The show, having built up much good faith in the earlier more politically charged Seasons has now shifted to a faster more cinematic pace rather than the steady literary tread of George R. R. Martin’s work. Of course, the book is ALWAYS better than the film or show as a rule but it’s a different medium altogether.  We’re reaching the end of the show and the characters’ arcs are peaking toward denouement so the increased pace is understandable.  In regard to predictability, well, there’s only one way the whole show was going and the battle between Ice and Fire has been on the cards since the first episode! WINTER IS HERE!!  I realise many are disappointed in this shift having committed many hours to watching the show; but I honestly think the show remains as powerful as ever.

EVERYONE is now a screenwriter and while it is much fun to decide how you want the characters you love to behave, just because they do something slightly different to what you, or George R.R. Martin would do, it doesn’t mean it is bad writing or illogical. On the contrary Season 7 contained some exciting writing and an incredible amount of memorable moments. These included: Daenerys’ dragons wreaking havoc; the magnificent masculine mission beyond the Wall; Oleanna and Jamie’s words; Cersei’s continued despotic mania; a summit meeting between many of our major characters; the Hound; Jorah’s redemption; Arya’s special set of skills;the Night King and his horde; Jamie’s doubts; Brienne’s loyalty; the weirdo Bran; and all manner of incredible battle scenes on sea, air, ice and land.

These sequences plus many more and the great direction, acting, design and character twists throughout meant that I was transfixed from start to finish. I do agree that at times it felt rushed in places and ten episodes would have fleshed out some of the more temporal issues. But hey, it was still amazing from my perspective.

Game of Thrones, ultimately is a TV programmes with dragons and zombies and in between human beings attempting to out-plot and out-kill each other.  I agree there was a more Shakespearean feel to the earlier episodes and we have experienced a shift from a literary style to the cinematic.  However, I couldn’t care less and would advise the armchair screenwriters, clickbait critics and online trolls to cease bitching and stop watching the show if you don’t enjoy it any more. Because unlike this highly entertaining show YOU ARE GETTING VERY BORING!

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SIX OF THE BEST #10 – GAME OF THRONES FINEST HEROES!

SIX OF THE BEST #10 – GAME OF THRONES FINEST HEROES!

According to Christopher Booker’s text The Seven Basic Plots: Why We Tell Stories, there are in essence only a limited number of narratives including the: ‘Overcoming the Monster’, ‘Rags to Riches’, ‘The Quest’, ‘Comedy, ‘Rebirth’, ‘Tragedy’ and ‘Voyage and Return’. Booker echoes too the studies of mythologist Joseph Campbell who argues that the ‘Hero’s Journey’ or monomyth is the common template of most stories.

Christopher Vogler followed on from Campbell’s extensive work in his book, The Writer’s Journey: Mythic Structure for Writer arguing that most popular stories can be narrowed down to a series of basic structures and archetypes. Indeed, while watching Game of Thrones you can certainly identify many of them notably the Heroes Journey!

So, to continue my exploration of the first six seasons of one of the greatest shows ever, I look at some of the more heroic characters in HBO’s TV masterwork.

**CONTAINS MASSIVE SPOILERS – SEASONS 1 – 6**

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ARYA STARK – MAISIE WILLIAMS

A young tomboy at the start of the show Arya’s transformation from fresh-faced waif into a face-shifting-sword-fighting-deadly-assassin has been nothing short of extraordinary. What strikes me as most heroic is Arya’s propensity for bouncing back and that mental toughness has seen her overcome going blind, being enslaved, kidnapped, beaten and left for dead and STILL managing to get revenge on her enemies.

BRIENNE OF TARTH – GWENDOLINE CHRISTIE

I don’t think there is a nobler character than Brienne of Tarth. She is an honest and loyal Knight of the highest order and an incredibly tough swordsperson too. I was surprised more than anything when she defeated the Hound in combat. Furthermore, her unrequited romance with Jamie was very touching. She is probably the hero with the biggest heart and I hope she gets a good ending in the show.

DAENERYS TARGARYEN – EMILIA CLARKE

Daenerys is arguably not as sympathetic a hero as many of the others on the list. Perhaps, her demand and pursuit for the Iron Throne could be seen as power hungry; and in recent seasons her desire for fire and blood have shown a more dangerous side to her. However, her journey has been from a naïve, sold-off bride to a storming Queen; one that has not only commandeered the Dothraki and Unsullied but also defeated the venal Slave-Masters.

JON SNOW – KIT HARRINGTON

Probably the most heroic character of them all as he had outsider beginnings as an illegitimate bastard before growing in stature and experience to become the King of the North. Having made vows to the Nightwatch his desire to form an alliance with the Wildlings became his undoing and only the Lord of Light prevented him passing into the next world. A handsome, rugged and fine fighting specimen, Jon Snow leads by example inspiring those around him to greater things.

SAMWELL TARLY – JOHN BRADLEY-WEST

Samwell is what I would class as a quiet hero. Ridiculed for his larger size on first meeting he slowly, through intelligence and diplomacy, came to be respected by the Nightwatch; notably Jon Snow. However, it is his protection of Gilly which has seen his heroic stock rise. Having rescued her from the evil Crastor; adopted Gilly’s son as his own; fought off a White Walker; he even stood up to his bullying father, proving Sam to be a right decent chap all round.

TYRION LANNISTER – PETER DINKLAGE

Much maligned and ousted from the Lannister family following Joffrey’s deserved death Tyrion has proved his bravery and fortitude in many desperate circumstances. I feel his heroism comes from the determination to never give up despite his physicality and the demonization which occurred when he was born. Be it on during the Battle at Blackwater Bay or when standing up to his father Tywin, Tyrion just refuses to buckle and heroically ploughs on.

 

SIX OF THE BEST #9 – GAME OF THRONES MEMORABLE MONOLOGUES!

SIX OF THE BEST #9 – GAME OF THRONES MEMORABLE MONOLOGUES!

Whereas the sex, death and battle scenes are the flesh of HBO’s Game of Thrones, the bones of the show can be found in the characters and serpentine narratives. From the characters, by way of the writers, we always get some cracking monologues throughout the show too. Here are a mere six from the first six seasons which stand out for me.

**CONTAINS MASSIVE SPOILERS!**

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THEON GREYJOY – “WHAT IS DEAD MAY NEVER DIE!” – S2 – EP. 10

Having made a bold move on Winterfell the tragic Theon attempts to rally his bedraggled troops in order to fend off the enemy at the gates. It’s an excellent speech that really belongs in the mouth of someone a bit nobler, as the humorous punchline really sums up the pathetic nature of his character. After a sabre-rattling speech he’s then ignominiously thumped by Finchy from The Office. Brilliant!

JAMIE LANNISTER – “LANNISTERS HAVE ALWAYS BEEN TRUE FRIENDS.” –  S3 – EP. 5

What makes this speech stand out is that it’s a quiet scene with both Jamie and Brienne naked and vulnerable in the bath. They are both stripped of their armour and Jamie is quite pitiful having lost his hand to Locke of House Bolton. Broken, he confesses as to why he killed the Mad King, and so begins a potential redemptive path for Jamie through his touching relationship with Brienne.

PETYR BAELISH – “CHAOS IS A LADDER!” – S3 – EP. 6

Varys and Baelish’s exchanges have been missed since they went their separate ways. With Aidan Gillen’s rasping delivery this wonderful speech captures everything evil and great about the duplicitous nature of humanity within the show. It’s made all the more powerful by the images of Joffrey killing the prostitute and Jon Snow and Ygritte scaling the Wall together!

TYRION LANNISTER – “I’M GUILTY OF BEING A DWARF!” – S4 – EP. 6

I was going to choose Tyrion’s brave speech at the Battle of Blackwater Bay but this one is so full of pain and pathos at his betrayal by the women he loves, Shay. His vicious tirade at his captors contains many a fist-bump moment as Peter Dinklage spits revenge and venom while delivering a truly grandstanding monologue.

CERSEI LANNISTER – “THIS IS YOUR GOD, NOW!” – SEASON 6 – EPISODE 10

As revenge goes Cersei Lannister blowing up the Sept. was something else, not only wiping out the High Sparrow and his Faith Militant but also most of the Tyrells too. She then goads Septa Unella, the nun who was her jailer and rang the bell during the “Walk of Shame.” In villainous fashion Cersei confesses her “sins” and states she does it because she ENJOYS IT! She then brings in the Mountain!

DAENERYS TARGARYEN – “KILL MY ENEMIES IN IRON SUITS!” – S6 – EP. 6

Daenerys has some wonderful fiery moments throughout the battling slavers, barbarians, sorcerers and soldiers. Here, atop of a dragon, she belts out her vision for the future and that of the Dothraki hordes. The music, Drogon the dragon, the cheering men and Emilia Clarke’s passionate fervour all add up to a highly impactful Game of Thrones speech.

 

 

 

SIX OF THE BEST #8 – GAME OF THRONES’ MOST EVIL VILLAINS

SIX OF THE BEST #8 – GAME OF THRONES’ MOST EVIL VILLAINS

I’ve been enjoying the hell out of re-watching all the seasons of Game of Thrones and once again I take a look at six of the best things from HBO’s adaptation of George R.R. Martin’s amazing literary fantasy epics!  Game of Thrones has its fair share of nasty pieces of work so here, in my opinion, are the worst of the lot!

**CONTAINS MASSIVE SPOILERS – SEASONS 1 – 6**

CERSEI LANNISTER – LENA HEADEY

The quote, “Hell hath no fury like a woman scorned” was never more appropriate where Cersei Lannister is concerned. Brilliantly portrayed by Lena Headey her spite and evil is borne out of a sense of injustice; having been overlooked for leadership due to her gender by her father and the sexist nature of the time. This, I think, is forgivable if she wasn’t so bitter and twisted towards the likes of Tyrion (Peter Dinklage), Sansa Stark (Sophie Turner) and Margaery Tyrell (Nathalie Dormer) and didn’t openly revel in their suffering. Her plots aren’t always successful though because having given power to the ‘Faith Militant’ her plan backfired and she had to do the ‘Walk of Shame’. Having said that her revenge on the High Sparrow and his lot for this was, you have to hand it to her, explosive and devilishly realised.

CRASTER – ROBERT PUGH

Craster was Wildling pig of a man who was not only raping his own daughters for pleasure but using the male offspring as White Walker sacrifices in order to maintain his own safety. I understand that in desperate times desperate measures are required but to incestuously rape your own kin and farm them off to the deadly enemy takes the cake. Ultimately, he got his bloody comeuppance at the hands of another violent thug, the double-knifed traitor Karl Tanner (Burn Gorman). Having said that Tanner was just as vicious and having taken Craster’s Keep, he got a sword through the mouth from the heroic Jon Snow (Kit Harrington).

JOFFREY LANNISTER – JACK GLEASON

This snivelling-out-of-incest-born-cowardly-prick was a complete arsehole from the first episode. In true pantomime villain style, you could hear the screams of delight across the TV audience when he was poisoned at his own wedding in Season 4. He bullied all those around him that were weaker including the much maligned Sansa Stark and butchered prostitutes without a care in the world. What made this sister-brother-bastard-offspring even more odious is he was a complete coward too. He bottled it at the Battle of Blackwater and when he had the chance to show mercy for Ned Stark, gave the order for his decapitation. What a c—t!

LORD PETYR BAELISH – AIDEN GILLEN

With the voice of a hypnotic snake ‘Littlefinger’ is a very dangerous man indeed. In fact, he’s arguably the most evil of the lot as his plotting is virtually invisible and yet done in plain sight. A true Machiavellian he manipulates everyone using spies, soldiers, servants and prostitutes to do his watching and listening. His crimes are legion and include:  turning on Ned Stark to favour the Lannister’s; helping the Tyrell’s poison Joffrey to turn on the Lannister’s; pushing madwoman Lady Lysa Arryn to her death through the Moon Door to benefit himself; gaining Sansa Stark’s trust before finagling her into marrying the complete bastard Ramsay Bolton; and then turning on the Bolton family by taking the Knights of the Vale to defeat them. In short: he’s a brilliant and fiendish tactician up to the end of Season 6 that is, when he finds further rivals stopping his path to the Iron Throne.

MELISANDRE THE RED WOMAN – CARICE VAN HOUTEN

The Red Woman is a constant threat to all characters throughout the seasons of the show. She uses her committed fervour to the Lord of the Light, and her sexual wares,  to suck the life out of the people around her and bring bloody death to others. Essentially a human embodiment of the Succubus creature she gets her claws into Stannis Baratheon (Stephen Dillane) and convinces him the fire has named him the one and true King. Only after Stannis’ daughter is burnt at the stake as a sacrifice and Stannis is killed in the Battle for Winterfell does she admit she may have got it wrong?!? Having previously killed Renley Baratheon with black magic;  leech-raped Gendry (Joe Dempsie) for his blood; done for Stannis; she then turns her attention to Jon Snow. Indeed, even though she had brought him back to life he banishes her for the witch and jinx that she is.

RAMSAY BOLTON – IWAN RHEON

Beginning in some ways like a Northern Joffrey, the bastard Ramsay Snow was introduced as a possible ally to Theon Greyjoy (Alfie Allen), only to sneakily turn the tables and in fact reveal himself to be Theon’s captor. Unlike Joffrey he is cunning, as he proved getting information out of Theon, and actually a fierce fighter and killer. While he genuinely backs up his psychopathy with violent acts his means of killing people is gruesome to say the least. The Bolton’s do not take prisoners and instead skin their foes alive. While Ramsay delights in not only feeding his enemies to the dogs and sexually humiliating poor Sansa, he also cut Theon’s cock off in one of the most sickening acts of violence. In a TV show that is always imaginatively near-the-knuckle when it comes to torture this was utterly sickening. Sansa’s revenge on Ramsay has to be one of the most satisfying moments in the show’s history.

SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

Game of Thrones is one of the biggest literary and TV phenomena of recent years. It has entered Western cultures’ psyche offering a glut of: plotting, death, sex, class-divide, war, fantastical beasts and devilish sorcery!  I think the main strength lies though in the wonderful writing that stems first from George R.R. Martin’s behemoth tomes and the incredible production values of the show. Plus, the casting, acting and directing is more often than not better than most cinema offerings.

With Season Seven almost upon us I have been re-watching the show on Sky Atlantic and decided to run a few blog items over the next few weeks dedicated to Game of Thrones.  Today, I choose six characters that for me have excelled in essentially supporting roles and usually end up stealing scenes from the main characters. One could argue that some of these are now main characters, however, in an ensemble cast I consider Tyrion, Daenerys, Cersei, Jamie, Arya, Sansa, Bran, Jon Snow, Varys and – due to his heavy plot machinations – Petyr Baelish etc. to arguably be the main characters. Well, of the ones who are still alive that is!

**CONTAINS SPOILERS**


BRONN – JEROME FLYNN

“Give me ten good men and some climbing spikes. I’ll impregnate the bitch.”

Bronn initially appeared in the first season and championed for Tyrion Lannister when he faced certain death in the Eyrie. Subsequently his Northern working class “charm”, philandering and brilliant fighting skills have provided many scene-stealing moments as Jerome Flynn presents a likeable and honest sword-for-hire-killer to a tee.

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JAQEN H’GHAR/THE FACELESS MAN – TOM WLASCHIBA  

“Help was not promised. Only death. Give a name, any name.”

Another assassin but this time one that is more mysterious and fantastical. Jaqen first appeared as a “tutor” of death and magical helper to Arya as he aided her escape from a Harrenhal bolthole. Subsequently, we saw nothing of him until seasons 5 and 6 when he takes Arya into his Braavos school for assassins and teaches her to become a “Faceless Man”, well women, or person of non-face and non-gendered persuasion.

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SANDOR “THE HOUND” CLEGANE – RORY McCANN

“Any man dies with a clean sword, I’ll rape his fucking corpse!”

He may have a burnt face and rotten murderous soul but I love the Hound. First seen as part of the Lannister’s sworn swords he bailed at the battle of Blackwater due to the wildfire burning bodies, ships and the horizon. After which he became a Ronin, walking the land and attempting some kind of symbolic redemption. Left for dead by Brienne of Tarth (who should be on this list) we thought we’d never see him again. But in the last season he was back; swearing, murderising and spitting out brutal one-liners with disgusting joy!


WALDER FREY
– DAVID BRADLEY

“Stark, Tully, Lannister, Baratheon. Give me one good reason why I should waste a single thought on any of you?”

The brilliant character actor David Bradley plays the nastiest, grim, old, sexist, racist, murderous bastard perfectly. You are both squirming in shock and then grimacing in horror at the words which leave his gnarled mouth. Of course, Robb Stark and his mother will never forget Walder Frey as he was the host at the infamous Red Wedding; which has a reception no one will ever forget.

YARA GREYJOY – GEMMA WHELAN

“Anything with a cock is easy to fool.”

Sister of the tragic Theon Greyjoy, Yara is the one with the proper balls in the family. Her character is first seen in Season 2, when from the start she tricks her brother with an incestuous practical joke. Yara impresses with her no nonsense attitude, intelligence and fearless confidence throughout as Gemma Whelan instils her character with a playful, yet fierce and probably psychotic depth and determination.

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YGRITTE – ROSE LESLIE

“I’ll cut your pretty cock right off and wear it round me neck.”

Ygritte was a feisty, fiery but sharp player who belied her Wildling roots to develop a passion and love for Jon Snow amidst the cold landscape beyond the wall.  Initially taken prisoner by Jon she turns the tables and eventually the two become entwined. Even watching today the chemistry between the two actors on-screen is very powerful as Rose Leslie brings real passion to the role. Moreover, their relationship also propels Jon’s softening in attitude toward the Wildling people; ultimately forging a powerful alliance.

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TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016 – SCREENWASH SPECIAL BY PAUL LAIGHT

Well, here’s wishing you a prosperous New Year going forward!  I’ve read somewhere that apparently 2016 wasn’t a vintage year for movies but I went to the cinema a lot and saw a whole host of cracking entertainment.  Likewise, television budgets and production values continue to soar and there were some incredible shows produced too.

So, here are my TOP TWELVE films I saw at the cinema AND TOP TWELVE television shows watched/streamed.  Some of the films and TV programmes may have bled from 2015 into 2016 release-wise; moreover, I have also included a couple of yet-to-be-released films I saw at the London Film Festival.

Remember dudes these are not necessarily the best films or shows but the ones I enjoyed the most. So, overall, it’s just my opinion, man.

TOP TWELVE FILMS SEEN AT THE CINEMA IN 2016 (in alphabetical order)

ARRIVAL (2016)

“. . .an intelligent and emotional science-fiction drama with a beautifully constructed narrative.”

BONE TOMAHAWK (2015)

“A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic.”

CAPTAIN AMERICA 3: CIVIL WAR (2016)

“. . . again the Russo Brothers direct with whip-cracking pace and humour, making this easily one of the blockbusters of the year.”

DOCTOR STRANGE (2016)

“. . .wonderful fun with hallucinogenic visuals, eye-popping fight scenes plus mystical marvels!”

THE HATEFUL EIGHT (2015)

“. . . QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.”

MANCHESTER-BY-THE-SEA (2016)

“. . . heart-racking drama which stretches the emotions while also providing flickers of light amidst the pain.”

MEN AND CHICKEN (2015)

“. . . lurches from hilarious physical violence to examinations of religion and science in a film I can only describe as being like the Three Stooges meet The Island of Dr Moreau.”

THE NICE GUYS (2016)

“. . . pings a shaggy-dog narrative along at a cracking pace with a script filled with so many hilarious punchlines and sight gags.”

RAW (2016)

“. . . great horror film which has one of the most disgusting scenes I have had the pleasure to see for some time.”

THE REVENANT (2015)

“. . . just superb, grueling, bloody, epic and beautiful filmmaking!”

ROGUE ONE: A STAR WARS STORY (2016)

“. . . a rip roaring mission-in-space-war movie set just before the original Star Wars movie!”

ROOM (2015)

“. . . a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child.”

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TOP TWELVE TV SHOWS SEEN IN 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

“Are there any better character drama shows around than this show? The writing and acting in Season 2 was just brilliant.”

BILLIONS (2016) – SEASON 1

“. . . great acting, script and cat-and-mouse twists galore in a meaty twelve episodes.”

DAREDEVIL (2016) – SEASON 2

“This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do!”

FARGO (2015) – SEASON 2

“. . . drama, humour and suspense are incredible as is the cast.”

GAME OF THRONES (2016) – SEASON 6

“. . . these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.”

GOMORRAH (2016) – SEASON 2

“. . . further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire.”

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

“. . . gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity.”

MAKING A MURDERER (2015) – SEASON 1

“. . . It is as thrilling and suspenseful as anything Hitchcock created as the trials of these men and their families are thrust before us.”

PENNY DREADFUL (2016) – SEASON 3

“. . .a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was gone.”

SOUTH PARK (2016) – SEASON 20

“. . . yet another fantastically gross, satirical and ballsy animated series from Parker and Stone.”

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

“. . . Lee is a human anti-depressant lifting my spirits while at the same time making me think about the very nature of the subjects he tackles.”

WESTWORLD (2016) – SEASON 1

“Brilliant and exquisite Sci-fi-western-mash-up from Michael Crichton, Jonathan Nolan and Lisa Joy.”

 

SIX OF THE BEST #2 – MY MOST HATED CINEMA & TV CHARACTERS by PAUL LAIGHT

Following on from listing six of my favourite British sitcom episodes recently, I thought I’d have a bit of fun venting about some of the most irritating characters I have witnessed on film or TV screen. I mean did the writers intend for them to be annoying pricks or was it the actor or direction or performance or all of the above?  Anyway, whatever the weather, its great fun kicking the boot into these annoying arseholes!

**SPOILERS AHEAD**

 

ALL THE KIDS (EXCEPT CHARLIE) – WILLY WONKA AND THE CHOCOLATE FACTORY (1971)

I’ll ignore the Tim Burton version of this story and concentrate on the original adaptation of Roald Dahl’s classic morality adventure. If you don’t know the story a reclusive sweet-maker lures kids to his factory on the promise of a “golden ticket” competition win. There’s Teutonic glutton Augustus Gloop; weirdo TV addict Mike Teevee; demanding, harpy-bitch Veruca Salt, upper-class, gum-maniac Violet Beauregarde and finally humble Charlie Bucket. Each kid, Charlie aside, is a spoilt bastard and each satisfactorily gets their just desserts, as Dahl’s fantasy punishes the rich and greedy ones to maximum audience delight.

 

FERGEE – JUDGE DREDD (1995)

I could basically include ANY character portrayed by Rob Schneider but I reserve special hatred for this monstrosity. I mean the film Judge Dredd was pretty bad, however, the action and design were bearable and Stallone – despite removing the protective mask – was kind of okay. YET the tone of the film was all over the shop! None more so than when acting cyst Rob Schneider pops up as an unofficial comedy sidekick for Dredd.  Yeah – like that was a staple of the cynical, dystopian and violent world the 2000AD comic was known for right!  No, I didn’t think so!  Morons!

 

JAR JAR BINKS – STAR WARS: PHANTOM MENACE etc. (1999)

Jar Jar, let’s face it, is an obvious choice but he is a complete cunt!  The worst crime is, as the comic relief, he is NOT funny!!  Moreover, his accent is unintelligible and he suffers from looking completely stupid. The Phantom Menace (1999), while having some fantastic actors (Liam Neeson, Natalie Portman and Ewan McGregor), great action and superior baddie in Darth Maul, was let down by plodding plot, soggy politics and dreadful dialogue. Yet, Jar Jar Binks was the rancid cherry on top of a rotten cake. Not only that his character was also portrayed in an abominably stereotypical fashion seeming to echo the racist early-Hollywood representations of black characters that were seen as un-heroic, dumb and figures of scorn or fun.

 

JOFFREY BARATHEON – GAME OF THRONES (2011 – 2014)

The prostitute-murdering-Sean-Bean-killing-bullying-maniac-twat was clearly intended to be the pantomime villain we loved to hate from the start. But, like Malfoy from Harry Potter his character and the slimy performance from Jack Gleeson, he, for me eventually became a character I just hated without any enjoyment. I mean, I know he was sadistic in his treatment of Sansa Stark and mocking of Tyrion but he was also a bottle-job when it came to battle, perfectly encapsulating the worst kind of royal family traits. Moreover, Gleeson’s soulless face, clipped speech and acting on its’ own made me want to drag him out of the television and strangle him. Of course, Joffrey would eventually get poisoned at his own wedding and much joy was had from his demise from pretty much everyone who has ever watched the show.

RUBY RHOD – THE 5th ELEMENT

Luc Besson’s imaginative and colourful sci-fi-action epic had much to enjoy, notably: the performances of Milla Jovovich’s innocent alien, Bruce Willis’ cynical taxi driver and Gary Oldman’s terrific pantomime space villain. The action comes thick and fast and the production is a joy to watch. However, just over halfway through Chris Tucker’s performance of media whore Ruby Rhod takes a massive shit on the film; one it almost never recovers from. I mean, he’s loud, high-pitched, ridiculously dressed and THINKS HE’S FUNNY!  What was Besson thinking – who knows!? Even in an over-the-top-colour-clashed-sci-fi-action-romance-extravaganza Ruby Rhod was a stain and travesty of a character!

 

WHITNEY SOLLOWAY – THE AFFAIR (2014 –  )

Clearly this spoilt upper-middle-class New York teenager was intended by the writers to be a right royal pain in the arse. She throws sweet-sixteen tantrums of the highest order throughout and her nasally high-pitched voice grated me so much that I actually stopped watching the show during the second season. While the actress Julia Goldani Telles performance is excellent, the character was just too manipulative and psychotic to ever get my sympathy. Even amidst a whole host of privileged, narcissistic first-worlders Whitney Solloway took the biscuit and in the end I hated her so much I wished she’d been killed to death!