Tag Archives: George RR Martin

HEARING STORIES: SOME THOUGHTS AND REVIEWS ON AUDIO-BOOKS

HEARING STORIES: SOME THOUGHTS AND REVIEWS ON AUDIO-BOOKS

Six months ago I was reading a physical book of Joseph Heller’s Catch 22 and I was just not feeling it. Not the actual book as it is a classic novel of our time but the actual activity of reading itself. I just did not want to read anymore. Of course, I can do it but my mind just didn’t have the desire or energy. What did this mean?

Had I been dumbed down and rendered attention deficient by virtue of the constant viewing of films, TV and the barrage of internet viewing. Perhaps my brain had been become punch-drunk and distorted my mind, like an over-the-hill boxer who’d just had one too many fights. It was confusing. I’ve always loved reading and did not want to stop.

So, I thought why not try out the Audio-book route?  What’s the worst that could happen?  I could LISTEN to someone reading the book to me and experience the literature from an aural perspective. I have to be honest – I’m glad I did! Because I have been listening to a number of audio-book productions and they have been very rewarding from all manner of dramatic, artistic, comical and emotional directions. Moreover, I listen to these books while walking and at the gym so my “reading” has become a very pleasing mobile pursuit.

Anyhow, here are some reviews of the books I have been listening to over the past months. If you also listen to audiobooks please feel free to suggest any good “reads” or narrations.

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BACK STORY – DAVID MITCHELL (narrated by David Mitchell)

Comedian, actor, panel-show humourist and writer David Mitchell takes us on a literal walk of London landmarks and streets, while also wandering down his own personal memory lanes and avenues. Pedantic, neurotic, angry and insightful in equal measures this is an entertaining and intelligent journey full of hilarious rants and stories relating to Mitchell’s life; one which is blighted, not by personal tragedy, but rather a very painful bad back. His narration too is very funny and listening to him speak is like having your very own personal version of the brilliant comedy show Peep Show in your head.  I especially, from a creative point-of-view, enjoyed his analysis of comedy past, present and the actualities of writing sketches, jokes and performing too.

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CATCH 22 – JOSEPH HELLER (narrated by Trevor White)

The novel which began my whole diversification into the audiobook territories is a startling anti-war character drama full of tragedy and black comedy, highlighting the folly of humanity during conflict. I was both laughing out loud and crying inside as Heller’s seminal work crashes us into the heart of madness during World War II. Featuring any number of crazed pilots either being killed or trying not to be killed while flying over Italy, this novel expertly takes you up and down and up and down. Heller does this with a meticulously acute writing style and via characters such as the wonderfully named: Yossarian, Milo Minderbinder, Doc Daneeka, Snowden, Nately, Nurse Cramer, Captain Aardvark, Colonel Cathcart and many more lunatics. This is a sprawling insane war-set epic which satirizes and laments the folly and destructive behaviour of mankind, and is all the more relevant today because we still can’t fucking learn to stop killing each other over ridiculous things like money, land, God and love.

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DO ANDROIDS DREAM OF ELECTRIC SHEEP – PHILIP K. DICK (narrated by Scott Brick)

Dick’s classic science-fiction novel is better known now as Blade Runner and the film versions are incredibly stylish and powerful genre works. Yet, Scott Brick’s narration of Dick’s source novel is absolutely perfect in its rendition, creating a haunting pathos beyond that featured in the film. The story covers one day in the life of Rick Deckard – an “Andy” or android bounty hunter who must track down a series of superior robots of the Nexus Six variety. The original Blade Runner (1982) film did well to distil and simplify the narrative but it only touched the sides where the complex themes are concerned. The novel is far more involved with subtext relating to: simulations; animal husbandry; Artificial Intelligence; Virtual-reality religious fervour; and the existential pain or humans and robots, being explored within the rotting dystopic, Earth setting.

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GAME OF THRONES – GEORGE R.R. MARTIN (narrated by Roy Dotrice)

George R. R. Martin’s North-versus-South-Westerosian fantasy epic has provided hours of entertainment via HBO’s massive hit TV adaptation. The original source novel is a literary monster of a book with an over 33 hours running time, so kudos to the talented, yet ageing actor, Roy Dotrice for staying alive during the recording and finding the energy to narrate it. If you don’t know the Game of Thrones TV show, it has become an iconic narrative of Starks versus Lannister’s versus Targaryen’s versus zombies versus dragons and all manner of: lords, ladies, monsters, whores, hordes, henchmen, sorcerers, warriors, Kings, Queens and peasant scum; all fighting and spitting hate at each other for a baying public’s bloodthirsty satisfaction.

The book, of which Game of Thrones is based, is an intricately plotted, brilliantly characterised and action-packed joy. Not for the faint-hearted it is explicit from a violence and erotic perspective and Martin’s writing is believable unbelievability of the highest order. While it may be fantastic in regard to many of the concepts it is grounded in a raw and human reality as the flawed characters conflict with each other in all manner of familial jousting, hearty battling and political chicanery. The book has all the greatest qualities of the television show and much more besides and well worth the many hours it took me to “read”.

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HOW NOT TO BE A BOY – ROBERT WEBB (narrated by Robert Webb)

The other half of the Mitchell and Webb double-act, Robert, narrates his own story with an adept sarcasm, intelligence and over-riding sense of grief throughout. As a big fan of Peepshow, his brilliance as an actor is playing unlikeable-selfish-man-boys with devilish charisma. He’s obviously very funny too and his anecdotes and memories of growing up in a Lincolnshire town and overcoming family heartache before joining the so-called Cambridge academic elite are very honest and personable. I would have liked a bit more detail about his creative process but reading between the lines I felt that it all came very naturally and unpretentiously to Webb. Overall, this is a terrific listen, full of funny and tragic moments; plus given I’m the same age as Webb, his references to televisual, pop, film and comedy culture were immediately recognisable to me, only adding to the book’s enjoyment.

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I, PARTRIDGE: WE NEED TO TALK ABOUT ALAN – ALAN PARTRIDGE (read by Alan Partridge)

Steve Coogan’s genius comedy creation Alan Partridge has been part of my life since the 1990s when I first saw him on the brilliant satire show The Day Today. There he presented the sports and would subsequently go on to a kind of greatness as a chat show host on Knowing Me, Knowing You and starring in one of the best sitcoms of all time, I’m Alan Partridge. It is a testament to the acting ability, quality of writing and sheer stamina of Coogan that he continues to mine comedy gold from the hills of Partridge, as it were. Coogan narrates (in the glorious character of Partridge) a fictional autobiography from actual cradle to career grave. It also hilariously covers how he bounced back from the precipice of a chocolate-driven-frenzied-nervous-breakdown-suicide-attempt in Dundee. I have never laughed so much as six hours of comedic gold entered my brain and left me in stitches throughout. This is one of the funniest things I have had the pleasure to listen too; full of bitter rants, vengeful asides, over-elaborate similes and a litany of what I can only call Partridgeisms! Is that a word: well it is now!

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GAME OF THRONES – SEASON 7 – REVIEW & RANDOM THOUGHTS

GAME OF THRONES – SEASON 7 REVIEW & RANDOM THOUGHTS

**ABSOLUTELY NO SPOILERS**

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I’ll be honest: in my younger days of arrogance or confidence or know-it-all-prideful-youth – whatever you want to call it – I used to be an ultra-critical, negative and a bit of a spoilt moaner. But, as my time ticks away ever so slowly and I crawl closer to death, I believe I have grown more mature and reasonable. I remain analytical and active in my viewing and while I am someone who mildly obsesses about certain movies, TV shows, sports and other cultural stuff, I still recoil with embarrassment at the negative hysteria you get online and in social media in regard to life, politics, celebrities, pop videos and more specifically TV programmes or films.

Of late the fury of the Internet “haters” or “trolls” was aimed with fundamental ire at the all-female-led-cast Ghostbusters movie. Who really cared?!?  It was an okay film; not great. My main problem was that it was not particularly well written or directed despite the excellent efforts of the cast. In another sexist tirade the online public hacks also attacked the casting of excellent actress Jodie Whittaker as the new Doctor Who. I mean the Doctor is a shape-shifting alien who changes bodies and heaven forbid that, after thirteen men (including John Hurt’s War Doctor) in the role, a woman suddenly be cast!

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Why are people so over-the-top with their reactions I ask myself? Maybe they are channelling their life disappointments or existential anger by way of dissociative behaviour. Criticizing these casting decisions could be a way of distancing themselves from the pain of life.  Or perhaps the more socially-charged analysts could argue that filmmakers and TV showrunners are cowering to the liberal left and changing such roles to be more PC! Or maybe they are simply just nuts!?

I guess everyone is entitled to an opinion and the Internet, for better or worse, has given power to those opinions. I just don’t understand why people get so angry though!  I mean some of the criticisms aimed at the latest season of Game of Thrones were admittedly erudite and thoughtful; however, much of the wrath toward the writers ranged from the silly to the furious to nit-picking pedantry of the highest order. It’s as if the online villagers of YouTube, Facebook and Twitter had been sharpening their pitchforks and lighting their torches before the show had even aired.

My view of Game of Thrones is simple. The first six seasons gave me some of the greatest televisual enjoyment I have ever experienced. In terms of character, plotting, dialogue, action, reversals, twists, shocks, romance, performance, political intrigue, editing, direction and jaw-dropping-heart-pounding-tension it is ONE OF THE GREATEST TV SHOWS EVER!

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Thus, Season 7 had a lot to live up to and in some ways it has been a victim of its own success. When you raise the bar that high it is of no surprise if such heights dip on occasions. Having said that I thought Season 7 was fantastic TV; and I’m not the only one. It was seven episodes of brilliant entertainment with too many wonderful moments to mention.  But the online village hordes were quick to complain with vehement cries of “Burn the Writers!”  Moans included:

  • The writing’s not as good as the earlier Seasons!
  • George R. R. Martin’s careful characterisation and plots have gone!
  • The pace is TOO quick compared to the prior Seasons!
  • Too many character reunions!
  • The map has been compressed and characters seem to teleport!
  • Too many plot-holes and character inconsistencies.
  • The White Walkers / Night King enemy are too one-dimensional.
  • It’s just not as good as the books!
  • It’s become too predictable!
  • Show-runners D.B. Weiss and David Benioff are the Anti-Christ!  game-of-thrones-season-7-arya

While I agree in regard to the geographical shifts of characters and speeding up of the plot points is different to the previous Seasons, I don’t believe the entertainment value has been lost; in fact it has been heightened. I also don’t agree that the writing is bad. The show, having built up much good faith in the earlier more politically charged Seasons has now shifted to a faster more cinematic pace rather than the steady literary tread of George R. R. Martin’s work. Of course, the book is ALWAYS better than the film or show as a rule but it’s a different medium altogether.  We’re reaching the end of the show and the characters’ arcs are peaking toward denouement so the increased pace is understandable.  In regard to predictability, well, there’s only one way the whole show was going and the battle between Ice and Fire has been on the cards since the first episode! WINTER IS HERE!!  I realise many are disappointed in this shift having committed many hours to watching the show; but I honestly think the show remains as powerful as ever.

EVERYONE is now a screenwriter and while it is much fun to decide how you want the characters you love to behave, just because they do something slightly different to what you, or George R.R. Martin would do, it doesn’t mean it is bad writing or illogical. On the contrary Season 7 contained some exciting writing and an incredible amount of memorable moments. These included: Daenerys’ dragons wreaking havoc; the magnificent masculine mission beyond the Wall; Oleanna and Jamie’s words; Cersei’s continued despotic mania; a summit meeting between many of our major characters; the Hound; Jorah’s redemption; Arya’s special set of skills;the Night King and his horde; Jamie’s doubts; Brienne’s loyalty; the weirdo Bran; and all manner of incredible battle scenes on sea, air, ice and land.

These sequences plus many more and the great direction, acting, design and character twists throughout meant that I was transfixed from start to finish. I do agree that at times it felt rushed in places and ten episodes would have fleshed out some of the more temporal issues. But hey, it was still amazing from my perspective.

Game of Thrones, ultimately is a TV programmes with dragons and zombies and in between human beings attempting to out-plot and out-kill each other.  I agree there was a more Shakespearean feel to the earlier episodes and we have experienced a shift from a literary style to the cinematic.  However, I couldn’t care less and would advise the armchair screenwriters, clickbait critics and online trolls to cease bitching and stop watching the show if you don’t enjoy it any more. Because unlike this highly entertaining show YOU ARE GETTING VERY BORING!

SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

Game of Thrones is one of the biggest literary and TV phenomena of recent years. It has entered Western cultures’ psyche offering a glut of: plotting, death, sex, class-divide, war, fantastical beasts and devilish sorcery!  I think the main strength lies though in the wonderful writing that stems first from George R.R. Martin’s behemoth tomes and the incredible production values of the show. Plus, the casting, acting and directing is more often than not better than most cinema offerings.

With Season Seven almost upon us I have been re-watching the show on Sky Atlantic and decided to run a few blog items over the next few weeks dedicated to Game of Thrones.  Today, I choose six characters that for me have excelled in essentially supporting roles and usually end up stealing scenes from the main characters. One could argue that some of these are now main characters, however, in an ensemble cast I consider Tyrion, Daenerys, Cersei, Jamie, Arya, Sansa, Bran, Jon Snow, Varys and – due to his heavy plot machinations – Petyr Baelish etc. to arguably be the main characters. Well, of the ones who are still alive that is!

**CONTAINS SPOILERS**


BRONN – JEROME FLYNN

“Give me ten good men and some climbing spikes. I’ll impregnate the bitch.”

Bronn initially appeared in the first season and championed for Tyrion Lannister when he faced certain death in the Eyrie. Subsequently his Northern working class “charm”, philandering and brilliant fighting skills have provided many scene-stealing moments as Jerome Flynn presents a likeable and honest sword-for-hire-killer to a tee.

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JAQEN H’GHAR/THE FACELESS MAN – TOM WLASCHIBA  

“Help was not promised. Only death. Give a name, any name.”

Another assassin but this time one that is more mysterious and fantastical. Jaqen first appeared as a “tutor” of death and magical helper to Arya as he aided her escape from a Harrenhal bolthole. Subsequently, we saw nothing of him until seasons 5 and 6 when he takes Arya into his Braavos school for assassins and teaches her to become a “Faceless Man”, well women, or person of non-face and non-gendered persuasion.

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SANDOR “THE HOUND” CLEGANE – RORY McCANN

“Any man dies with a clean sword, I’ll rape his fucking corpse!”

He may have a burnt face and rotten murderous soul but I love the Hound. First seen as part of the Lannister’s sworn swords he bailed at the battle of Blackwater due to the wildfire burning bodies, ships and the horizon. After which he became a Ronin, walking the land and attempting some kind of symbolic redemption. Left for dead by Brienne of Tarth (who should be on this list) we thought we’d never see him again. But in the last season he was back; swearing, murderising and spitting out brutal one-liners with disgusting joy!


WALDER FREY
– DAVID BRADLEY

“Stark, Tully, Lannister, Baratheon. Give me one good reason why I should waste a single thought on any of you?”

The brilliant character actor David Bradley plays the nastiest, grim, old, sexist, racist, murderous bastard perfectly. You are both squirming in shock and then grimacing in horror at the words which leave his gnarled mouth. Of course, Robb Stark and his mother will never forget Walder Frey as he was the host at the infamous Red Wedding; which has a reception no one will ever forget.

YARA GREYJOY – GEMMA WHELAN

“Anything with a cock is easy to fool.”

Sister of the tragic Theon Greyjoy, Yara is the one with the proper balls in the family. Her character is first seen in Season 2, when from the start she tricks her brother with an incestuous practical joke. Yara impresses with her no nonsense attitude, intelligence and fearless confidence throughout as Gemma Whelan instils her character with a playful, yet fierce and probably psychotic depth and determination.

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YGRITTE – ROSE LESLIE

“I’ll cut your pretty cock right off and wear it round me neck.”

Ygritte was a feisty, fiery but sharp player who belied her Wildling roots to develop a passion and love for Jon Snow amidst the cold landscape beyond the wall.  Initially taken prisoner by Jon she turns the tables and eventually the two become entwined. Even watching today the chemistry between the two actors on-screen is very powerful as Rose Leslie brings real passion to the role. Moreover, their relationship also propels Jon’s softening in attitude toward the Wildling people; ultimately forging a powerful alliance.

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