Tag Archives: greed

CORPORATE (2018) – COMEDY CENTRAL TV REVIEW

CORPORATE (2018) – COMEDY CENTRAL TV REVIEW

Created by: Pat Bishop, Matt Ingebretson, Jake Weisman

Directed by: Pat Bishop

Starring: Matt Ingebretson, Jake Weisman, Anne Dudek, Adam Lustick, Aparna Nancherla, Baron Vaughan, Lance Reddick

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Have you ever had a job where during your employment you literally just wanted to die?  It could be for a number of reasons: you hate your job; you hate your boss; you hate your work colleagues; you hate yourself; you’re bored with the tasks; the endless meetings; a hangover from hell; your pen broke and leaked all over you; the girl from Accounts doesn’t fancy you; you hate the customers; or you feel so existentially empty and having realised the pointlessness of living in a cruel, heartless and soulless vacuum of a world you see no alternative but to commit suicide. Or is that just me?

Of course, many of the above are the irrational emotions of a spoilt Westerner and can be firmly filed under first world problems. Because in a thriving and greed-driven capitalist society which is destroying the environment and Earth, making the rich richer and the monetizing and exploiting the poor for the continual gathering of wealth, what alternative is there? We can protest and sometime things change but most of us have the fight kicked out of our guts or never had it to begin with. So we have no choice but to punch the clock, get our money, go out and get drunk or high and play Xbox, have miserable children, watch a movie, watch Netflix, buy crap we don’t need, over eat and drink; and then go back to work on Monday, deluding ourselves we are living valuable lives.

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Comedy Central’s under-the-radar black comedy satire Corporate encapsulates much of what I’m talking about above. My attitude is nowhere near as bleak anymore as the opinions stated above and come from emotions of when I was much younger and cynical. However, there remains a truth to these feelings and Corporate – in ten very funny episodes – captures that negative truth very well. It also captures the existential dread of working in an office for a diabolical corporation, hell-bent on fucking the world while chasing the: Dollar, Pound, Yen, Rupee, Renminbi etc.

Indeed, Hampton DeVille are a massive global company and completely ruthless in their business as the show reflects practices by such conglomerates as: Amazon, Apple and Google etc. Their CEO is the megalomaniacal Christian Deville (Lance Reddick) but the show focusses on the trainee executives Matt (Matt Ingebretson) and Jake (Jake Weisman) as they face the horror of: long pointless meetings; ridiculous away days; dress down days; pedantic HR policies; general boredom and ennui; and dealing with patronising middle managers and petty colleagues. With episode titles such as: Powerpoint of Death, The Void and The Pain of Being Alive, the show is pitch black in its outlook and themes; while the visual style is drained of colour with browns, blacks and greys dominating.

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Overall, I really enjoyed the absurd look at office life in Corporate. It takes risks because even the lead protagonists aren’t likable and the delivery is very deadpan. I especially enjoyed the skewering corporate business, as Hampton Deville is shown to be involved in: gun-running; starting civil wars; monetizing religion and art; over-the top technological releases; stupid jargon and sloganeering; plus it nails the horrific tedium of being trapped in a job you hate. But as I always say: there’s one thing worse that having a job you hate – having to look for a job you know you’re going to hate!!

(Mark: 8.5 out of 11)

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HBO’S DEADWOOD (2004 – 2006) – CLASSIC TV REVIEW

HBO’S DEADWOOD (2004 – 2006) – CLASSIC TV REVIEW

ORIGINAL NETWORK: HBO – CURRENT NETWORK: SKY ATLANTIC

CREATED BY: David Milch

STARRING: Timothy Olyphant, Ian McShane, Molly Parker, Powers Boothe, Dayton Callie, Kim Dickens, Brad Dourif, John Hawkes, and Robin Weigert etc.

SEASONS: 3 – EPISODES: 36

ORIGINAL RELEASE: March 21, 2004 – August 27, 2006

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The blood and sweat and liquor seep into muddy earth as wood creaks, leather cracks and barrels roll within the midst of morning in Deadwood town. Horses cry readying themselves for the work ahead as the hangover of alcohol, greed and necessity fill men, women and children’s hearts not knowing how the day will end. They could be destitute, broke or worse; six feet under from a gunshot or plague or had their throat cut during a game of poker. Or they could be richer than a King or Queen having struck lucky in the goldmines of Montana. These are desperate times brimming with whores, bandits, con-artists, killers and unbelievably twisted optimism. There’s hope that striking gold will change lives forever and bring about fortune and prosperity. More often than not though it simply brings about death.

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David Milch’s formidably researched Western TV classic was a show I’d never ever seen so I took great pleasure drinking in its’ flavours and palette at the end of 2017. I recall when released the tabloid newspapers were forever reporting the controversy of the colourful industrial language. While the language is indeed profane and sometimes enough to make a football referee blush it is the stand-out element of the scripts. Because Deadwood is one of the most brilliantly written shows I’ve seen; and while the dialogue is clearly anachronistic it feels paradoxically authentic. Throughout the thirty-six episodes the monologues sing from the screen as a litany of character actors drawl and deliver words of filth, comedy and great tragedy. At times the dialogue is so dense it reaches sonorous Shakespearean heights.

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The narratives of each season feature characters based on real people from history (Calamity Jane, Wild Bill Hickok, Al Swearengen, Seth Bullock et al); all presented via a daily slice of mining camp life through an incredible ensemble cast. There are no heroes to hang our desires on but rather a rag-tag clan of flawed human beings presented as: killers, cowards, thugs, addicts, prostitutes, card sharks, immigrants, gold-diggers, crooked politicians and morally dubious law representatives. The amazing cast, led with frightening acting acumen by: Ian McShane, Timothy Olyphant, Molly Parker, John Hawkes, Robin Weigert, Brian Cox and Powers Boothe spit words as weapons, while the glint of gold drives humanity, creating a hard-bitten early representation of the American dream.

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Here the early realms of civilization and society are shown to be full of issues relating to: race, capitalism, prostitution, misogyny, violence, politics, and immigration. Thankfully, things have changed now and we live in a near-perfect society with no problems today. NOT! Deadwood may represent a series of distant Wild West memories but its’ grizzled and bloody vision of humanity is just as valid today. The streets of society now may have pavement and tarmac and skyscrapers but they are still besmirched with blood and greed and alas that will never change.

Mark: 10 out of 11