Tag Archives: It’s Always Sunny In Philadelphia

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

Our TV watching experiences are very different now with the various platforms available, so the idea of viewing shows live and week-to-week is a thing of the past. Moreover, the quality bar and production values of television programmes are getting even higher; especially where HBO, Amazon, Showtime and Netflix are concerned.

I have my perennial favourites so my list this year may look very similar to last year (see below), yet I’ve not yet seen the latest seasons of Better Call Saul or Black Mirror yet. Neither did I see the much lauded shows: Twin Peaks: The Return, The Deuce or anything on Amazon but overall it was a great for new TV shows and some classic long-running programmes.

FAVOURITE TWELVE TV SHOWS OF 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2
BILLIONS (2016) – SEASON 1
DAREDEVIL (2016) – SEASON 2
FARGO (2015) – SEASON 2
GAME OF THRONES (2016) – SEASON 6
GOMORRAH (2016) – SEASON 2
IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11
MAKING A MURDERER (2015) – SEASON 1
PENNY DREADFUL (2016) – SEASON 3
SOUTH PARK (2016) – SEASON 20
STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4
WESTWORLD (2016) – SEASON 1

 

FAVOURITE TWELVE TV SHOWS OF 2017 (in alpha order)

BIG LITTLE LIES (2017) – HBO

“. . .  inter-weaving stories concerning an unknown murder victim; school bullying; warring parents; extra-marital affairs; and the abusive relationships, is expertly played out over seven compelling episodes.”

 BLL

CURB YOUR ENTHUSIASM – SEASON 9 (2017) – HBO

“. . . Curb Your Enthusiasm comes back as if has never been away as it revels further in the adventures of Larry David’s pedantry, un-PC behaviour, poor decisions, risky statements and strict adherence to the social etiquette and unwritten rules of life!”

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FARGO – SEASON 3 – FOX / CHANNEL 4

“. . . Slyly satirising the police procedural drama with off-centre plot twists and dark humour, David Thewlis’s scumbag businessman and Mary Elizabeth Winstead crafty femme fatale steal the show in Season 3 of Noah Hawley’s pitch perfect Coen Brothers’ pastiche.”

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GAME OF THRONES
(2017) – SEASON 7 – HBO

“. . . containing great direction, acting, design and character twists throughout and while it felt rushed at times these seven episodes were still amazing from my perspective! And the dragons and zombies and battles and death! Winter is definitely here!”

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HANDMAID’S TALE (2017) – HULU

“. . . containing suggestions of hope, light, rebellion and solidarity in a grim, patriarchal world which crushes life and colour; this impressively directed, acted and shot series had me transfixed throughout. Elizabeth Moss is a revelation. . .”

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IT’S ALWAYS SUNNY IN PHILADELPHIA (2017) – SEASON 12

“. . . In the current superb 12th season one episode is presented from a supporting characters dream; while the most impressively detailed formal presentation has Dennis becoming a god-like TV director. This intelligence keeps the show fresh and funny.”

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LEAGUE OF GENTLEMEN – 20TH ANNIVERSARY (2017) – BBC

“. . . Reece Shearsmith, Steve Pemberton, Mark Gatiss and Jeremy Dyson are geniuses! In 1999 they brought an array of beautifully ugly comedic grotesques to the TV screen. After 3 seasons, stage tours and a movie the League of Gentlemen ceased. But they were back at Christmas with three episodes of brilliant black comedic sketches and set-pieces.”

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LEGION (2017) – FOX

“. . . as imaginative and original take on the mutant/X-Men genre you are going to find. It also very cleverly melds themes relating to: mutation, telekinesis, disassociation and schizophrenia expertly; while Aubrey Plaza and Dan Stevens are incredible in the show.”

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MINDHUNTER (2017) – NETFLIX

“. . . both dark and stylish, this David Fincher production, created by writer Joe Penhall, took elements from Zodiac (2007), Silence of the Lambs (1991) and standard FBI procedural dramas to brilliantly highlight the embryonic stages of the serial-killing profiling team.”

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SOUTH PARK – SEASON 21 – SOUTH PARK STUDIOS

“. . . The bar was raised SO high by Season 19 that Season 20 was bound to suffer, especially in the complex serialization approach. Yet, Parker and Stone are back in Season 21 with satire of the highest order! Some classic episodes such as: Sons of Witches, Put it Down and Hummels and Heroin and more, made this must-watch classic comedy.”

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STRANGER THINGS 2 (2017) – NETFLIX

“. . .Netflix’s first season sci-fi-80s-Spielberg-King-Carpenter-nostalgia-fest was arguably padded out and over-hyped; but Season 2, after a slow start, really hit the ground running as the small town kids battle inter-dimensional monsters with fantastic style and scares.”

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THE YOUNG POPE (2016) – HBO

“. . .  The Young Pope contains some wry and delicate humour too. I mean ten episodes of a Vatican-based comedy it isn’t, but Paulo Sorrentino’s skewed look shows the priests and nuns, not as higher beings but rather flawed humans like the rest of us.”

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TO CODA:

Of course, there’s probably loads of shows I’ve missed, yet I must make a special mention for the old BBC classic , Doctor Who, which while not on the above list, makes it in spirit. While the show is now older than time there were a few great episodes in Peter Capaldi’s final season as the eccentric and genius Time Lord! So, I bid you bon voyage and here’s to productive viewing in 2018.

 

 

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12 REASONS WHY ‘IT’S ALWAYS SUNNY IN PHILADELPHIA’ IS ONE OF THE FUNNIEST SITCOMS EVER!

12 REASONS WHY IT’S ALWAYS SUNNY IN PHILADELPHIA IS ONE OF THE FUNNIEST SITCOMS EVER!

With the new season now up on Netflix I thought it advisable to revisit my awe and admiration for the clever, crazy and scurrilous comedy show that is: It’s Always Sunny in Philadelphia.  I have reviewed it in the past here, but rather than simply do another glowing evaluation of Season 12 – which I loved by the way – I thought why not consider its disgusting genius as a whole. So, here you go! 12 reasons why the crazy gang from Paddy’s Pub completely rock!

**CONTAINS SPOILERS BITCHES**

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1. CHARACTERS

Any successful comedy and drama show lives and dies by the characters who inhabit the storylines and world. In the show we have a rich differentiation of people collectively known as ‘The Gang’; who all work collectively within the comedy as a highly dysfunctional family. Charlie is the idiot youngest child; Dennis and Mac are the insane older brothers; Dee is the incompetent and much maligned sister; while Frank is the wayward father and the mother is, well, there is no precise mother but a random set of insane surrogates. What they have in common is that they are all deluded-self-serving-narcissistic-insane-lunatics all seeking to undermine each other in turn. Thus resulting in some incredibly hilarious episodes and seasons.

2. FEARLESSNESS

To me political correctness is a fair way to behave and make judgements within everyday life, but sometimes it can go too far and is used as a weapon to demonize behaviour meant as humour. Moreover, in life the unwritten and written laws of society deem it necessary – for upstanding citizens that is – to abide by a certain set of rules. Those same rules don’t apply to the characters in this show. Indeed, behaviour such as: doing drugs, blacking up, stalking, pretending to be gay, arson, selling fake cola, luring women into bed under false pretences, black market surrogacy, faking own deaths, blowing up cars and generally attacking and verbally abusing people around them, should get them locked up. However, the punkish and illegal shenanigans allow the viewer to both live out vicariously such bad behaviour; not so much shock for shock sake but as an attempt to drive the humour down very dark avenues for comedic impact.

3. DARKNESS

The characters inhabit a world where it’s dog-eats-man-eats-woman-eats-dog; and in some ways this reflects the darker aspects of society.  I mean we have become a selfie-taking-blogging-wait-until-you-finish-talking-culture only interested in getting one-up on each other. While of course there is much humanity and charity too in life, It’s Always Sunny is not a cosy or safe world where everything ends up great at the end. No!  Dead dogs fall out of children’s coffins; tramps have anal sex under the New Jersey boardwalk; Frank exploits Vietnamese people in sweatshops; people pretend to have cancer; the long-suffering Cricket had his face and existence burnt off; characters laugh when others fall flat on their face or try to kill themselves etc. Today, and quite rightly, we should strive to respect each other so the show is a terrible role model for life and lurks in a world far away from and the warm hearts of other benign TV shows.

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4. FORMAL BRILLIANCE

Throughout every season of It’s Always Sunny there is always an attempt to present episodes in an imaginative form and structure.  For example, in Who Pooped The Bed we get a Rashomon-style-split-perspective murder investigation into who crapped in Charlie’s bed.  While in The Gang Go On Family Fight, the humour is structured around the gang appearing on a classic gameshow. In addition to the hilarious historically anachronistic flashbacks in The Gang Cracks the Liberty Bell, in Season 11’s Being Frank the whole episode was shot from Frank’s POV. In the current superb 12th season one episode is presented from a supporting characters dream perspective; while the most impressively detailed form presentation is in Old Lady House: A Situation Comedy. In this Dennis sets up a series of CCTV cameras in Mac and Charlie’s Mum’s abode and becomes a god-like TV director; editing their everyday lives into a bizarre but hilarious reality show/situation comedy. This intelligence and thought keeps the show fresh and funny in presentation and delivery.

5. WRITING

As well as the impressive formal structuring all twelve seasons of It’s Always Sunny the plots are always pretty tight and logical in a twisted way. Of course some of the storylines can become quite convoluted for humorous purposes but the writers use pace and a plethora of plot twists to great impact. I especially loved the episode The Gang Breaks Dee which finds Dee finally hitting it big as a stand-up comedian only to find it was the Gang who set her up with a massively elaborate practical joke. Dee again was at the centre of a big mystery in Season 6 where she gets pregnant and tries to make money out of surrogacy. This plot became a classic arc for the season and the episode Who Got Dee Pregnant is brilliant twisted as each of the Gang debate as to whether it was them or not; including even Frank and Dennis!  So essentially rather than being just a litany of abusive characters being horrible many of the narratives are tighter than a wrestler’s nut-sack in Speedos.

6. RUNNING GAGS

Throughout all the episodes there are a plethora of running gags such as:

  • Charlie is a perpetual glue or paint sniffer.
  • Charlie ‘loves’ and stalks the Waitress.
  • Frank and Charlie are garbage scavengers.
  • Frank always tries some underhanded money-making scheme.
  • Dee is a terrible stand-up comedian.
  • Dee has terrible taste in men who all suffer at her hands.
  • Dee is mocked for being a bird.
  • Cricket’s life and body is destroyed by the Gang.
  • The McPoyle family are the Gang’s sworn enemies.
  • Dennis thinks he’s the most intelligent but is just as dumb as the rest.
  • Mac thinks he’s a brilliant bodyguard with great fighting moves but isn’t.
  • Everyone thinks Mac is gay but he doesn’t know or admit it!
  • The Gang ALWAYS destroy Dee’s cars.
  • Dennis is a committed “lady-killer” with sociopathic tendencies.
  • Charlie does all the dirty work!
  • The Gang will promote ridiculous products such as: Kitten Mittens, Wolf Cola and Fight-Milk!
  • The Gang ALWAYS dumbfound and conflict with figures of authority including: Police; Lawyers; Health & Safety; Doctors; Therapists etc.

These and many more provide the spine for the show and give it a depth and wealth of humour throughout.

7. SATIRE

Similar to South Park many people who haven’t seen the show may think that It’s Always Sunny is just a gross and base comedy show. However, many of the episodes show the Gang attempting to resolve a national or international capitalist crisis. Usually led by Frank’s desire to screw someone over or simply because they prefer ill thought out and hair-brained schemes to actual proper work these episodes successfully satirise the world today. My particular favourites include: The Gang Runs for Office, The Gang Solve the Gas Crisis, The Great Recession and The Gang Recycles Their Trash  all demonstrate a finger-on-the-pulse of political and social satire; albeit from a completely ridiculous angle.

8. DIALOGUE

In some respect the dialogue is some of the most disgusting words ever committed to TV. In fact I’m amazed there isn’t more controversy for some of the episodes. However, like the characters it remains on the fringe of the TV schedules remaining cult viewing. Here are just a few of their classic quotes:

“Hey-o! What’s up, bitches!”                                                 Mac

“Wildcard, bitches! Yee-haw!”                                              Charlie

“I browned out that evening.”                                               Mac

“You keep using this word “jabroni. It’s awesome!”          Charlie

“If you’re in my room, you’re always being filmed.”          Dennis

“I’m not fat. I’m cultivating mass.”                                       Fat Mac

“Your mom doesn’t know dick! She’s a dumb, fat cow!”    
Sweet Dee

“Fight Milk! The first alcoholic protein drink for bodyguards!” Mac

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9. CAMEOS

In the latest season there is a wonderful cameo from Scott Bakula where his 1980s character Sam Beckett is shown to have jumped into the body of an old black man. Bakula features throughout with a wonderful hang-dog desperation as to how he ended up in such a crazy situation. Other cameos include: filmmaker Guillermo Del Doro and Games of Thrones writers David Benioff and D. B. Weiss who have actually written the Flowers for Charlie episode and guest-starred in one two. Other guest stars include: Josh Groban, Sinbad, Puff Daddy, Dax Shephard, Tom Sizemore and my personal favourite Sean William Scott as Country Mac. I think the appearance of said celebrities is not enough to get the laughs, but the writers often use them parodically and the actors really get into the craziness of the show.

10. PARODIES

Like many great contemporary comedies including South Park, Father Ted and The Simpsons many of the shows episodes are clearly influenced by the makers love of music, movies, TV and radio. Episodes parodying musicals, 1980s ski/sex comedies, gangsters, Reality makeover shows, animated kids programmes, horror films, detective and cop shows and many more. In Season 11 they parodied Oscar winning Birdman (2014) by filming the show in one-take to a jazz score and in Season 12 But the show doesn’t just mention or take plots from certain genres it mocks but it pays tributes to specific films too. For example in Season 9 they even made Lethal Weapon 6 with hilarious results.

11. SONGS

Believe it or not the rag-tag-weirdo-idiot-boy Charlie (Charlie Day) is a songwriter of some ill-repute. The best examples of his music can be found in the legendary episode The Nightman Cometh where he gets the Gang to stage a musical for no apparent reason. It is complete and utter insanity but somehow actually works and the songs are pretty catchy too. Season 12 also finds the Gang stuck in The Wiz and having to sing their lines involuntarily. This is absolutely hilarious too as they attempt to find the rules of the parallel world they are trapped in.

12. LOW BUDGET

Incredibly the very first pilot episode was shot for $200 and ever since that the Gang and creators have stuck to the lower budget ideals of the debut season. In fact that is the strength of the show as they must use their writing and acting abilities to come up with ideas which do not need massive budgets or special effects. Indeed, the lo-fi charm of the show remains as it is from the first season. Okay, the Gang have got older and Mac got fatter and gayer but the same theme tune and credits play out in the current season as they did in the first; and that is very comforting to me, BITCHES!

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016 – SCREENWASH SPECIAL BY PAUL LAIGHT

Well, here’s wishing you a prosperous New Year going forward!  I’ve read somewhere that apparently 2016 wasn’t a vintage year for movies but I went to the cinema a lot and saw a whole host of cracking entertainment.  Likewise, television budgets and production values continue to soar and there were some incredible shows produced too.

So, here are my TOP TWELVE films I saw at the cinema AND TOP TWELVE television shows watched/streamed.  Some of the films and TV programmes may have bled from 2015 into 2016 release-wise; moreover, I have also included a couple of yet-to-be-released films I saw at the London Film Festival.

Remember dudes these are not necessarily the best films or shows but the ones I enjoyed the most. So, overall, it’s just my opinion, man.

TOP TWELVE FILMS SEEN AT THE CINEMA IN 2016 (in alphabetical order)

ARRIVAL (2016)

“. . .an intelligent and emotional science-fiction drama with a beautifully constructed narrative.”

BONE TOMAHAWK (2015)

“A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic.”

CAPTAIN AMERICA 3: CIVIL WAR (2016)

“. . . again the Russo Brothers direct with whip-cracking pace and humour, making this easily one of the blockbusters of the year.”

DOCTOR STRANGE (2016)

“. . .wonderful fun with hallucinogenic visuals, eye-popping fight scenes plus mystical marvels!”

THE HATEFUL EIGHT (2015)

“. . . QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.”

MANCHESTER-BY-THE-SEA (2016)

“. . . heart-racking drama which stretches the emotions while also providing flickers of light amidst the pain.”

MEN AND CHICKEN (2015)

“. . . lurches from hilarious physical violence to examinations of religion and science in a film I can only describe as being like the Three Stooges meet The Island of Dr Moreau.”

THE NICE GUYS (2016)

“. . . pings a shaggy-dog narrative along at a cracking pace with a script filled with so many hilarious punchlines and sight gags.”

RAW (2016)

“. . . great horror film which has one of the most disgusting scenes I have had the pleasure to see for some time.”

THE REVENANT (2015)

“. . . just superb, grueling, bloody, epic and beautiful filmmaking!”

ROGUE ONE: A STAR WARS STORY (2016)

“. . . a rip roaring mission-in-space-war movie set just before the original Star Wars movie!”

ROOM (2015)

“. . . a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child.”

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TOP TWELVE TV SHOWS SEEN IN 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

“Are there any better character drama shows around than this show? The writing and acting in Season 2 was just brilliant.”

BILLIONS (2016) – SEASON 1

“. . . great acting, script and cat-and-mouse twists galore in a meaty twelve episodes.”

DAREDEVIL (2016) – SEASON 2

“This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do!”

FARGO (2015) – SEASON 2

“. . . drama, humour and suspense are incredible as is the cast.”

GAME OF THRONES (2016) – SEASON 6

“. . . these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.”

GOMORRAH (2016) – SEASON 2

“. . . further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire.”

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

“. . . gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity.”

MAKING A MURDERER (2015) – SEASON 1

“. . . It is as thrilling and suspenseful as anything Hitchcock created as the trials of these men and their families are thrust before us.”

PENNY DREADFUL (2016) – SEASON 3

“. . .a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was gone.”

SOUTH PARK (2016) – SEASON 20

“. . . yet another fantastically gross, satirical and ballsy animated series from Parker and Stone.”

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

“. . . Lee is a human anti-depressant lifting my spirits while at the same time making me think about the very nature of the subjects he tackles.”

WESTWORLD (2016) – SEASON 1

“Brilliant and exquisite Sci-fi-western-mash-up from Michael Crichton, Jonathan Nolan and Lisa Joy.”

 

SCREENWASH – JUNE FILM & TV REVIEWS 2016 – BY PAUL LAIGHT

SCREENWASH – JUNE 2016 – BY PAUL LAIGHT

June was both a very special month of viewing and also sad because one of my favourite shows shuffled off into TV heaven after three scintillating seasons. I also watched some excellent genre films; the month being very much about quality of viewing rather than quantity. As usual, marks out of eleven and of course:

**MASSIVE SPOILERS HERE**

 

THE AFFAIR (2014) – SEASON TWO – NOW TV

The first season of this “first world” sex-charged adult drama was compelling stuff with fine performances from Ruth Wilson, Dominic West and Maura Tierney respectively. The suspense was palpable, the writing sharp; and the characters – while not wholly likeable – had a humane quality that drew you in. The second season though just got on my nerves a bit and I just didn’t give a toss in the end despite some memorable scenes. Plus, the teenage daughter made me want to drown her in a ditch, such was her irritability factor. So, in the end I just gave up around episode eight.  (Mark: 5 out of 11)

ARRESTED DEVELOPMENT – SEASON 3 – (2005)

The final season in the first run before it was cancelled and subsequently rebirthed by Netflix was another tremendously hilarious comedy of errors; featuring a rogues gallery of vapid narcissistic characters all trying and failing to out-do each other. Aside from the wonderful performances from Jason Bateman, David Cross, Michael Cera, Jessica Walter, Will Arnett and so on, the law have George Bluth Snr under house arrest while Michael tries to keep the business going. He also falls in love with an English retard (played by Charlize Theron) while ultimately ending up in Iraq trying to resolve some shady shenanigans. The season is most memorable for a Godzilla parody with Tobias dressed in a massive mole costume smashing down “Tiny Town” in front of bemused Japanese investors.   (Mark: 9 out of 11)

AMERICAN HORROR STORY: FREAKSHOW (2015) – NETFLIX

I love this bleak, violent, bloody, over-the-top horror anthology from writers Ryan Murphy and Brad Falchuk. They truly are horror connoisseurs as they introduce us to a litany of gruesome characters, situations and narratives all set in a circus freakshow in 1950s USA. This is no apple-pie-white-picket-fence-Americana because we get: killer clowns, Siamese Twins, two-faced ghouls, midgets, Amazonian women, hermaphrodites, Nazi murderers and many, many more freaks and monsters on display.  Once again, like the previous seasons, the ensemble cast are quality, notably Evan Peters, Sarah Paulson and the majestic Jessica Lange. Arguably the most horrendous character though is the spoilt-rich-boy-millionaire-killer, Dandy, played with evil abandon by potential star Finn Wittrock. (Mark: 9 out of 11)

THE CONJURING 2 (2016) – CINEMA

Great magicians astound you even when you know how a trick works. Therefore I heartily recommend this follow-up to, believe-it-or-not, The Conjuring (2013). Director James Wan is a master magician and uses every deception, distraction and reveal in the book to deliver a devilish and nail-biting horror story based once again on the work of paranormal investigators Lorraine and Ed Warren. The springboard for the terror is the infamous Enfield haunting in which a gnarled dead pensioner terrorized a North London family. Vera Farmiga and Patrick Wilson bring quiet quality to the ghoulish hysterics and James Wan once again proves he is arguably the best horror director around. The film is worthy of the admission for the invention of another great monster in the guise of a ghastly pale-faced nun.  (Mark: 8.5 out of 11)

GAME OF THRONES – SEASON 6 (2016) – NOW TV

If I had a sword to my throat I would have to say that this – in terms of pulsating storytelling, dramatic twists and bloodcurdling action – is one of the best seasons of television I have EVER SEEN! Book geeks are probably spitting crisps over their keyboards but now the writers are free of the shackles of the gigantic novels, these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.  I can’t speak of all the plot strands as there were too many but the wheels were really turning and new alliances forming notably: Daenerys and her flight toward Westeros; Arya becoming no one and then learning new deadly abilities; a violent “Dog” from the past returning to go on a kill-crazy rampage; formerly dead Jon Snow coming back to life and marching on Winterfell in order to defeat evil Ramsay Bolton; Sansa Stark also joined the Ramsay revenge queue, with Lord Baelish in the wings too; and the piece de resistance was Cersei Lannister battle of wills with the High Sparrow who was slowly clawing all she held dear away from her. Overall, it was a ballsy drama which gave us twists and violence galore and my viewing schedule will have a massive hole to fill over the next year! (Mark: 11 out of 11)

GOMORRAH – SEASON 2 (2016) – NOW TV

The first season of Gomorrah was gritty-Italian-kitchen-sink-gangster-drama at its finest. It followed the shadowy, mean Neapolitan street-hoodlums and their drug trafficking, double-crosses, political corruptions and murderous shootouts. The General lording over the territory was Don Pietro Savastano but his empire was undermined by foot-soldier Ciro Di Marzio and his crooked alliance with Salvatore Conte. Savastano’s raw and inexperienced son Genny also attempted to rise up the ladder but his bullish impatience became his undoing. In Season 2 the power struggle between these three characters continues, and over the ten episodes further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire. (Mark: 9 out of 11)

HUSH (2016) – NETFLIX

Horror filmmaker Mike “Oculus” Flanagan is a pretty decent genre director and here he sets up another interesting premise while delivering some efficient scares in the process. Kate Siegel plays a mute-deaf writer who – in desiring solitude – lives in the woods to carve out her latest novel. Alas, her peace is invaded by a masked psycho – what are the chances! – and she must overcome her restrictions to fight them off.  Contrived and cheap it may be, Flanagan shows he’s a confident helmer who deserves a bigger budget to work with. (Mark: 6.5 out of 11)


IRRATIONAL MAN (2015) – NOW TV

Woody Allen is one of the greatest writer-directors of all time and his curriculum vitae boasts an incredible array of amazing films. His latest cinematic efforts have on occasions hit great heights; films such as Whatever Works (2009), Midnight in Paris (2011), Blue Jasmine (2013) and Magic in the Moonlight (2014) all benefitted from Allen’s trademark wit and intriguing characterisation. Irrational Man stars Joaquin Phoenix as a misanthropic writer who hates the world but somehow finds meaning in a random act of violence. At the same time he has a love affair with his student, pretty Emma Stone; and the two narrative strands ultimately become entwined in a pleasing black comedy. (Mark: 7 out of 11)


THE NICE GUYS (2016) – CINEMA

Writer/director Shane Black created a winning cop-buddy formula with Lethal Weapon, continued it with the very under-rated Kiss, Kiss, Bang, Bang (2005) and having hit behemoth-budget pay dirt with Iron Man 3 (2013) he once again nails the buddy-noir-comedy-action film. The Nice Guys stars Russell Crowe and Ryan Gosling as a couple of private dicks and their haphazard pairing pings a shaggy-dog narrative along at a cracking pace. The script is filled with so many hilarious punchlines, sight gags, salty dialogue and a suggestion of occasional pathos too. It combines late 70s corruption with pornographers while presenting a sparkling nostalgia script filtering Chinatown (1974) via Starsky and Hutch. Overall one of the most entertaining films I’ve seen all year. (Mark: 9 out of 11)

PEAKY BLINDERS – SEASON 3 (2016) – BBC IPLAYER

The third season of the stylish period drama once again finds Thomas Shelby (brilliant Cillian Murphy) and his clan attempting to expand their business empire from the Birmingham backstreets across the Atlantic and further. This season has some fine villains including venal priest played by Paddy Considine and communist-fleeing Russian aristocrats. As well as the usual muscular-bleeding-tattooed-coked-up-masculinity on show, writer Steven Knight presents a set of powerful female characters too who are just as ruthless and deadly as the male counterparts. It’s a cracking drama all-told; a high-quality flagbearer for the BBC. (Mark: 8.5 out of 11)

PENNY DREADFUL – SEASON 3 – (2016) – NOW TV

Alas, Showtime/Sky Atlantic’s Penny Dreadful is no more; gone forever into the misty poetic ether. Season 3 had been a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was deceased; gone; buried; over; a fog in the mists of time.  I watched in wonder while Rory Kinnear as Frankenstein’s Monster/”John Clare” availed to reconcile with his long lost family; Ethan “Talbot” Chandler in the hands of US Marshals facing certain death; Dr Jekyll and Dr Frankenstein attempting to “cure” the insane; Lily raising a feminist army of whores to wreak havoc on man; plus the ever-beautiful-yet-haunted Vanessa Ives battling a whole host of new demons internally and externally. This is one of my favourite shows of recent years and alas the ending was somewhat abrupt. However, the vampiric London setting juxtaposed superbly with the violent Western arena where cowboys battled snakes and wolves. Despite the touching, yet mildly flat denouement, as gothic horror goes this drama possessed three seasons of monstrous wonder. (Mark: 10.5 out of 11)

SCREENWASH – MAY 2016 – BY PAUL LAIGHT

SCREENWASH – MAY 2016 – BY PAUL LAIGHT

May was a decent month of viewing with some things old, some things new and nothing blue watched at all. So, here are my TV, film and comedy reviews for the month of May – with marks out of 11 as usual.

 

THE AFFAIR (2014) – SEASON ONE – NOW TV

Very much a “first world” problem drama starring the excellent Dominic West, Maura Tierney and the effervescent Ruth Wilson, it shows the events an extramarital affair causes to two different families. The acting and writing are just superb as West and Wilson’s sexually charged attraction spills into duplicity, body heat and suspense. The storytelling is excellent too as each episode shows multiple events from different perspectives and the characters are both irritating and intriguing with their wonky moral compasses and poor life choices. The Affair is highly compelling and keeps you gripped throughout. (Mark: 8 out of 11)

ARRESTED DEVELOPMENT (2003 – 2004) – NETFLIX

How the hell did I miss this cracking comedy first time round beats me?!  The hilarious show centres on the disastrous Bluth family who are all narcissistic egoists all trying to manipulate each other in some financial or emotional way. Even the sanest of the lot Michael Bluth (Jason Bateman) is a flawed “hero”, although he is positively angelic compared to the other members of his family including failed magician Gob (Will Arnett), pill-popping matriarch Lucille (Jessica Walter), deluded Lindsay (Portia De Rossi) and imprisoned father portrayed with sociopathic insouciance by Jeffrey Tambor. The brilliant ensemble cast (including among others: David Cross, Michael Cera, Henry Winkler, Liza Minnelli, Tony Hale etc.) hit the rapid-fire gags and deranged scenarios out of the ballpark; as the show perfectly encapsulates the very epitome of a dysfunctional family.  (Mark: 9.5 out of 11)

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007) – BLU RAY

Andrew Dominik’s moody Western is one of the BEST films I have seen in the last 10 years.  It was a box-office flop but everything about it screamed greatness to me: stunning cinematography; wonderful cast; beautiful vistas; elegant pace; resonating themes regarding notoriety; and so on and so forth.  Sam Rockwell excels in a supporting role as Charley Ford who gets caught between the eerie homo-erotic hero-worship-then-rivalry of his brother Robert (stunning Casey Affleck) and eponymous Jesse James (never better Brad Pitt).  The film moves at a glacial pace, building character and suspense, while in between, the sporadic bursts of violence startle and raise the pulse in an altogether memorable cinematic experience. (Mark: 10 out of 11)


CAPTAIN AMERICA 3: CIVIL WAR (2016) – CINEMA

Historical reviews on this very blog have been favourable about Captain America and his exploits; in fact he is probably my favourite Marvel Avenger I’d say.  His last outing Captain America: Winter Soldier (2014) was one of my films of the year, so I had high hopes for Civil War. The final film in the trilogy delivers a cracking rollercoaster ride filled with tremendous action, set-pieces and plot twists. As usual the army of Marvel effects technicians deliver an array of computer-generated mastery with a cacophony of colour, explosions, chases, fighting and bone-crunching sound effects.

The strong narrative involves a number of strands which link the prior two films as Steve Rogers protects his brainwashed buddy Bucky Barnes from the US government and allied Avengers attempting to bring him to justice for his crimes. Moreover, Iron Man, Black Widow, Vision and others face off against Captain America and his team in order to make the Avengers more accountable for their actions. This culminates in THE BEST ACTION SEQUENCE of the year as the Avengers have a battle royale on an airstrip in Germany. Overall, it’s a brilliant film which has welcome cameos from Ant-Man and another new Spiderman; while also introducing the all-action nobility of the Black Panther.  Again the Russo Brothers direct with whip-cracking pace and humour, making this easily the blockbuster of the year. (Mark: 9.5 out of 11)

GOTHAM (2015) – SEASON 1 – NETFLIX

TV boxset watching is often like a cultural version of Stockholm syndrome. Some programmes grab you immediately while others you have to watch enough of before you give in to their demands. With that in mind, it took about 11 episodes before started enjoying Gotham. It began poorly with terrible dialogue and hammy acting and the Batman canon timeline, tone and characters are all over the shop. However, by the end it had won me over as a trashy guilty pleasure mixing horror, comic-book, crime, Western and fantasy genres. Highlights are the succession of violent cartoon villains and young versions of villains-to-come while Ben Mckenzie (Gordon), Robin Lord Taylor (Penguin), Sean Pertwee (Alfred) and Corey Michael Smith (Edward Nygma) steal the show. (Mark: 7.5 out of 11)

GREEN ROOM (2015) – CINEMA

This was an excellent sophomore feature film from writer/director Jeremy “Blue Ruin” Saulnier, as we find a punk band pitted against neo-Nazis in the back beyond of Portland, USA. It borrows heavily from George Romero and John Carpenter but the filmmakers and cast create a really nasty horror-show as the death of a rock fan spirals totally out of control. A fine cast including:  Alia Shawkat, Joe Cole, Anton Yelchin, Amanda Poot, and an against-the-grain-playing-nasty Patrick Stewart. Despite the stupidity of the band and Nazis I was gripped throughout and there is some terrific gore and box-cutting violence and recommended for those who like their thrills rare and bloody. (Mark: 8 out of 11)

IT’S ALWAYS SUNNY IN PHILADELPHIA – SEASON 11 – NETFLIX

Oh the man-children, Dennis, Charlie, Mac and Frank – and not forgetting bird-girl Dee – are back for another season of anarchic derring-do at Paddy’s Pub and beyond. As a massive fan of this very naughty show I was very much looking forward to the mayhem of Season 11; and they did not let us down. In this season we had episodes: parodying 80s ski films; Charlie capturing a Leprechaun; the gang getting trapped on a Christian cruise; Charlie and Mac move to the suburbs; Dee gets involved in porn; a whole episode, rather scarily, shot from Frank’s point-of-view; and all manner of other bizarre incidents and behavior. The gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity. (Mark: 9 out of 11)

LINE OF DUTY (2013 – 2014) – SEASONS 1 & 2 – NETFLIX

Very solid cop drama written and produced by Jed Mercurio, this story of cops investigating cops has an excellent British cast across two seasons including: Lennie James, Craig Parkinson, Neil Morrissey, Adrian Dunbar plus leads Martin Crompston and Vicky McClure.  It’s tightly plotted with some brilliant twists and great suspense as you never quite know who’s on whose side. Special mention for Keeley Hawes who is a revelation as the cop being chased in the second season; as her acting is so brilliant, you never know if she’s good, bad, manipulative, a victim or just plain evil.  (Mark: 7.5 out of 11)


LIVING DAYLIGHTS (1987) – PRINCE CHARLES 007 RETROSPECTIVE

The Living Daylights, for me, is a very fine Bond film and Dalton is an incredibly under-rated 007. He only did two films but brought a pathos, depth and unpredictability to the role that Moore severely lacked. Bond is a stone-cold-killer-burnt-out-anti-authoritarian-adrenaline-junkie who has seen death a thousand times over; and Dalton plays him as such. Connery, Craig and at times Brosnan got this over in their performances but none as much as Dalton. The film works brilliantly on the big screen too and stands the test of time as both a sterling Bond film and cracking espionage action thriller. For my full classic review clink on this link(Mark: 9 out of 11)

NOSFERATU (1979) – SKY MOVIES

Werner Herzog’s atmospheric and moody adaptation of Stoker’s Dracula works brilliantly as both a horror film and homage to Murnau’s silent classic of the same name. Bruno Ganz excels as the unlucky Harker, sent to Transylvania to complete a property deal for his firm. Moreover, Klaus Kinski is chilling as the vampiric Count hell-bent on sucking the blood out of anyone who gets close. This has some exquisite cinematography plus an ethereal and dream-like style which makes this a memorable horror classic. (Mark: 8 out of 11)

OF MICE AND MEN (1992) – DVD

Steinbeck’s classic novel about two itinerant drifters is one of the best stories I have ever read.  This film version directed and starring Gary Sinise, with John Malkovich as the tragic Lennie Small, is a touching rendition of the depression-set story. It’s such a brilliant book that any screen version will pale in comparison but Sinise and Malkovich excel in their respective roles and it’s great to see Steinbeck’s rich, authentic and grim tale of existence brought to life and death. (Mark: 7.5 out of 11)

SON OF SAUL (2016) – SKY MOVIES

This is a heavy-as-hell-Hungarian-holocaust drama deserved won Best Film in a Foreign Language at the Oscars. The story focusses on the intense Saul (Geza Rohrig) and his search for a Rabbi to give his son the Kaddish to allow him a correct Jewish burial. It is a harrowing experience, presented in a 4:3 screen ratio and pretty much all over-the-shoulder of the protagonist. These stylistic choices narrow the focus on Saul’s tireless journey through the camps in vain pursuit of said Rabbi. Amidst his search death, fire and flesh bleed through the landscape and the whole experience is gruelling, overwhelming and upsetting. (Mark: 8 out of 11)

YAKUZA APOCALYPSE (2016) – SKY MOVIES

This film from insane Japanese director Takeshi Miike is just mental. I enjoy Asian cinema films and Miike’s previous movies such as Audition and Ichi the Killer were excellent just-the-right-side-of-bizarre spectacles, yet this is an unwatchable mix of martial arts, horror, and gangster and monster movies. Recommended only for the brave, foolhardy or clinically insane. (Mark: 3.5 out of 11)

 

THE WATER DIVINER (2014) – AMAZON PRIME

A muddled mix of war, family, romance and period drama genres from debutant director and star Russell Crowe, The Water Diviner, boasts some wonderful scenery and highly moving scenes, notably in the WW1 Gallipoli flashbacks. However, Crowe the director is let down by a hamstrung script plus the miscasting of Olga Kurylenko who just seemed too glamorous to fall for Crowe’s recently widowed character searching for the bodies of his three dead sons. While it fails as a movie epic there’s enough to recommend it as a matinee rental on a wet Sunday afternoon while nursing an uber-hangover. (Mark: 6 out of 11)

WILD (2014) – NOW TV

Reese Witherspoon as Cheryl Strayed is excellent in this road-movie-true-story-drama as she trudges the Pacific Crest Trail in order to exorcise the demons of her past and somehow redeem her soul. It’s very well directed and structured by director Jean-Marc Vallee and screenwriter Nick Hornby and works really well as a pathos-driven character study; as well as stunningly shot travelogue with wonderful vistas. (Mark: 7 out of 11)

SCREENWASH – SEPTEMBER 2015 – FILM AND TV REVIEW ROUND-UP BY PAUL LAIGHT

SCREENWASH – SEPTEMBER 2015 – FILM AND TV REVIEW ROUND-UP BY PAUL LAIGHT

Bit late with this one but I have been doing some work for charity; although I prefer not to talk about it. Anyway, I saw shedloads of big and small screen product in September! So, here’s a quick review of some of things I witnessed with marks out of 11.

**HELL YEAH – THERE’S SPOILERS!**

’71 (2014) – AMAZON PRIME

Chase-thriller ’71 centres itself on a British soldier portrayed by Jack O’Connell who on the run in enemy territory finds himself pursued by nefarious parties from both Irish and British sides. It’s a kinetic and suspenseful film, directed with verve and urgency and contains some heart-stopping moments, as well as a fine cast including Sean Harris and Richard Dormer.  (Mark: 7.5 out of 11)

BADLAND: A ROAD TO FURY (2014) – BLU-RAY

Called Young Ones in the States this is a real genre oddity as it combines Western and Science-Fiction tropes within a dystopic narrative set in a god-forsaken hellish dustbowl.  Michael Shannon is the father and farmer who tries his best to keep his family together in an unforgiving future. This is a very strange film which probably deserves another viewing to make real sense of what’s occurring; good cast though.  (6 out of 11)

BLEEDER (1999) – DVD

No one does brutal studies of lowlife like Nicolas Winding Refn. His early Danish films, Bleeder included, are grim character pieces that burst into nihilistic violence. This features four friends who watch films together but whose lives are coming apart at the seams. It’s bloody, depressing but somehow remains compelling and watchable; much like a car crash on the M4. (7 out of 11)

EVEREST (2015) – CINEMA

This is suspenseful mountain disaster film which shows both the folly and bravery of men and women at high altitude. Some of the moments will leave you biting your nails and gasping for breath as the mountaineering team scale the Himalayas. The most impressive aspect is the cast including: Jake Gyllenhaal, Jason Clarke, Michael Kelly, Emily Watson, Josh Brolin, John Hawkes and more.   (7 out of 11)

THE DROP (2014) – NOW TV

Tom Hardy offers another brilliant piece of character work as a Boston barman who works in a mob-owned pub. He finds himself threatened by local scumbag Matthias Schoenaerts over the disputed ownership of a dog. The puppy is very well cast but Hardy and James Gandolfini own the show with a sterling study of masculinity and controlled rage. (8 out of 11)

THE GAMBLER (2014) – BLU RAY

Great dialogue, direction and cast couldn’t stop me from hating the nihilistic lead character played by a miscast and too-nice Mark Wahlberg. He was such a miserable-death-wish cunt that I wanted the gangsters who were chasing him to kill him and save me from having to watch anymore of his irredeemable and depressing loser. (4 out of 11)

GOING CLEAR (2014) – NOW TV

This is an astounding documentary revealing the history, psychology and inner-workings of the Scientology “religion”. It’s an amazing expose with interviews from former members of the cult who having disconnected, found themselves stalked and discredited by the extremely paranoid Scientologists. It is compelling viewing for anyone interested in religion or alleged cults and the financial dealings of the group makes them akin to organised crime syndicate, such is their wealth and violent ways of dealing with “members”.   (9 out of 11)

GOMORRAH (2014) – NOW TV

Gomorrah is one of the best TV dramas I’ve seen all year. It is a brutal and violent Italian gangster drama set in Naples and like modern day Roman times but with more plots, blood and murder. It follows the Savastano family and the enemies they face both on the right and wrong side of the law. No one is safe as the series reaches a deathly climax. Gripping stuff and highly recommended!  (10 out of 11)

 

GRAVE ENCOUNTERS (2011) – AMAZON PRIME

If I had the choice of removing my genitals with a cheese grater or watching this film again I would choose the grater as this was just laughable. Neither scary or suspenseful it has loud shouting actors who should be shot with high-powered rifles rather than a camera. Basically only for people who like terrible found footage horror films or the mentally ill. (1 out of 11)

LEGEND (2015) – CINEMA

Tom Hardy is phenomenal as the Kray twins. Set in 60s London’s underworld this begins like a smack-bang gangster film before delving deeper into the psychology of mental illness of Ronnie Kray’s wife and his crazed brother, Ronnie. Tonally it gets caught between cartoon humour, glamourizing violence and serious crime drama but recommended for the lead performance. Indeed, Tom Hardy, as in Bronson (2008), humanizes monstrous criminals who probably don’t deserve it. (7.5 out of 11)

THE NECESSARY DEATH OF CHARLIE COUNTRYMEN – BLU RAY

A diabolically pretentious and awful Euro-drama which didn’t know if it was a comedy or gangster or rites of passage or study of grief type movie!  Ultimately it tried them all and failed in every aspect! Avoid!  (2 out of 11)

PADDINGTON (2014) – BLU RAY

I loved Paddington as a kid and the dulcet tones of Michael Hordern narrated the 2-D animated tales with warmth and charm.  The funky film version is an even bigger delight with Ben Whishaw, Sally Hawkins and Hugh Bonneville collaborating beautifully with Paul King’s terrific script and lovely direction. The animation is a joy and the gag-rate incredibly high in a wonderful feel-good family film. (8 out of 11)

 

RIFIFI (1955) – NETFLIX (RE-WATCH)

This is a classic French crime drama from which involves the robbery of a jewellery store by a gang of ex-cons.  It’s memorable for the long-near-silent robbery sequence in the middle act which is full of suspense and hold-your-breath moments.  I loved that they humanized the criminals and the characters at the start and the robbery scene is often imitated but never bettered. (8 out of 11)

RUBBER (2011) – AMAZON PRIME

Bizarre horror-comedy which cannot under any circumstances be recommended unless you like fourth-wall-breaking-art-films-about-murderous-tyres-who-explode-birds-and-humans-with-telekinetic-powers. Actually, it’s also a satire on the nature of Hollywood filmmaking and an audience starved of originality; I think!  (8 out of 11)

 

RUN ALL NIGHT (2015) – DVD

Liam Neeson is a drunken, washed-up mob enforcer who faces a race against time to save his estranged son (Joel Kinnaman) and his young family.  It’s pretty generic fayre in which a grizzled Neeson can do in his sleep but it has some crunching action, car-chases and shoot-outs which fizz along impressively at a breakneck pace.  (7 out of 11)

  

SALVATION (2014) – SKY MOVIES

Mads Mikkelsen could not save The Necessary Death of Charlie Countrymen but his quiet power is very much to the fore in this colourful revenge Western.  He portrays a Danish former soldier whose wife and son are butchered by Jeffery Dean Morgan’s dastardly men, precipitating a path of bloody retribution. (7 out of 11)

THE WOLFPACK (2014) – CINEMA

A very interesting documentary about a huge family of boys and one girl who were kept as virtual prisoners in their own New York high-rise apartment by an alcoholic, bullying and eccentric father. The boys retained their sanity just about as they sought movies as a means to connect with society. The parodies they act out such as Pulp Fiction and Dark Knight were hilarious. But there is much pathos as both the children and Mother are tragic figures too having been “lost” and imprisoned by, quite frankly, a pathetic excuse for a father. (7.5 out of 11)

WHITECHAPEL (2009 – 2012 – Seasons 1-3) – NETFLIX

Started watching this during the quiet times at work and got pretty gripped by the East End murder cases investigated by Rupert Penry-Jones, Phil Davis and Steve Pemberton. It’s a well-made addition to the over-loaded detective genre which by Season 3 had some excellent suspense and drama. I was especially drawn in by Davis and Penry-Jones water-oil relationship and the latter’s OCD. (7 out of 11)

WYRMWOOD: ROAD OF THE DEAD (2015) – AMAZON PRIME

This is a really fun zombie-road-movie-gore-fest which is clearly inspired by Mad Max, Evil Dead, Braindead and George Romero’s oeuvre. Some lovely blood-gushing gore and imaginative machinery on show makes this low budget horror-comedy well worth a rental. (7 out of 11)

 

GREAT ENSEMBLE FILM CASTS #1 – BY PAUL LAIGHT

GREAT ENSEMBLE FILM CASTS #1 – BY PAUL LAIGHT

Movie stars are usually the Kings and Queens of a film! They propel the narrative and guarantee bums on seats when a film opens. They also create expectation and word of mouth buzz thus studios have invested heavily over the decades in icons such as:  Al Pacino, Harrison Ford, Clint Eastwood, George Clooney, Julia Roberts, Tom Cruise, Arnold Schwarzenegger, Marilyn Monroe, Meryl Streep, Sylvester Stallone, James Cagney, Mel Gibson to name but a few.

I love movie star driven cinema, however, I’m also a big fan of the ensemble casts seen in genre films such as: comic book epics, crime thrillers, war films and Westerns.  What an ensemble cast offers is a diverse set of characters and actors bouncing off one another to powerful effect. Most recently the mountain disaster film Everest (2015) had fine actors including: Jake Gyllenhaal, Jason Clarke, Michael Kelly, Emily Watson, Josh Brolin, John Hawkes and more.   Thus, just for the hell of it I’ve picked out some of my favourite films which contained not just one big star but lots of fine actors who all combined to make a fantastic movie experience.

12 ANGRY MEN (1957)

Bona fide classic movie adapted from the TV play by Reginald Rose and directed by the legendary filmmaker Sidney Lumet.  The claustrophobic nature of a jury arguing over a murder case is brought to the boil by a superlative Henry Fonda and sterling character actors such as: Jack Klugman, Lee J. Cobb, Martin Balsam and Robert Webber.  It’s a real festival of acting full of sweat, anger, conscience, guilt and doubt.

AVENGERS ASSEMBLE (2012)

Joss Whedon’s Marvel behemoth broke all kinds of box office records across the world! It’s a humdinger of a movie with a cracking cast that included: Robert Downey Jnr, Scarlett Johansson, Mark Ruffalo, Jeremy Renner, Samuel L. Jackson, Chris Evans, Chris Hemsworth, Tom Hiddleston and many more!  In fact, I’m surprised the set didn’t collapse under the weight of all the egos in front of camera.

GRAND BUDAPEST HOTEL (2014)

It’s cameo cast central in Wes Anderson’s fast-paced eccentric comedy with Ralph Fiennes leading the line-up with a terrific central performance. Also, tagging along for the quirky and colourful ride are such acting luminaries as: F. Murray Abraham, Willem Defoe, Tilda Swinton, Jeff Goldblum, Bill Murray, Jude Law, Edward Norton, Mathieu Amalric, Adrien Brody, Saoirse Ronan, Jason Schwartzman, Tom Wilkinson and Owen Wilson. Blink and you’ll probably miss some of them!

 

INCEPTION (2010)

Christopher Nolan’s mind-bending heist thriller features a dream cast. Or does it!  Yes – it does!  It’s a Hollywood pot-pourri of movie stars such as Leonard DiCaprio, Oscar winner Marion Cotillard, star-in-the-making Tom Hardy, veteran character actors like Tom Berenger and Michael Caine and feisty starlet Ellen Page.

 

LA CONFIDENTIAL (1997)

While the careers of Russell Crowe, Guy Pearce and Kevin Spacey have gone up and down in various measures recently this brilliant crime film found them on the rise up the Hollywood ladder. Here they play a trio of very different detectives investigating movie lookalikes, murder and police corruption in Los Angeles. Throw in the likes of Kim Basinger, James Cromwell and Danny Devito and you have a cast to literally die for.

THE MAGNIFICENT SEVEN (1960)

The cast of this classic Seven Samurai remake is remarkable as in, aside from Yul Brynner, they were all pretty much unknown at time of filming. So, kudos to the casting team who recruited such a charismatic troupe including: Steve McQueen, Charles Bronson and James Coburn; who would all become stars in their own right.

 

MAGNOLIA (1999)

Take your pick from Paul Thomas Anderson’s films which ALWAYS have excellent casts. I am in no doubt actors are drawn to the narcissistic and existential angst which inhabits the characters’. Boogie Nights (1997) is one of my favourite films but Magnolia with – Tom Cruise, Philip Baker Hall, Philip Seymour Hoffman, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards – just wins out for best cast for me.

MEANTIME (1984)

Not a large ensemble cast but a brilliant one nonetheless.  In Mike Leigh’s quintessentially British council estate film we get three young British stars in Gary Oldman, Tim Roth and Phil Daniels plus Alfred Molina and Pam Ferris too.  Each character drowns in depression, awash in concrete, unemployment and the stench of piss-stinking lifts and cigarette-stained wallpaper. This is a sad, funny, low-budget 1980s kitchen-sink classic.

 

THE OUTSIDERS (1983)

Similar to The Magnificent Seven this is a “before they were famous deal” with an incredible cast who would come to known in the 1980s as The Brat Pack. C. Thomas Howell, Rob Lowe, Emilio Estevez, Matt Dillon, Tom Cruise, Patrick Swayze, Ralph Macchio, and Diane Lane all starred in this tragic rites of passage story about teenage gangs and friendship. All the actors when on to have decent careers; but what ever happened to that Tom Cruise guy though?!?

PULP FICTION (1994)

Tarantino, of course, is not only about the cracking dialogue and violence and homages to other movie styles and genre but he also knows how to cast a movie.  He rarely has a big film star at the helm of his films but rather relies on a mixture of known stars in supporting roles, character actors, plus fading or B-movie journeymen. Often, actors are cast on ability and suitability rather than saleability such as Pam Grier and Christophe Waltz. His keen casting eye gave us a wonderful Samuel L. Jackson – up until then limited to mainly supporting roles – and also relaunched John Travolta’s flagging career in the imperious ensemble crime film Pulp Fiction.

SHORT CUTS (1993)

Robert Altman is the “King” of the ensemble drama as demonstrated with Nashville (1975), Mash (1970 and The Player (1993). His films often poked into the American underbelly psychoanalysing the mores of the various classes.  His work would have a massive influence on Paul Thomas Anderson and actors clearly considered it a badge of honour to act for him. Short Cuts was adapted from  Raymond Carver’s work and the cast included: Julianne Moore, Fred Ward, Anne Archer, Jennifer Jason Leigh, Robert Downey, Jr., Madeleine Stowe, Chris Penn, Jack Lemmon, Frances McDormand, Andie MacDowell, Lily Tomlin and many more.

 

TINKER, TAILOR, SOLDIER, SPY (2011)

This spy thriller contains a “Who’s-Who” of British acting talent. We have Commissioner Gordon, Bane, Sherlock Holmes, King George VI, Doctor Who, Truman Capote and even Trigger from Only Fools and Horses acting in between the shadows of murky British Intelligence espionage.  It’s a tricky watch as the director goes for atmosphere over exposition but the sheer style and quality of the performances ensure espionage has never been so intriguing.