Tag Archives: James Cameron

MY CINEMATIC ROMANCE #9 – TIME TRAVEL FILMS by PAUL LAIGHT

MY CINEMATIC ROMANCE #9 – TIME TRAVEL FILMS by PAUL LAIGHT

My ongoing series writing about cinema stuff I love, has gone from eulogizing actors to directors and now to genres; oh, how progressive am I?  Seriously though, in this piece I choose FIVE time-travel films which are just brilliant examples of the (sub)genre.

I love time-travel films and the main reasons are:

  • They offer fantastic and paradoxical narratives and “what if” scenarios.
  • They really get your brain working overtime.
  • The concepts fit all manner of different genres from action to comedies and thrillers and even the Western.
  • The philosophical concepts at play often examine the nature of existence; especially where one tries to make sense of life or find meaning where there probably is none.

As evidence I present FIVE such time-travel films which meet all of the criteria and are representative of most genres. Please note I have concentrated solely on time-travel films released in the cinema so Doctor Who remains parked up for this particular piece.

**HERE BE MASSIVE SPOILERS**

BACK TO THE FUTURE (1985)

This is probably the most perfect Hollywood movie. It’s a high-concept-time-travelling-Oedipal-narrative-joy-fest which combines action, comedy, romance, sci-fi, and nostalgia genres while backed by a past and present pop music extravaganza!  A young teenage innocent called Marty McFly is thrown back to the 1950s. In the 50s he unwittingly begins to undo his own future by accidentally beginning a romance with his own mother. Allied to that he must help his father (Crispin Glover) overcome his social weakness plus battles with horrible bully Biff Tannen (Thomas F. Wilson). Following the basic temporal rule that one’s actions in the past will affect your future the tremendous script is jam-packed with so many wonderful gags, twists and chases; while the race-against-time narrative is a thrill-a-second. The rich iconography – notably the mad scientist’s DeLorean “time machine” – plus cracking performances from Michael J. Fox and Christopher Lloyd, render this one of the most exhilarating time-travel films ever.

GROUNDHOG DAY (1993)

Bill Murray is obviously praised as a wonderfully funny man but he’s also a deviously good film actor. At times he doesn’t actually seem to be doing much but his mind is always working as he gives a sly look or a sarcastic smile or a silent sigh from his deadpan, hangdog face. In Groundhog Day he runs the gamut of ALL emotions from anger to desperation to insanity to bliss to apathy to suicide to pride and finally to LOVE!  This is a wonderful film with a tremendous “what if” premise which offers the idea we can only move on in life if we’re prepared not only to accept change but also throw off cynicism and find romance. The exceptional script mines the Sisyphean narrative for so many brilliant sequences as Murray relives the same day over and over again. At the beginning this temporal immortality offers an array of gifts to his jaded weatherman Phil Connors; however, by the end his life becomes a dreaded nightmare and repetitive hell. Ultimately, time-travel has never been so funny, tragic and romantic!

PREDESTINATION (2014)

I think most time-travel films are paradoxical by nature and holes can always be found in the logic but as a time-travel/thriller genre film Predestination worked really well while providing an intriguing gender-political angle too. The nature of the loner and finding love for others and oneself was also an interesting theme plus the inevitability of fate was there in the subtext too. There’s been a lot of big budget dross at the cinema recently but for the running time this gem offers far more than many other star-driven, big-budget movies. Even though I enjoy seeing stuff blown up on screen I do love a brain-twister too and this film presents one hell of a challenging narrative. Starring Ethan Hawke and with a breakout performance from brilliant Sarah Snook this film from German/Australian directors has intelligence, thrills, heart and several mighty plot twists which bear up under successive viewings.

THE TERMINATOR (1984)

This is one of my favourite films ever.  It propelled Arnold Schwarzenegger and James Cameron to mega-stardom in their respective fields and has often been parodied and imitated but rarely bettered. While story is simple: a killing machine has been sent back from the future to destroy Sarah Connor – the soon-to-be mother of uber-rebel leader John Connor; the journey is an absolute humdinger. Cameron’s lean, mean and muscular action screenplay combines brains, brawn, cracking one-liners and explosive set-pieces. Moreover, Linda Hamilton excels as the endangered young woman who turns from a flaky waitress to formidable matriarch over the course of the film. The sequel was brilliant too but the original will remain, despite being made for just $6.4 million dollars, the epitome of a tech-noir-futuristic-time-travel-action classic.

TIME CRIMES (2007)

This fascinating Spanish thriller has a narrative like a Russian doll as it is structured on an enigma within a conundrum within a paradox.  It concerns an ordinary Spanish bloke, who having seen some weird behaviour going on in the woods near his house, ends up looping and pursuing multiple versions of himself throughout one very bizarre day. Similar to Triangle (2009) – an underrated time-paradox gem directed by Brit filmmaker Christopher Smith – the enjoyment derives from immersing yourself in the weird and unexplained reasons why Hector (Karra Elejalde) has begun a psycho-sexual, violent loop of death involving a number of temporal leaps. This is all paradoxical plot and wicked thrills and while there is little in the way of characterisation the filmmaker Nacho Vigolondo has created the closest equivalent to a movie version of an Escher painting.

 

 

 

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SOME FAVOURITE MOVIE DIALOGUE SCENES #2 by PAUL LAIGHT

SOME FAVOURITE MOVIE DIALOGUE SCENES #2 by PAUL LAIGHT

Directors and actors often hog the limelight and get the kudos for the movies they made but how about giving the screenwriter some credit too. Don’t forget some poor writer slaved over these words and probably didn’t get the praise they deserved. Thus, here are some more funny, dramatic and sad dialogues scenes I have picked out for mine and your amusement. Hail the writer!

**OF COURSE THERE’S SPOILERS!**

BAD SANTA (2003) – “YOU NEED MANY YEARS OF THERAPY”

This is the greatest Christmas film ever and one of the best comedies EVER! So much quotable dialogue and this scene is up there with the best of them! I love the dark humour here which basically finds low-level scumbag Billy Bob Thornton believing he’s “turned a corner” spiritually AFTER beating some kids up. Priceless!

BEAUTIFUL GIRLS – “IT’S NOT REAL!”

This is a brilliant monologue that cuts to the bone when it comes to the objectification of women in the Media and the false promises that are created for the male gaze. Rosie O’Donnell is pitch perfect delivering some cracking one-liners and a damning indictment of media representations and moronic men. Great dialogue from writer Scott Rosenberg!

THE BIG LEBOWSKI (1998) – “I’M SORRY – I WASN’T PAYING ATTENTION”

The Dude is the worst detective in the world and this makes him the funniest too. In his pursuit of Bunny Lebowski he ends up at the pornographer Jackie Trehorn’s abode. Drugged and dumped on the Law Enforcement Officers this scene is just too hilarious for words.

LA CONFIDENTIAL (1997) – “WHY’D YOU BECOME A COP?”

Sometimes the best dialogue scenes are the subtle ones which the writer has included and you think: “Mmmm… what was that all about?” In this superlative crime-noir-thriller THIS is one of those quiet incendiary scenes which explodes with a gripping payoff later in the movie.

NETWORK (1976) – “MAD AS HELL!”

You go into work and you feel disillusioned with your lot. You ask yourself: “why are we here?” “What’s it all about?” “Why do bad things happen all the time?” “This WORLD sucks!!”  And you get angry? You get mad as hell and the biggest problem there’s no solution! You just don’t know what to do! This cracking speech from Paddy Chayefsky sums that all up as Peter Finch scores an Oscar for a man-on-the-edge-who-just-cannot-take-anymore!!

NIL BY MOUTH (1997) – “YOU MUST REALLY HATE ME!”

This is a raw, gritty and heartfelt scene where Val rejects Ray and his violent ways via some incredible acting from Kathy Burke and Ray Winstone. I connected with this scene as Val’s humanity is wrought bare by the abuse she has suffered over the years and she just cannot take anymore!  Gary Oldman wrote directed ONE film and THIS was it. Amazing!

ON THE WATERFRONT (1954) – “I COULDA BEEN A CONTENDER!”

Need I say more?! Just a heart-wrenching monologue from writer Budd Schulberg perfectly delivered by Brando with Rod Steiger providing great opposition in this legendary scene. This is a film about brotherhood and corruption and Terry and Charley’s relationship is a powerful microcosm of such themes. Unforgettable!

THE TERMINATOR (1984) – “IT ABSOLUTELY WILL NOT STOP – UNTIL YOU ARE DEAD!”

James Cameron’s incredible sci-fi-time-thriller-killer remains one of my favourite films ever! Aside from a star-making turn from Arnie, awesome action and mind-bending plot it manages to collapse a lot of complex exposition in a very economic fashion. It does so brilliantly when Kyle Reese gives the lowdown during a frenetic high-speed car chase. Indeed, his summary of the Terminator’s deadly intentions is just punchy as hell; raising the stakes for Sarah Connor right up to 11!

TRAINING DAY (2001) – “TELL ME A STORY!”

Dialogue establishes character and the dynamism between characters that will occur throughout the film. In this scene from the fantastic crime thriller Training Day, Hawke’s Hoyt is very nervy as he meets his boss, the arrogant Alonzo Harris, for the first time. The dialogue just zings from Washington’s mouth as he pulls Hoyt one way and then the other in a great scene which foreshadows the brilliant drama yet to come.

TRUE ROMANCE (1993) – “I HAVEN’T KILLED ANYONE SINCE…”

This is just A-grade dirty street talk that’s just vile and offensive but delivered with perfection by two great actors in Hopper and Walken. The gangsters are trying to track down their drugs that Clarence has and his father knows where he may be. Not only does Hopper’s character know where his son is he KNOWS he will die anyway whether he gives his son up, so he delivers one of the most disgusting insults he can think of. This is a brutal yet compelling scene from Tarantino that crackles with hard-boiled testosterone, gristle and sickening masculine evil.