Tag Archives: Larry David

8 EPISODES WHY HBO’s ‘CURB YOUR ENTHUSIASM’  IS “PRETTY GOOD!”

8 EPISODES WHY CURB YOUR ENTHUSIASM  IS “PRETTY GOOD!”

There’s absolutely no reason why a situation comedy about an aging, wealthy, neurotic and narcissistic Hollywood writer should be one of the most consistently funny comedy shows of the last twenty years. There’s no real substance or depth in Curb Your Enthusiasm; in fact not much really happens of great value as it occurs very much in a bubble. Moreover, in anti-hero Larry David you more often than not find his behaviour abhorrent as he goes about upsetting friends, family members, celebrities, colleagues and strangers on a daily basis.

David, who plays an extreme version of himself (one hopes), revels in pedantry, un-PC behaviour, poor decisions, risky statements and strict adherence to the social etiquette and unwritten rules of life that make him a right royal pain in the backside. Yet, incredibly, because the writing, situations and storylines are so clever the whole show works a treat. To celebrate the recent release of the 9th season of HBO’s classic comedy Curb Your Enthusiasm, I have chosen one episode from each season to praise. It’s a difficult choice to pick my favourites but I think you’d agree these episodes are pretty, pretty good!

**CONTAINS MASSIVE SPOILERS**

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SEASON 1 – EPISODE 4 – THE BRACELET (2000)

I was going to choose Beloved Aunt because of the monumentally unfortunate typo which involved Larry upsetting Cheryl and his in-laws. In an obituary for a recent departure the words “Beloved Aunt” became “Beloved C*nt” and Larry gets the blame. However, The Bracelet is a classic for me as it involves Larry going head-to-head with comedian Richard Lewis for the said jewellery item. The slapstick and race-against-the-clock narrative are hilarious as is their meeting with an ungrateful blind person they help. The road to hell is indeed paved with good intentions!

SEASON 2 – EPISODE 7 – THE DOLL (2002)

One of the delights of the show is when Larry, having made some terrible social faux pas is ripped apart by one of the supporting cast. Arguably, his most fierce nemesis is his agent’s wife Susie; portrayed with vicious, black-eyed venom by Susie Essman. The narrative thrust of Season 2 involved Larry trying to get another Network show commissioned, but when he erroneously trims the hair (god knows why) of a child’s doll he become embroiled in a head-swapping comedy of nightmarish errors. When Susie catches him and Jeff using her daughter’s doll’s head, all hell breaks loose and Larry gets a volley of joyously ripe abuse!

SEASON 3 – EPISODE 8 – KRAZEY-EYEZ KILLA (2002)

Larry’s experiences with members of the black community range from: embarrassing misunderstandings, accidental racism, satirizing lazy stereotypes and finally some very offensive situations. Some of it is hilariously funny while more often than not it can be very painful to watch. However, Larry David is a brave writer as he doesn’t shy away from subjects which could be deemed politically incorrect. More often than not though he himself is the butt of the joke!  Season 3 had a wonderful arc of Larry getting involved with a Restaurant and the final episode had some glorious profanity. However, his run in with Wanda Sykes’ cheating rapper boyfriend Krazey-Eyez and Larry telling Martin Scorsese he “does too many takes” on set is just comedy gold!

SEASON 4 – EPISODE 6 – THE CAR POOL LANE (2004)

Season 4 benefits from one of the strongest narrative arcs of the whole series. Larry has been chosen by Mel Brooks to star in the Broadway show The Producers and includes the brilliant Ben Stiller and David Schwimmer. The Car Pool Lane finds Larry attempting to get into an upper-class-W.A.S.P-y country club and cajole Marty Funkhouser into giving up his dead father’s seat at a Dodger’s game. The comedy sparks really fly when in an attempt to get to the game he hires a prostitute to allow him to use said car-pool lane and beat the traffic. The dovetailing call-backs of his Dad’s glaucoma, trying to get off Jury service, Funkhouser’s dead Dad and country club narrative strands makes this one of the funniest episodes ever and features an effervescent performance from Kym Whitley as Monena the hooker!

SEASON 5 – EPISODE 7 – THE SEDER (2005)

What I love about Larry David’s writing – or retro-scripting to coin a phrase – is he is unafraid to ask intriguing moral or immoral questions within the comedy subtext. In the episode The Seder, he poses the idea that a sex offender, while having served his sentence, could possibly actually be a “nice” guy. Thus, Larry literally befriends a bald, Jewish sex offender (a brilliant Rob Corddry) much to the horror of his family, neighbours and friends. As thanks for an awesome golfing tip he even goes so far as to invite him to a Passover meal where all kinds of social embarrassment ensues.

SEASON 6 – EP. 3 – THE IDA FUNKHOUSER ROADSIDE MEMORIAL (2007)

After the steady mixed-bag comedic narratives of Season 5 – Larry’s potential adoption and Richard Lewis’ dying kidney – Season 6 introduced a new set of hilarious characters and situations. When Larry’s wife Cheryl (Cheryl Hines) “adopts” a homeless family, whose lives were wrecked by a hurricane, the comedy bar is raised to a whole new level. The season has some classic episodes but my favourite is The Ida Funkhouser Roadside Memorial. Despite Larry’s nebbish irritations quite often I am on his side when it comes to petty grievances. In this episode he deals with: unnecessary condolences and sample abusers, but stealing flowers off a roadside memorial is a totally out of order, So, Larry definitely deserves the stream of ire that comes his way when he commits this gob-smacking social “crime.”

SEASON 7 – EPISODE 7 – THE BLACK SWAN (2009)

Season 7 is most notable because Larry, having split up with Cheryl, is now dating Loretta Black (Vivica Fox). In order to get Cheryl back he orchestrates a Seinfeld reunion with all the gang (Jerry, Julia Louis-Dreyfus, Jason Alexander and Michael Richards), as a means to offer Cheryl a part. Firstly, though he has to dump Loretta, who sadly is now suffering from cancer. I mean Curb Your Enthusiasm must be admired for the lengths it goes to get laughs and how he “dumps” Loretta is something else. One of the funniest episodes is the Black Swan which occurs on the golf course. Suspected (he did it!) of killing the course owner’s treasured swan, there’s a scene where Larry’s customary “staring” motif is used against HIM!!  The ending of this episode involving his Mother’s gravestone is also one of the great payoffs too!

SEASON 8 – EPISODE 3 – PALESTINIAN CHICKEN (2011)

I am not easily shocked by anything but I must say that this is one of the most controversial episodes of comedy I have seen.  I was sat agog through many of the scenes in this one. I mean I’m not an expert when it comes to the Israeli and Palestinian conflict but I am aware of the geographical and religious issues which have occurred throughout the years. What Larry David does with his comedy is to skewer the significance of the conflict and satirize it within a consumer food war. Having began eating the chicken at a Palestinian restaurant Larry becomes attracted and begins a sexual relationship with one of the Arab customers. She is a sexual dynamo to him and her dirty talk is pure filth and anti-Semitic! As Larry puts his penis first and at the end is caught between rampant sex and his loyalty to his “people”! Again, another classic ending to a brilliant episode.

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10 THINGS I HATE ABOUT YOU #2 – MOVIE HAIR!! BY PAUL LAIGHT

10 THINGS I HATE ABOUT YOU #2 – MOVIE HAIR!!  

By Paul Laight

As a balding man I felt it my duty to raise my concerns about the desperately poor wig-work that has occurred down the years in the movies.  The wigs, actors chosen suck because they are so appalling and the filmmakers should have let the actor go natural to avoid discriminatory practices against baldies.

Obviously, for sci-fi, historical, and comedy films wigs are used in context and for humorous purposes so I have generally avoided picking on those but for the examples used there is NO EXCUSE!  They are a travesty and deeply hurtful to the bald community.  As Larry David says:  Baldism is a proper thing.


10.  IT LOOKS STUPID!

Okay, I understand certain characters require wigs especially if they wore them in real life like Phil Spector as played recently by Al Pacino but generally Movie Wigs look dumb.  It’s fine if it’s in the context of the character such as American Hustle (2013) where Bale’s character was shown to be vain but when an actor has what looks like a ferret stapled to his or her head then I’m thinking less of the movie as I’m too busy laughing at it.

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9.  IT’S DISCRIMINATION!

I started watching the decent-enough movie TransSiberian (2008) on Netflix and Woody Harrelson’s character is wearing an obvious wig.  Harrelson has played some fine bald heroes in his time most notably in the brilliant Zombieland (2009) but he’s let us right down in this movie.  His character was a nice guy in it so by giving him a syrup and spectacles are they saying that bald people cannot be pleasant and easy-going.  Either cast an actor with hair or don’t. It’s baldist! Come on Woody – you SHOULD know better.

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8.  WHAT HAPPENED TO TECHNOLOGICAL ADVANCEMENT?

So I was watching a very disappointing blockbuster film about a massive lizard and I was so disconnected with the lack of characterisation or suspense I got distracted by the usually brilliant Bryan Cranston and his appalling wig!  Why not allow let the character have a natural hairstyle of the actor? Are they saying a character with a receding hairline or a bald character is less sympathetic?  All that money spent on special effects and incredible looking giant monsters in Godzilla (2014) and his hair-piece was so unconvincing I was embarrassed. Mind you not as unconvincing as the script.

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7.  KING OF THE WIGS – NICOLAS CAGE

I can’t stand wigs and plastic surgery and Cage seems to have had his fair share of both. It’s vanity gone mad.  Unless of course you have a tragic disfigurement or burns I see no reason to alter your body or face in ANY way via artificial means!  If you need to lose weight go on a diet don’t use liposuction. If you are bald don’t get a rat transplant on your bonce just deal with it.  The worst hair-cut he ever had was arguably in the terrific prison-escape blockbuster Con Air (1997). While the mullet had a certain magnetic quality it, in my opinion, it was laughable and took the piss really.

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Anyway, Cage — on his day — is an outstanding actor but he has been in some really sorry old tosh like Ghost Rider: Spirit of Vengeance (2011).  Here’s a guy who could be a hero to all baldies everywhere with his receding locks so why not  allow his characters have Cage’s natural barnet.  His lack of locks worked well in Adaptation (2002) as it added to low-status nature of one of the brothers but this was an exception to the rule.
6.  BALD PEOPLE DEHUMANIZED AS THE BAD GUY!

Look all the villains over the years who have been bald: Lex Luthor, Voldemort, Ming The Merciless, John Doe (from Se7en), Bane, Gru, Don Logan, Darth Maul, The Baldies from The Wanderers (1979) and many more. Choosing someone who is follicly-challenged is an easy shorthand and detrimental to the humanization of bald people all over the world. We are not villains.  We are humans – just because we don’t have hair it doesn’t make us bad people. We have feelings you know.

Voldemort

 

5.  THE BALD UNTRUTH! – JOHN TRAVOLTA

Why use wigs? Why can’t the character be bald – does it make them any less of a human being?!  At the very least why collude in the fact the character has real hair.  Try and be inventive with the syrups.  John Travolta has worn some horrific fringes in his time but at no stage does he send this part of his being up or make it part of the characterisation.  In Wild Hogs (2007) — a film about mid-life crises he spends most of it in a bandana rather than embracing his lack of hair.  Fair play in the dreadful From Paris With Love (2010) he is bald but he still has a compensatory goatee to take the bald sheen away from the role.

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4.  UNINTENTIONAL HUMOUR

I’m just going to say one word:  Surrogates (2009). This Bruce Willis sci-fi thriller is a dog of a film and the syrups are hilarious.  Humans are essentially lock-ins and rarely go out.  Instead they live their lives through virtual reality surrogates.  It’s not a bad idea and contains a reasonable social comment on technology displacing actual physical and emotional contact.  The problem I have with the film is the human version of Willis is bald whereas the computer version has hair.  So basically, Willis’ preferred setting is having hair. Why couldn’t it be the other way round!!   Plus the haircut is an absolute joke; much like the film as a whole.  Bruce Willis is a flag-bearing hero to all bald men and he has worn some dodgy wigs in his time but this is the most monstrous blot on his career.

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3.  BAD HAIRPIECES DEVALUE THE PRODUCTION

Films are SO expensive to make you would think they could spend a bit more of an effort to make the hairpieces more realistic.  Some films — even historical dramas like Lincoln (2013) — have incredible sets, amazing actors and a cast of thousands but when it comes to the syrups the whole thing falls down.  I found Lincoln a tough watch anyway as it was SO boring.   Has anyone actually watched this film and enjoyed it?   Anyway, despite a ponderous story the incredible production is let down by wigs so ridiculous they act as a Brechtian distanciation device and consistently remind us we are watching a movie.  I realise that movie God Spielberg may have been going for authenticity but it backfires in Lincoln and the wigs are an embarrassment.

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2.  IF THEY HAVE HAIR – WHY ARE THEY WEARING A SYRUP?

The worst thing is when the actor actually has hair and they STILL put a hair-piece on them.  It’s a travesty really because they could have cast a bald person in the role and given them a leg up in the vanity-led industry that is Hollywood.  Or at the very least use the actors real hair and style it accordingly.  If the film covers a number of years then for additional realism they should shoot the film in order as the hair grows.   The biggest culprit for this is Oliver Stone.  He has made some magnificent films but his career is littered with crimes against bald people. Just have a gander at these monstrosities:

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1. HAIL THE BALD HEROES!

We shall fight them in the barbers, the make-up chairs and film & sets. Hail the heroes carrying the fight against the vain, unreal and plastic harbingers of doom!  Stand proud the hairless and bald!  Fight the good fight to the last strand!

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