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SCREENWASH SPECIAL – ITV DRAMA REVIEWS

SCREENWASH SPECIAL – ITV DRAMA

Of late I have been theming or focussing my viewing in certain directions. The last few months I decided to watch more ITV dramas. Historically ITV have arguably suffered in comparison to BBC dramas, and most certainly the big budget HBO, FOX and SHOWTIME programmes from the United States.

So, I thought I would check a few out and see if they are still the safe and formulaic ITV dramas I have seen in the past. Well, I would say, while adhering to certain genre conventions, notably in regard to cop stories and “true story” biopics, the writing, direction and acting is of an excellent standard. Here are some bitesize reviews.

**CONTAINS SPOILERS**

 

BROADCHURCH (2013 – 2015) Seasons 1 & 2 – ITV ENCORE

This terrific police procedural drama begins with the death of a young boy and the subsequent police investigation, plus the impact this has on his family and coastal community of Broadchurch. The first season is first and foremost a terrific “whodunit” as various members of the town are all plausible suspects. Moreover, the brilliant acting duo of Olivia Colman and David Tennant spark off each other throughout the investigation. Writer Chris Chibnall deals expertly with the emotions too as the family – including Jodie Whitaker as the mother of the tragic child – are put through the wringer by the crime. The second season is almost as gripping as the child killer faces trial and Tennant’s character obsessively investigates a historical crime which blotted his career. Overall, it is an excellent drama with many twists and a superb ensemble cast of British actors. (Mark: 9 out of 11)

CHASING SHADOWS (2014)Season 1 – ITV ENCORE

Reece Shearsmith is one of my favourite actors and I have loved his work ever since the grotesque comedy genius of The League of Gentlemen. Here he shows his range as a socially awkward but exceptionally determined Detective searching for long-lost missing people. Like Broadchurch it’s another Dr Who cast reunion as Noel Clarke and Alex Kingston also co-star in a decent by-the-numbers cop show.   (Mark: 7.5 out of 11)  

 

CILLA (2014)Season 1 – ITV ENCORE

While there is an element of tragedy in regard to uber-manager Brian Epstein’s tragic death, this biopic of the early life of Priscilla White and her rise to stardom is pretty tame and fluffy. Still, Sheridan Smith is brilliant as the young songbird who would hit the top of charts with a series of late sixties ballads. The evocation of working class Liverpool and bands such as The Beatles is well played and the songs are belted out with a passion by the very likeable Smith. (Mark: 7 out of 11)

IN PLAIN SIGHT (2016) Season 1 – ITV ENCORE

This is a very compelling 1950s set drama which tells the story of heinous Scottish serial-killer Peter Manuel. It benefits from an exceptionally good performance from Martin Compston as the devious killer; and also by Douglas Henshall as the Detective trying to catch him. Overall, a good drama which had me gripped throughout. (Mark: 8 out of 11)

JEKYLL & HYDE (2015) Season 1 – ITV ENCORE

I really enjoyed this updating of the old Robert Louis Stevenson monster classic. Created by Charlie Higson it was over-the-top and frankly loopy at times with some occasional bad acting thrown in. In going for a 1930s-period-Bond-meets-Dr-Who-meets-Hammer-horror-mash-up it wasn’t always successful but overall it was fun entertainment.  The cast all seemed like they were having fun and Amelia Bullimore, Enzo Cilenti, Natasha O’Keeffe, Richard E Grant were standouts while Tom Bateman was okay in the lead monster/man dual role. It’s just a damned shame the show got cancelled on a bloody suspenseful cliff-hanger. (Mark: 7.5 out of 11)

LUCAN (2013) Season 1 – ITV ENCORE

ITV love a “true” story or crime stories based on real events and at the forefront of many of those are the excellent writer Jeff Pope. As Head of Factual Drama at ITV he has written and produced many fine TV programmes and this biopic of the infamous “Lucky” Lord Lucan case is also very good.  Rory Kinnear is an impressive brooding presence as Lucan and Catherine McCormack also excels as his abused wife. We may never know what happened to Lucan but this drama attempts to shed some light on the ill-fated events from 1970s British society. (Mark: 7.5 out of 11)

MRS BIGGS (2012) Season 1 – ITV ENCORE

Another narrative based on true events focusses on the 1960s Great Train Robbery and its aftermath from the perspective of Ronnie Biggs’ wife Charmian. Sheridan Smith is astounding as the long-suffering wife partner of Daniel Mays’ Ronnie. The acting all-round and writing are excellent as we find Charmian essentially falling big for the wrong guy. Her determination and commitment to Biggs was incredibly naïve yet admirable as she carried herself and her kids to Australia and Brazil in order to keep the family together. At no time does it glamorise the crimes as Smith and Mays prove an unlikely but testament to the power of love and the lengths one may go to because of it. (Mark: 9 out of 11)

SAFE HOUSE (2012) Season 1 – NETFLIX

Christopher Eccleston, who is always reliable, stars as a retired cop who employs his Lake District property as a “safe house” for witness protection. The vistas are beautiful and the suspense is often palpable in this well written drama by Michael Crompton.  Paterson Joseph provides excellent support as Eccleston’s former boss but the highlight of the show is under-rated British actor Peter Ferdinando, who portrays an obsessive criminal with sinister verve and pathos. (Mark: 7.5 out of 11)

SHETLAND (2013) – Season 1 – NETFLIX

Another detective show starring the impressive Scottish actor Douglas Henshall. This one feels old-fashioned but the stark contemporary Scottish settings work in its favour and interestingly enough it is an ITV produced show FOR the BBC.  The characters are believable and Henshall’s police team are down-to-earth and likeable. Overall, the writing is pretty good with some gripping storylines while the slower pace adds to the drama and atmosphere. (Mark: 7.5 out of 11)

THE WIDOWER (2014) – Season 1 – NETFLIX

Reece Shearsmith stars again but as a weird sociopathic wife-murderer based on a real-life case. His modus operandi was to finagle himself deceitfully into women’s lives and then use their wealth to clear his debts. Sheridan Smith pops up in the first episode but Shearsmith’s Malcolm Webster later moves abroad to New Zealand to prey on other victims. Webster is an everyday monster and his actions defy belief that there would be someone so heinous; and Shearsmith gives a chilling performance. (Mark: 8 out of 11)

SCREENWASH – NOVEMBER 2016 – DVD & ON DEMAND REVIEW ROUND-UP

SCREENWASH – NOVEMBER 2016 – DVD & ON DEMAND REVIEW ROUND-UP

In addition to my cinema reviews I also watched an eclectic mix of TV shows, big movies and art and indie flicks this month. As usual I have packaged them into bitesize chunks for your perusal. As usual marks are out of eleven.

**CONTAINS SPOILERS**

AMANDA KNOX (2016) – NETFLIX

The despicable murder of Meredith Kercher caused a media and legal storm in Italy over ten years ago now. Amanda Knox and her then-boyfriend, Raffaele Sollecito were charged and convicted before appealing against the crimes. This intriguing documentary lifts the lid on a case where the media and Italian legal system are on trial as much as Knox herself. (Mark: 8 out of 11)

CIRCLE (2015) – NETFLIX

Well-written-one-location-low-budget film finds many strangers in room fighting for their lives.  Social, religious, gender and ethnic demographics become key to the choice of “who dies next”; in a nifty, intelligent thriller which critiques humanity in an entertaining fashion. (Mark: 7.5 out of 11)

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DJANGO UNCHAINED (2012) – NETFLIX

Tarantino’s classic revisionist slave western gets better on every watch; and I would have to say that it is arguably, amidst the stylistic flourishes, his most satisfying narrative as a whole. The bone-crunching violence and bloody shootouts are a joy, yet Tarantino also draws emotional power from the love story between Jamie Foxx and Kerry Washington’s enslaved couple. Meanwhile, Christophe Waltz and Leonard DiCaprio ride off into the sunset with the acting honours. (Mark: 10 out of 11)

ENTER THE DRAGON (1973) – TCM

I loved this Bruce Lee Kung-fu classic when I was growing up. Now, it just seems like a slightly tired James Bond rip-off in terms of plot, however, Bruce Lee was a martial arts master and movie star; so it is his charisma and fighting skills which really shine through now. (Mark: 8 out of 11 – for Lee!)

GOOSEBUMPS (2015) – SKY CINEMA

This is a pretty decent meta-fictional comedy-action film with Jack Black hamming it up as a mysterious writer whose creations wreak havoc on a small town. (Mark: 7.5 out of 11)

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GOTO – ISLAND OF LOVE (1969) – DVD

This is a very surreal drama from critically acclaimed Polish filmmaker Walerian Borowczyk.  In the past I would have loved insane stuff like this but I couldn’t get my head around the weird inhabitants of a prison colony acting out warped love rituals while trapped on an island. (Mark: 5 out of 11)

THE GUEST (2014) – FILM FOUR

The Guest (2014) is a smart, funny and violent B-movie which makes merry hell of its’ “cuckoo in the nest” plot.  Dan Stevens is brilliant and has all the charm and looks of a bona fide movie star in the making and a good shout for the next James Bond. I’ve seen this a few times now and it is a genuine under-rated classic. (Mark: 9 out of 11)

THE LAKE HOUSE (2006) – ITV2

Soppy time-travel love story which kind of does and doesn’t make sense stars Keanu Reeves and Sandra Bullock. It’s a likable film with fun concept and pleasant moments.  (Mark: 7 out of 11)

MATCH POINT (2005) – NETFLIX

Woody Allen’s excellent London-set thriller builds slowly and pays off wonderfully by the end. The characters are well drawn as Jonathan Rhys-Meyers young existential tennis pro darkens his soul through poor life decisions. Emily Mortimer, Scarlett Johannsson, Brian Cox and Matthew Goode complete an attractive cast in the excellent Dostoyevsky-laced crime drama. (Mark: 8.5 out of 11)

PEOPLE JUST DO NOTHING – SEASON 1 (2014) – NETFLIX

This is a funny Gervais-influenced-Office-style-mockumentary-comedy which follows the shenanigans of a West London pirate radio station. Satirizing youth culture and we get a peek into the lives of the likes of MC Grindah and feckless mates.  (Mark: 7.5 out of 11)

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SAW (2004) – SKY CINEMA

While it started a tortuous never-ending-cash-cow-franchise, never forget the original Saw is a genuine horror classic from James Wan and Leigh Whannell. You get two guys, one cell and a hell-of-a-dangerous serial killer on the loose that leads to some great twists and bloody murder. The ending alone is still a gob-smacking treat as you put together Jigsaw’s fiendish plan. (Mark: 9 out of 11)

SIN CITY 2: A DAME TO KILL FOR – SKY CINEMA

Roberto Rodriguez and Frank Miller’s sequel to the mind-blowing violent-noir-comic-book-digital-backlot-splatterfest Sin City (2005) was eagerly anticipated by me. This had the same hard-boiled dialogue, bone-crunching violence and some fantastic imagery, but aside from Eva Green’s terrific femme fatale it lacked the impact of the first film and fell a bit flat. (Mark: 6 out of 11)

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SONS OF ANARCHY – SEASON 3 (2010) – NETFLIX

The third revving-crunching-porno-shooting-explosive season had Jax and the other gang members battling the Mayans, the FBI and going on “holiday” to Ireland to take on the “Real” Irish Republican Army. It’s a real soapy mix of violence, bullets and familial-led drama with enough plot turns and jaw-dropping set-pieces to keep you entertained throughout the fast-paced episodes. (Mark: 8 out of 11)

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THE FINEST HOURS (2016) – SKY CINEMA

This Disney disaster movie set in the 1950s is a very watchable human drama sensitively directed by Craig Gillespie. It flopped at the box office, yet Chris Pine and Casey Affleck are on very good form in the leads and there are some great set-pieces too on the sea. The real star is Carter Burwell’s epic music but in my opinion the film deserved a bigger audience. (Mark: 8 out of 11)

TO THE WONDER (2012) – DVD

This is a beautifully shot yet overlong and pretentious love story with banal Olga Kurylenko and a depressive Ben Affleck sleep-walking through his role. Terence Malick is a fine auteur but despite the wondrous scenery and vaguely interesting structure this bored me overall. (Mark: 6 out of 11)

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SCREENWASH – SEPTEMBER 2016 – PART ONE – TV SHOW REVIEWS

SCREENWASH – SEPTEMBER 2016 – TV SHOW REVIEWS

I love watching TV shows and films. Mainly to fill a void in my soul, or put it another way, stop me drinking myself to death. Oh, also because I just enjoy escaping reality by watching stuff on a screen.

I have split my September Screenwash reviews into television and movies, because I watched so much damned stuff last month. Here are the TV shows I watched with marks out of eleven.

**THERE MAY BE SPOILERS AHEAD**

 

ASH V. THE EVIL DEAD (2015) – SEASON 1 – STARZ/VIRGIN  

This 30-years-later-sequel to the original Sam Raimi Evil Dead trilogy featuring Bruce Campbell is a gory, cheesy and bloody delight. It brings back one of the most iconic-blue-shirted-wise-cracking-big-chinned-chain-sawing-action-horror-dudes ever in Ash Williams.

Having accidentally conjured up the Deadites from the Necronomicon – Book of the Dead, Ash heads cross country battling demons and ghouls with his trusty chainsaw and boomstick. He finds new friends and enemies along the way and Campbell is on wonderful form as the sexist, ageing demon-killer.

Plot wise the story is flimsy and generic, yet the bloody and bone-crunching gore is brilliant and Bruce Campbell is hilarious as usual. Ignore the evil and abominable reimagining from 2013 and get on board this silly and superb horror nostalgia trip with Ash Williams and co.  (Mark: 9 out of 11)

 

BLACK MIRROR – WHITE CHRISTMAS (2014) – NETFLIX

Charlie Brooker is pretty much a genius in my eyes and as well as being a bastard-funny TV critic, he is also a formidable storyteller. The Black Mirror stories echo the short-sharp-shocking plots of Rod Sterling’s The Twilight Zone and Roald Dahl’s Tales of the Unexpected; yet with a very contemporary and technological twist. Season 3 Black Mirror is imminent on Netflix yet this Chrimbo special provided some darkly imaginative tales for the season.

Brooker presents a triptych of stories including: a Dating Coach (John Hamm) guiding – via contact-lens-style-Go-Pro – a naïve lad on a sexual conquest; a spoilt and demanding rich bitch (Oona Chaplin) who buys the ability to digitally clone herself so she can be her own personal ‘slave’; and a story of a doomed relationship between Rafe Spall and Janet Montgomery where an app allows a human to physically BLOCK them in reality. Safe to say all the narratives criss-cross to fiendish effect as cyber-technology is presented as initially a positive thing but ultimately something horrific which undermines humanity and hinders emotions and physical contact. Brooker is of the view that the future isn’t orange but very black indeed.  (Mark: 9 out of 11)

FARGO (2015) – SEASON 2 – NETFLIX

Was Season 2 Fargo any good? It sure was – darn tooting!  For me this was almost perfect television viewing. It had a great story, memorable characters, and brilliant dialogue and is filtered, like the first season, through the twisted eccentricities, imagery, sounds, music and narrative style of the Coen brothers.  Having said that, the writer and showrunner Noah Hawley has taken the Coen’s football and sprinted away with it and almost transcended the primary source material.

Season 2’s plots – and there’s some serpentine shit going down – are set in Fargo and surrounding counties, mid 1979.  We focus on country gangsters the Gerhardts and the attempted takeover by some Kansas City “business” people who think they can run the hicks out of town. In amongst the bloody hits, kidnapping and badassery we have Patrick Wilson and Ted Danson as the good cops who, having seen the horrors of war overseas, just want an easy life. Thrown into the mix by the dark lords of fate are self-improver Kirsten Dunst (amazing)  and simple butcher Jess Plemons who get out of their depth very quickly.

Overall, the drama, humour and suspense are incredible as is the cast, notably: eloquent hitman Bokeem Woodbine and brutal rural gangsters Jean Smart and Jeffrey Donovan. Philosophically and thematically the writing is very strong too with an existential bent which makes the whole show gold-plated genre TV of the highest quality.   (Mark: 10 out of 11)

 

THE KILLING (2007) – SEASON 1 – NETFLIX

I recall when this first hit the TV screens the Guardianistas shitting bricks over how good this Danish cop-procedural-politico drama was. The moody atmosphere, murky lighting and winter jumpers were all the rage with the lentil-eaters; as were the performances of Sofie Grabol, Soren Malling and the formidable Lars Mikkelsen. In the cold light of day and almost ten years later there is still much to like about this Scandi-genre-cop-thriller. Over twenty gruelling episodes we find ourselves amidst the investigation of the vicious murder of a young woman called Nanna Larsen. Simultaneously a mayoral election is taking place in Copenhagen and the two events become fatefully entwined.

Ultimately, it is pretty generic stuff with the device of “red herring” suspects and characters revealing information later than they could of being over-used. Also, it could’ve have been wrapped up WAY before the twenty episode run, yet, it was gripping throughout with some terrific suspense. I especially liked Grabol’s intuitive cop who could see past the surface and into the psychology of a situation or person. Her obsessional cop was flawed but brilliant at her job even though her family life was threatening to implode. Also, exceptional is Lars Mikkelsen as mayor candidate Troels Hartmann, a man trying to do the right thing, yet with ghosts of the past haunting him. The best scenes were with the Larsen family whose lives were about-faced by the death of their daughter. Their grief brought a real depth to proceedings with many heart-breaking and emotive moments surrounding their ordeal. Perhaps over-hyped on first release, this remains a tremendous cop drama with loads of twists to keep you hooked.   (Mark: 8.5 out of 11)

ORANGE IS THE NEW BLACK (2014) – SEASON 2 – NETFLIX

What started, in Season 1, as an ensemble prison drama with the focus mainly on spoilt-brattish-over-grown-Prom-Queen, Piper Chapman (Taylor Schilling), has developed quite brilliantly, by Season 2, into a sexy-black-comedy-drama of the highest quality. Piper is of course still there driving me mad with her bouts of narcissistic wants but this time she’s toughened up and is now bouncing off the inmates, walls and screws with a bit more spunk and verve.  However, the power of this narrative is now driven by the ensemble characters – both inmates and guards – who all get a chance to shine in a collection of stories, flashbacks and vignettes which the writers weld together expertly over thirteen brilliant episodes.

Season 2 develops further the histories of, among others, love-struck Morello, cancer-sufferer Rosa, Taystee, Black Cindy, Poussey and Sister Ingalls; as well revealing more about crooked Assistant Warden Figeroa, prison Counsellor Sam Healy and ambitious head screw Joe Caputo. Also, entering the prison was a cracking antagonist Vee Parker brilliant portrayed by Lorraine Toussaint and her battle to control rackets in jail saw her on a collision course with ‘Red’ Reznikov (Kate Mulgrew). Overall, there was SO much going on in the show yet it didn’t feel cluttered. The characters  were drawn so well, relying on archetypes and human definition rather than soapy stereotypes. I was just going to give it one more season but the drama, dialogue, performance, humour and pathos delivered here made me want to go in for Season 3 and beyond.  (Mark: 9.5 out of 11)

 

 

 

SYMPHONY FOR THE DEVIL: CULTURAL UPDATE BY PAUL LAIGHT

SYMPHONY FOR THE DEVIL –  BY PAUL LAIGHT

I’ve been very busy culturally speaking this year and here’s a rundown of the various things that I have experienced in the last month or so.

BOROUGH MARKET – LONDON SE1

If you’re ever starving and skint (on a weekend) and near Borough Market then go there!  You can live like a King or Queen (of Lichtenstein – don’t get carried away!) on all the samples they give away from: cheese to meat to oils to bread to, curries to burgers to scotch eggs to cakes and so much more.  If you have money and DON’T want to live like a tramp then fill your boots; just don’t wear them after. Shut-up – it’s  a metaphor.   What I’m saying is the food is AMAZING – it’s an epicurean delight!
boroughmarket

CONFLICT, TIME, PHOTOGRAPHY – TATE MODERN

This fascinating photographic exhibition showed past and present images of war ordering them as per their chronological occurrence.  It was an intriguing idea and many of the works were very moving indeed bringing home the horror of the multitude of conflicts humans have perpetrated on themselves.

http://www.tate.org.uk/whats-on/tate-modern/exhibition/conflict-time-photography

dresden-after-allied-raids-germany shell-shocked-marine

DEAD RISING 3 – XBOX ONE

From proper war to zombie warfare on the Xbox One, I’ve thoroughly enjoyed playing this videogame in my down-time.   It’s a stylish no-nonsense kill-fest with a reasonably coherent narrative unlike the mental horror game Evil Within.  Set during 2021 you are mechanic Nick Ramos, an unlikely hero, and you must get out of the quarantine zone (established in Dead Rising and Dead Rising 2) while battling hordes of the undead and the military and SAVE your disparate rag-tag bunch of fellow survivors. It’s bloody brilliant and as you’re a mechanic you get some amazing hybrid weapons and vehicles to massacre zombies with!

Dead_Rising_3_Cover_Art

LONDON PHILHARMONIC ORCHESTRA – FESTIVAL HALL

Myself and my girlfriend once again went to a follow-up concert entitled: Rachmaninoff: Inside Out featuring the compositions of the great Russian genius. I have to admit that having been to a couple of recitals this is just not my bag. I appreciate the wonderful talent on show and the incredible ability of the orchestra but I find the experience TOO passive and without narrative.  I love classical music in films, radio, via the IPOD and even in adverts but not in the live environment. Weird!

THE OFFICE – AN AMERICAN WORKPLACE – FINAL SEASONS

After my comedy binges of South Park and It’s Always Sunny In Philadelphia in the last couple of years I set about watching all 200+ episodes of this amazing ensemble comedy giant starring Steve Carell, Jenna Fischer, John Krasinski and Rainn Wilson my favourite character Dwight K. Schrute. Of course, it used the British comedy classic as a springboard but for pretty much most of the episodes it was just gloriously funny. I think it peaked around Season 7 and lost something when Michael Scott left but the final seasons still had some wonderful times and gags and events. It was all wrapped up with many happy endings by the finale and will stand as one of the consistently great comedies of our time, in my opinion.

SPANDAU BALLET,  BRIGHTON CENTRE

To cut a long story short I went to see Spandau Ballet in concert in Brighton. No, I haven’t lost my mind because I went as a new romantic gesture for my girlfriend. I basically took one for the team guys! But you know what they were absolutely fantastic and a testament to the professionalism and talent of Gary Kemp, Martin Kemp, Tony Hadley, John Keeble, Steve Norman et al that they delivered a powerful show full of hits from their illustrious past. I personally prefer their early Depeche Mode synthy stuff over their slushy ballads but overall it was a highly entertaining concert.

STEWART LEE’S COMEDY VEHICLE SEASON 3 (DVD)

Preaching to the converted here but if you like Stewart Lee’s comedy then I’m sure you’ve seen this DVD of his 3rd season for the BBC. Comedy Vehicle 3  mixes incredible stand-up rants, opinions and intellectual ideas and routines with fine sketches/short films; all interspersed with Lee verbally sparring with another comedy legend Chris Morris.  32-Carat Comedy Gold!

A VIEW FROM THE BRIDGE – WYNDHAM THEATRE

**SOME SPOILERS**

Oh this was just terrifically meaty drama.  I haven’t been to the theatre much in recent years but I was right in the heartland of culture here with a sinewy, socio-familial-gut-wrenching story driven by jealousy, self-destruction, masculinity-in-crisis, lust etc.

The setting is New York, 1955, and Arthur Miller’s emotionally complex script shadows Eddie Carbone, a longshoremen at the docks, as he comes to terms with the chaos of family life, hiding immigrant ‘cousins’ from overseas, and the fact his adopted ‘daughter’ is fast growing into a woman.  As Carbone attempt to control those around him his family are pushed further and further away until one act of treachery leaves him stranded socially and politically.  Mark Strong is incredible as the docker Carbone as he sees all he loves slip from his grasp and he is ably supported by Nicola Walker who plays his wife.

The sparse set made me feel like I’d walked into an intimate, yet  souped-up rehearsal and the ending was something to behold as the family literally go to hell in the final moments.  The play, not surprisingly,  has just won Olivier Awards for acting and direction by Ivo Van Hove.