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13 REASONS WHY DOCTOR WHO WILL BE FINE!

13 REASONS WHY DOCTOR WHO WILL BE FINE!

The 16th July 2017 the news was passed, after the Men’s Singles Final at Wimbledon, that there would be a new actor playing BBC TV’s long-running sci-fi fantasy character Doctor Who; and that person will be the very talented Jodie Whittaker.

So, as Roger Federer was holding aloft the trophy to worship and cheer, the internet was quickly going into meltdown as Doctor Who fans and geeks cheered this exciting news about the soon-to-regenerate Timelord/Lady!  Meanwhile, in the darkness and under the bridges of the world-wide web the naysayers, fiends and trolls began sharpening their claws and keyboards ready to protest most vehemently at this gender shift.

My initial reaction was one of excitement and now the dust has settled slightly I continue to feel a keen sense of anticipation for the next season and the casting of Jodie Whittaker! So, here are thirteen reasons why the next season will, in my opinion, be fine.

  1. CALM THE F**K DOWN – IT’S JUST A TV SHOW!

The level of negative comments on Facebook pages, newspaper comments, online fan forums, YouTube and other geeky websites was absolutely ridiculous. Den of Geek even had to issue a warning because of some of the vitriolic comments. I think humanity has a problem if they’re losing their mind of the casting of a woman into a historically male role.   It’s not a matter of life or death or a war or cancer! It’s just a bloody TV show and everything will be fine!

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  1. IS IT POLITICAL CORRECTNESS GONE MAD?

Many online comments have been that this is political correctness gone mad and I find this offensive to be honest.  I don’t believe this is motivated by feminism or tokenism or positive discrimination. This is a creative decision based on who the showrunner’s think are best for the role.

  1. DOCTOR WHO IS NOT ABOUT GENDER!

The character is about regeneration. The 13th Doctor’s regeneration is coded as female in gender! It’s not about rewriting history but presenting the character in a whole new context within the narratives, drama and humour.

  1. JODIE WHITTAKER IS A BRILLIANT ACTRESS!

Jodie Whittaker is perhaps best known as Beth Latimer in excellent ITV drama Broadchurch. In it she acts her heart out as a young mother struggling with the loss of her son.  She’s also appeared in many stage productions and also has form appearing in sci-fi stories such as Attack the Block (2011) and the Black Mirror episode The Entire History of You (2011. Overall, she is a sterling actress with a great range who will bring a tremendous verve and energy to the role.

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  1. JODIE WHITTAKER IS WORTHY!

The character of the Doctor is all about taking on injustices across space and time and this takes a hell of a lot of courage from the character. By taking such an iconic role dominated in history by male actors, Jodie Whittaker proves she has the backbone to stand up to the ridiculous backlash that has occurred and make the role her own.

  1. TIMELORDS ARE SHAPE-SHIFTING ALIENS!

As the show has demonstrated recently with the Master transforming into Missy, Time Lords are confirmed as shape-shifting aliens and therefore it makes sense they can change gender. It’s only reactionary thinking and resistance to change which doesn’t recognise this.

  1. DOCTOR WHO IS TIMELESS!

Doctor Who is an institution that has been going for 53 years. Even when the TV show was on a break it regenerated into other mediums. There are fans worldwide who attend shows and conventions now we have an industry full of Doctor Who comic books, novels, audio books, radio adaptations, paintings, posters and many more social media outlets.

  1. SO MANY FAMOUS FEMALE DOCTORS!

I feel ridiculous for even using this as justification; but there have been so many amazing Doctors who happen to be female. I mean do we live in the dark ages where idiots refuse to be seen by female Doctors. Anyway, click here for a list of just a few famous Doctors:

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  1. NEW DRAMATIC PERSPECTIVE

Changing the actor of the Doctor opens up a whole new different set of dramatic possibilities. The casting of Jodie Whittaker will present a marked move away from the Doctor as a middle-aged eccentric male. They broke this mould when casting Matt Smith and he was excellent, so I expect the new Doctor to just as positive in the next season.

  1. BRAIN OVER BRAWN!

Based on many of the morons commenting online it’s the end of the world as we know it with the casting of Jodie Whittaker. But the character of the Doctor has NEVER been about using stereotypical brute force associated with male action heroes. The Doctor uses brain, cunning, experience, humour, smarts and their overall genius to overcome the monsters.

  1. IT WILL CONFUSE THE HELL OUT OF THE ENEMY!

The Daleks, Cybermen, Weeping Angels, Sontarans, The Silence, The Silurians, Humans and many, many more have come a cropper due to the Doctor’s ingenious skills. Thus, a female Doctor could potentially screw with their brains initially. Well, all of them except perhaps the Master/Missy; whoever that may be next!!

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  1. POST-HUMOUR!

As well as the wonderful science fiction and horror tropes present in Doctor Who there’s almost always humour in the show. Patrick Troughton and Matt Smith were very good at acting the clown, while Tom Baker was also very good at acting insane when in times of trouble. Peter Capaldi brought a wonderful sarcasm and a litany of zinging one-liners during his tenure, but with the new Doctor the dynamic will change. Thus, I look forward to a different kind of humour with hopefully some satirical gags at the change in gender.

  1. NEW SHOWRUNNER!

Chris Chibnall has carved himself out an impressive television writing CV, including work on: Law and Order, Torchwood, Doctor Who and Broadchurch and I think he will breathe new life into the show and characters. Chris Chibnall says of the new casting:

“After months of lists, conversations, auditions, recalls, and a lot of secret-keeping, we’re excited to welcome Jodie Whittaker as the Thirteenth Doctor. Her audition for The Doctor simply blew us all away. Jodie is an in-demand, funny, inspiring, super-smart force of nature and will bring loads of wit, strength and warmth to the role. The Thirteenth Doctor is on her way.”

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IT’S NOT THE END OF THE WORLD!

In my humble opinion Jodie Whittaker will be brilliant. If she isn’t or the show isn’t very good I won’t complain. I will just stop watching the show based on creative and qualitative reasoning. I won’t use the reason she is a woman as a negative because WE LIVE IN THE 21ST CENTURY!!

And remember – it’s just a TV show!  It’s not the end of the world because if it was we will always have the Doctor to save us!

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TEN THINGS I LOVE ABOUT LIFE – PART #2

TEN THINGS I LOVE ABOUT LIFE – PART #2  

The world is full of confusion, heartache and misery but also joy, wonder and invention. I think it is important to remind ourselves of the things we love so as not to get too down. Existentially, life is tricky and I personally always question the reasons I am here and wonder what the point in everything is?  But sometimes it pays not to think too much. Just take some time for reflection and enjoy the moment.

With this in mind, in 2016, I took a break from my usual reviews and took a serious and irreverent look at ten things about life I love. Indeed, the link to my prior list can be found here and looking back it’s an indulgent but pleasing list, so I decided to do it again.

 

AFTERNOON NAPS

Perhaps an afternoon nap is historically the preference of a retired person but I love them. Whether it’s a quick half-hour on a day off or a couple of hours sleeping off a hangover they can really re-charge the batteries. My current favourite is to have a nap with Sky Sports Soccer Saturday on in the background and drift in and out of consciousness with Jeff Stelling rattling off scores and stats with joyous abandon on the TV.

 

NOTHING

When I say nothing I don’t mean a complete void or emptiness like say the famous existential philosophers would have us believe life is. No, I mean I love it when I have nothing to do. I am free to choose what I want to do with my time. I have completed all family, work and household commitments and have freedom in the relative sense of the word. My brain is full of nothing and life is just allowing me to simply be.

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RUNNING

I love to run. I’m not an Olympic athlete, far from it in fact. But when I am jogging around the London streets or on Wimbledon, Clapham or Wandsworth Commons respectively I feel very relaxed. I also listen to music or the radio and just shut the world out. Despite the physical strain I definitely feel a natural chemical high and the satisfaction of combining mental and bodily exertion really frees the mind. A few years ago I even managed to run up to ten miles in one go but now I stick to 3-5 mile distances as it keeps me pretty fit and creates a clear mental state.

Jogging

SITTING IN A CAR EATING CRISPS

I love eating crisps. I know they are unhealthy for me but there’s something amazing about processed thinly cut potatoes fried in oil and covered in salt and flavourings. And for some reason my favourite place to eat them is sitting in my car while it’s not moving. If I’m not in a rush I will open the packet and eat the crisps while listening to the radio. I especially like the false “bonus” ones which collect on the front of your sweatshirt or hoodie after you’ve scoffed the packet.

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STAND-UP COMEDY

For the last eight years I have been writing and performing, to various levels, stand-up comedy. When I started I was really, really terrible at it. Today I’ve reached a level of steady mediocrity but remain confident in handling any kind of crowd from small open mic nights to professional venues. It is a fantastic craft to attempt to master and you’re always one gig away from success or disaster. As a massive fan of stand-up in general — comedians such as Stewart Lee, Richard Pryor, Steve Martin, Steven Wright, Bill Hicks, Paul Foot and many more I consider to be proper artists — I am happy I had a good go and even got paid a few times in my “career”. I’ve met some fantastic characters and great friends performing and while I will never reach the top billing it’s something I will not regret doing. I have performed on some wonderful nights and had some horrifically bad gigs too but paradoxically those gigs are the ones you remember the best. I have also been up and down the country performing too so comedy has given me some fine geographical endeavours too. Of course, the characters, nutter and eccentrics you meet are the ones that stand out more than anything else. I will never be successful in a financial sense and be enabled to give up the day job but I have so many good, bad and ugly memories it’s made the journey totally worthwhile.

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TOO MUCH BUTTER

Too much butter on toast, bread, crumpets and anything really is heaven to me; especially if it is Lurpak. Lurpak butter is the tastiest butter ever and I could eat it all day. Obviously if I did that I probably wouldn’t last too many days as I would have so much fat in my arteries my heart would explode. Nonetheless, the creamy taste of butter melting over hot toast is a small but delightful taste sensation.

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TOTTENHAM HOTSPUR FOOTBALL CLUB

I have written a number of times about my support for THFC or Spurs as they are colloquially known. Indeed here are some of my fondest memories. I’ve had many ups and downs with the team having supported them since I was around ten years old and over the last few years I have been attending more and more games. Loving Spurs is a true passion and they have been at times very, very good and at others not so. But the highs and lows of supporting a football team are part of the fun and victory and defeat should be dealt with accordingly. It’s an irrational passion because if the team wins or loses it actually makes no material difference to my life, however, I love belonging to the club and I guess it’s a tribal and prideful thing. Thankfully, Spurs are pretty decent at the moment and while our European record is poor recently, on the domestic front we have an exciting young team and brilliant manager. Come on you SPURS!

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WIMBLEDON COMMON

While I live near Clapham Common, which is fantastic, Wimbledon Common holds a special place in my mind.  It’s more natural than many of the other green spaces in London and just huge as it expands from Wimbledon to Putney, along the A3 and almost to Kingston. It is an incredible area of natural beauty which is inhabited my people of all ages and their dogs too. I have run and walked many a mile on Wimbledon Common and best of all – IT IS FREE!  The car park has loads of spaces and there is nowhere better in the summer to go if you just want to get away from the hubbub of the city and not actually go too far. The Windmill Café serves ice cream, coffees and cakes so provides a fine place for a pit-stop too if you need a break.

Wimbledon_Windmill

WATERLOO BRIDGE AT NIGHT

Many people consider the mountains of Switzerland or the falls of Niagara or the plains of the Serengeti as beautiful vistas to enjoy. I myself am a city person and thus very much love the look of the Thames at night. The buildings, bridges, office blocks, the London Eye and the lights shimmering off the dark water create a wonderful view from Waterloo Bridge. I’ve walked over it many times and it never gets boring.

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WRITING

Obvious to say it but I love writing stuff; whether it’s film scripts, stories, jokes, reviews, blogs, songs and just general ephemera. I love the process of telling a story or working out what makes a story work or not work. I think creating something is a fine challenge and immersing oneself in a fictional world is a brilliant diversion to everyday life. More than anything the sense of accomplishment in completing or continuing a specific writing project is highly pleasing. Finishing a feature film screenplay is probably the hardest and most thrilling accomplishment. To be honest I’m not even bothered if people even read my stuff but it’s great to get positive feedback on the short films I have made and the jokes I have told. You can find much of my work here on this blog and my film website:  Thanks for reading.

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WHAT IS LOVE? VALENTINES’ MOVIE REVIEW SPECIAL

WHAT IS LOVE?

–        Is it the joining together of two people forever committed to a relationship built on respect and trust? 

–        Is it the emotion you feel for a family member or person you have bonded with over time? 

–        Is it nature’s way of tricking us into the act of pro-creation? 

–        Is it an abstract and emotional concept created by a higher power to ensure we act positively?

–        Is it a form of madness which ensures we make crazy and stupid life decisions?

–        Is it a dark force which enlivens obsession and stalking and violence?

–        Or is it a marketing delusion forced upon us by greedy advertisers, florists and chocolate vendors?

Put simply it is: ALL OF THE ABOVE at some point in all our lives; although perhaps not the stalking!?!?

What I definitely know is that love is a big part of everybody’s lives whether it’s the positive or negative type? Moreover, love or the lack of love has provided the springboard for millions of stories, films, plays, songs, poems, slogans, TV show and adverts!  So for my latest article I will review some of the films and programmes I have watched recently which had love or some version of it echoing through its’ narrative heart.

**MAY CONTAIN SPOILERS**

45 YEARS (2015) – NETFLIX

Charlotte Rampling just owns this wonderful bitter sweet drama as a woman “celebrating” forty-five years of marriage to curmudgeon Tom Courtenay. The story moves slowly but confidently as Rampling’s Kate Mercer is shook up by revelations from her husband’s past. Andrew Haigh directs with a haunting charm as love is rendered in wintry hues, while marriage is illustrated as a culmination of what-ifs-buts-and-what-could-have-beens.  (Mark: 9 out of 11)  

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BLACK MIRROR (S3) – SAN JUNIPERO – NETFLIX

Charlie Brooker’s savage satire series cuts off your eyelids and forces one’s eyes to the see the nefarious side of technology. However, the episode San Junipero is an altogether more touching and heart-rending beast. Starring Gugu Mbatha-Raw and Mackenzie Davis as a couple of young girls who fall in love in the 80s drenched coastal town of San Junipero it builds slowly to a majestic reveal in the final act and the themes of love, euthanasia and life after death inform the romance with tearful power. (Mark: 9 out of 11) 

BLUE JAY (2016) – NETFLIX

Mark Duplass is an interesting actor-writer-director-improviser who produces small, naturalistic and improvisatory films that are often quietly impressive. Blue Jay is a sporadically brilliant two-hander starring Duplass and the effervescent Sarah Paulson as a former couple who reconnect after years apart and spend a day together revelling in the past, present and future love. Paulson is stunning and Duplass is just Duplass as we spend time with very human characters just trying to get by in love and life. (Mark: 8 out of 11) 

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BLUE IS THE WARMEST COLOUR (2013) – FILM FOUR

You know the story: girl-meets-girl-falls-in-love-has-lengthy-lesbian-sex-sessions-moves-in-with-girl-then-cheats-on-girl-but-not-before-there-are-more-lengthy-scissor-sister-sessions. Well, something like that.  Jokes aside, this is a very honest and believable slice-of-life drama with incredible performances from Léa Seydoux and Adèle Exarchopoulos as the two lovers. The film was laden with awards at time of release and benefits from Abdellatif Kechiche’s frank and intriguing direction. Personally speaking I felt the soul-searching drama and love story were very powerful but the sex scenes were over-long and pornographic and lent nothing to the story overall. (Mark: 8 out of 11) 

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BROOKLYN (2015) NETFLIX

This soapy-honey-sweet 1950s set love story contains a tremendous central performance from Saoirse Ronan, as an innocent Irish girl who goes to New York in search of a job and finds love with an Italian plumber. The film delivers a pot pourri of bright colours, national and migrant archetypes and resolves much of the drama very easily; in fact, the film was so nice I expected the cast to break out into song by the end. John Crowley directs the undemanding story deftly and while, I imagine, the plight of an immigrant in those days was much harder than demonstrated this is fine Sunday matinee fare and difficult to dislike. (Mark: 7.5 out of 11) 

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JACKIE (2016) – CINEMA

Does this fit into the love story genre?  I think as a story about a woman who lost the husband she loved, his head blown completely off by a sniper’s bullet, it qualifies as a film about the departure of love.  It’s a powerful portrait of Jackie Kennedy with Natalie Portman impressing as the wife of the President left devastated by his sudden murder. Portman as Jackie carries the weight of loss and sorrow on her petite shoulders, drawing on all her strength to carry on living for the sake of a nation and more importantly her children. Her life has been condemned as a void and Portman’s haunting visage betrays an unforgettable lament throughout. Pablo Larrain directs using documentary and dramatic stylings to powerful effect and the score by Mica Levi is to die for. (Mark: 8 out of 11) 

LA LA LAND (2016) – CINEMA

As it sweeps the boards at the awards ceremonies La La Land can certainly be praised as a funny, energetic, imaginative spectacle with fantastic direction by Damian Chazelle. Ryan Gosling and Emma Stone are also on great form, delivering  some wonderful songs throughout. As a love story it works but only on the surface as the boy-meets-girl-struggling-artists’ narrative lacks depth overall. Still, it’s a great musical in the classical Hollywood model – just not a Best Film Oscar winner. (Mark: 9 out of 11)   

My original review can be found here:

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THE LOBSTER (2015) – NETFLIX

In an oppressive near-futuristic society individuals must yield to socio-political mores and be married with children or you get turned into an animal of your choice!  Well, this certainly isn’t the pitch of a love story that Hollywood would make in a hurry. However, the misadventures of Colin Farrell’s hopeless love-life are explored to dark and comical effect in Yorgos Lanthimos’ startling comedy-drama. This is one of the best films I have seen a long time which is equally bizarre yet believable in its absurd honesty. We run around attempting to find love or force romance when we should just let nature take its course. Farrell has never been better and his weird romance with Rachel Weisz is so damned original in thought and delivery it left my heart stained with pathos and delirium. (Mark: 10 out of 11) 

 

LOVE ACTUALLY (2003) DVD

My wife “made” me watch this one at Christmas and as soon as it finished I was diagnosed with diabetes!  It is such a sickly, sweet and sappy rom-dram-com that, while I think Richard Curtis deserves praise for some excellent writing, it is just too clichéd for me. I love ensemble portmanteau films and many of the overlapping stories here would make excellent short films; moreover, the cast including: Emma Thompson, Alan Rickman, Andrew Lincoln, Laura Linney, Liam Neeson, Colin Firth and many more are very watchable. But the whole love pudding is over-sweetened, over-egged and over-cooked for my taste. (Mark: 6 out of 11) 

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PASSENGERS (2016) – CINEMA

You and your other passengers are in stasis on a many centuries long journey to another galaxy and you’re woken up early.  You are alone. In space. Until you die. If you could wake up the other passengers, but would you?  Given the fellow passenger is Jennifer Lawrence you have a bloody tough choice. And what if she finds out too: you’re a murderer in effect. That’s the moral dilemma which faces Chris Pratts’ character in this frothy space-rom-drama. I enjoyed the stylish science-fiction genre flick as it looks fantastic in design and cast. It doesn’t have much depth but I found it to be lots of fun especially as Pratt is charming and funny as ever and Lawrence is easy on the eye too. (Mark: 7 out of 11) 

APOCALYPSE TO ZOMBIES: THE GIRL WITH ALL THE GIFTS (2016) REVIEW

APOCALYPSE TO ZOMBIES: THE GIRL WITH ALL THE GIFTS (2016) REVIEW

**CONTAINS SPOILERS**

Being an avid cinema-goer I love the experience and have few complaints as a pastime generally. Of course there are great, good, mediocre and bad movies but that’s the nature of any business. However, one of the things that often gets on my nerves is the lack of promotion for really good low-budget films produced in the U.K. Quite often such films on a lower budget fall foul of the power of the Multiplex domination by Hollywood where Disney, Marvel and Star Wars franchise films saturate the cinema screens. Don’t get me wrong I enjoy such cinematic entertainment, but every now and then, a real gem of a film falls between the cracks and does not get the attention it should. One such film is the British zombie-horror drama The Girl With All The Gifts (2016).

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Somewhere amidst the Hollywood marketing behemoth this film was released last year to very little fanfare and it deserved much more in my opinion. It has an excellent cast with Gemma Arterton, Paddy Considine and Glenn Close playing key characters. It also features an intriguing script – based on his novel – by M.R. Carey, succinct direction by Colm McCarthy; plus a standout performance from young actress Sennia Nanua. I must say that the score by Cristobal Tapia de Veer added to the overall dread, scares and brooding peril and I expect this composer to go to the top of his profession.

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Thematically, the film is very strong dealing initially with a skewed educational situation as Ms Justineau (Arterton) teaches her pupils; who are mysteriously chained to their desks. The reason for this is revealed slowly allowing the tension to rise gradually as Justineau’s special relationship with “gifted one” Melanie develops. Their bond builds throughout and one may argue Justineau’s feelings and decisions are misplaced as the adults versus children dynamic heightens. Indeed, the landscape is filled with monstrous orphans and suspense is generated because Melanie’s allegiance could switch any time between the adults and the other zombie children.

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Thus, compared to the very average rom-zom-com-mash-up Pride and Prejudice and Zombies (2016), which benefited from a £28 million budget, The Girl With All The Gifts (made for £4 million) contains a whole lot more suspense, imagination and atmosphere.  The story itself treads the familiar mud and blood road of a post-apocalyptic world where children are the only hope to combat a deadly virus that has wiped out humanity. It’s a standard scientists-and-soldiers-on-the-road-type-plot which wears a jacket of influences including: Lord of the Flies, 28 Days Later, and various George Romero films very well. Overall, this psychological horror contains a number of tense, heart-racing and gory scenes making it an under-rated classic which deserved more success at the cinema in my humble opinion.

 

 

 

SCREENWASH – SEPTEMBER 2016 – PART ONE – TV SHOW REVIEWS

SCREENWASH – SEPTEMBER 2016 – TV SHOW REVIEWS

I love watching TV shows and films. Mainly to fill a void in my soul, or put it another way, stop me drinking myself to death. Oh, also because I just enjoy escaping reality by watching stuff on a screen.

I have split my September Screenwash reviews into television and movies, because I watched so much damned stuff last month. Here are the TV shows I watched with marks out of eleven.

**THERE MAY BE SPOILERS AHEAD**

 

ASH V. THE EVIL DEAD (2015) – SEASON 1 – STARZ/VIRGIN  

This 30-years-later-sequel to the original Sam Raimi Evil Dead trilogy featuring Bruce Campbell is a gory, cheesy and bloody delight. It brings back one of the most iconic-blue-shirted-wise-cracking-big-chinned-chain-sawing-action-horror-dudes ever in Ash Williams.

Having accidentally conjured up the Deadites from the Necronomicon – Book of the Dead, Ash heads cross country battling demons and ghouls with his trusty chainsaw and boomstick. He finds new friends and enemies along the way and Campbell is on wonderful form as the sexist, ageing demon-killer.

Plot wise the story is flimsy and generic, yet the bloody and bone-crunching gore is brilliant and Bruce Campbell is hilarious as usual. Ignore the evil and abominable reimagining from 2013 and get on board this silly and superb horror nostalgia trip with Ash Williams and co.  (Mark: 9 out of 11)

 

BLACK MIRROR – WHITE CHRISTMAS (2014) – NETFLIX

Charlie Brooker is pretty much a genius in my eyes and as well as being a bastard-funny TV critic, he is also a formidable storyteller. The Black Mirror stories echo the short-sharp-shocking plots of Rod Sterling’s The Twilight Zone and Roald Dahl’s Tales of the Unexpected; yet with a very contemporary and technological twist. Season 3 Black Mirror is imminent on Netflix yet this Chrimbo special provided some darkly imaginative tales for the season.

Brooker presents a triptych of stories including: a Dating Coach (John Hamm) guiding – via contact-lens-style-Go-Pro – a naïve lad on a sexual conquest; a spoilt and demanding rich bitch (Oona Chaplin) who buys the ability to digitally clone herself so she can be her own personal ‘slave’; and a story of a doomed relationship between Rafe Spall and Janet Montgomery where an app allows a human to physically BLOCK them in reality. Safe to say all the narratives criss-cross to fiendish effect as cyber-technology is presented as initially a positive thing but ultimately something horrific which undermines humanity and hinders emotions and physical contact. Brooker is of the view that the future isn’t orange but very black indeed.  (Mark: 9 out of 11)

FARGO (2015) – SEASON 2 – NETFLIX

Was Season 2 Fargo any good? It sure was – darn tooting!  For me this was almost perfect television viewing. It had a great story, memorable characters, and brilliant dialogue and is filtered, like the first season, through the twisted eccentricities, imagery, sounds, music and narrative style of the Coen brothers.  Having said that, the writer and showrunner Noah Hawley has taken the Coen’s football and sprinted away with it and almost transcended the primary source material.

Season 2’s plots – and there’s some serpentine shit going down – are set in Fargo and surrounding counties, mid 1979.  We focus on country gangsters the Gerhardts and the attempted takeover by some Kansas City “business” people who think they can run the hicks out of town. In amongst the bloody hits, kidnapping and badassery we have Patrick Wilson and Ted Danson as the good cops who, having seen the horrors of war overseas, just want an easy life. Thrown into the mix by the dark lords of fate are self-improver Kirsten Dunst (amazing)  and simple butcher Jess Plemons who get out of their depth very quickly.

Overall, the drama, humour and suspense are incredible as is the cast, notably: eloquent hitman Bokeem Woodbine and brutal rural gangsters Jean Smart and Jeffrey Donovan. Philosophically and thematically the writing is very strong too with an existential bent which makes the whole show gold-plated genre TV of the highest quality.   (Mark: 10 out of 11)

 

THE KILLING (2007) – SEASON 1 – NETFLIX

I recall when this first hit the TV screens the Guardianistas shitting bricks over how good this Danish cop-procedural-politico drama was. The moody atmosphere, murky lighting and winter jumpers were all the rage with the lentil-eaters; as were the performances of Sofie Grabol, Soren Malling and the formidable Lars Mikkelsen. In the cold light of day and almost ten years later there is still much to like about this Scandi-genre-cop-thriller. Over twenty gruelling episodes we find ourselves amidst the investigation of the vicious murder of a young woman called Nanna Larsen. Simultaneously a mayoral election is taking place in Copenhagen and the two events become fatefully entwined.

Ultimately, it is pretty generic stuff with the device of “red herring” suspects and characters revealing information later than they could of being over-used. Also, it could’ve have been wrapped up WAY before the twenty episode run, yet, it was gripping throughout with some terrific suspense. I especially liked Grabol’s intuitive cop who could see past the surface and into the psychology of a situation or person. Her obsessional cop was flawed but brilliant at her job even though her family life was threatening to implode. Also, exceptional is Lars Mikkelsen as mayor candidate Troels Hartmann, a man trying to do the right thing, yet with ghosts of the past haunting him. The best scenes were with the Larsen family whose lives were about-faced by the death of their daughter. Their grief brought a real depth to proceedings with many heart-breaking and emotive moments surrounding their ordeal. Perhaps over-hyped on first release, this remains a tremendous cop drama with loads of twists to keep you hooked.   (Mark: 8.5 out of 11)

ORANGE IS THE NEW BLACK (2014) – SEASON 2 – NETFLIX

What started, in Season 1, as an ensemble prison drama with the focus mainly on spoilt-brattish-over-grown-Prom-Queen, Piper Chapman (Taylor Schilling), has developed quite brilliantly, by Season 2, into a sexy-black-comedy-drama of the highest quality. Piper is of course still there driving me mad with her bouts of narcissistic wants but this time she’s toughened up and is now bouncing off the inmates, walls and screws with a bit more spunk and verve.  However, the power of this narrative is now driven by the ensemble characters – both inmates and guards – who all get a chance to shine in a collection of stories, flashbacks and vignettes which the writers weld together expertly over thirteen brilliant episodes.

Season 2 develops further the histories of, among others, love-struck Morello, cancer-sufferer Rosa, Taystee, Black Cindy, Poussey and Sister Ingalls; as well revealing more about crooked Assistant Warden Figeroa, prison Counsellor Sam Healy and ambitious head screw Joe Caputo. Also, entering the prison was a cracking antagonist Vee Parker brilliant portrayed by Lorraine Toussaint and her battle to control rackets in jail saw her on a collision course with ‘Red’ Reznikov (Kate Mulgrew). Overall, there was SO much going on in the show yet it didn’t feel cluttered. The characters  were drawn so well, relying on archetypes and human definition rather than soapy stereotypes. I was just going to give it one more season but the drama, dialogue, performance, humour and pathos delivered here made me want to go in for Season 3 and beyond.  (Mark: 9.5 out of 11)

 

 

 

SIX OF THE BEST #2 – MY MOST HATED CINEMA & TV CHARACTERS by PAUL LAIGHT

Following on from listing six of my favourite British sitcom episodes recently, I thought I’d have a bit of fun venting about some of the most irritating characters I have witnessed on film or TV screen. I mean did the writers intend for them to be annoying pricks or was it the actor or direction or performance or all of the above?  Anyway, whatever the weather, its great fun kicking the boot into these annoying arseholes!

**SPOILERS AHEAD**

 

ALL THE KIDS (EXCEPT CHARLIE) – WILLY WONKA AND THE CHOCOLATE FACTORY (1971)

I’ll ignore the Tim Burton version of this story and concentrate on the original adaptation of Roald Dahl’s classic morality adventure. If you don’t know the story a reclusive sweet-maker lures kids to his factory on the promise of a “golden ticket” competition win. There’s Teutonic glutton Augustus Gloop; weirdo TV addict Mike Teevee; demanding, harpy-bitch Veruca Salt, upper-class, gum-maniac Violet Beauregarde and finally humble Charlie Bucket. Each kid, Charlie aside, is a spoilt bastard and each satisfactorily gets their just desserts, as Dahl’s fantasy punishes the rich and greedy ones to maximum audience delight.

 

FERGEE – JUDGE DREDD (1995)

I could basically include ANY character portrayed by Rob Schneider but I reserve special hatred for this monstrosity. I mean the film Judge Dredd was pretty bad, however, the action and design were bearable and Stallone – despite removing the protective mask – was kind of okay. YET the tone of the film was all over the shop! None more so than when acting cyst Rob Schneider pops up as an unofficial comedy sidekick for Dredd.  Yeah – like that was a staple of the cynical, dystopian and violent world the 2000AD comic was known for right!  No, I didn’t think so!  Morons!

 

JAR JAR BINKS – STAR WARS: PHANTOM MENACE etc. (1999)

Jar Jar, let’s face it, is an obvious choice but he is a complete cunt!  The worst crime is, as the comic relief, he is NOT funny!!  Moreover, his accent is unintelligible and he suffers from looking completely stupid. The Phantom Menace (1999), while having some fantastic actors (Liam Neeson, Natalie Portman and Ewan McGregor), great action and superior baddie in Darth Maul, was let down by plodding plot, soggy politics and dreadful dialogue. Yet, Jar Jar Binks was the rancid cherry on top of a rotten cake. Not only that his character was also portrayed in an abominably stereotypical fashion seeming to echo the racist early-Hollywood representations of black characters that were seen as un-heroic, dumb and figures of scorn or fun.

 

JOFFREY BARATHEON – GAME OF THRONES (2011 – 2014)

The prostitute-murdering-Sean-Bean-killing-bullying-maniac-twat was clearly intended to be the pantomime villain we loved to hate from the start. But, like Malfoy from Harry Potter his character and the slimy performance from Jack Gleeson, he, for me eventually became a character I just hated without any enjoyment. I mean, I know he was sadistic in his treatment of Sansa Stark and mocking of Tyrion but he was also a bottle-job when it came to battle, perfectly encapsulating the worst kind of royal family traits. Moreover, Gleeson’s soulless face, clipped speech and acting on its’ own made me want to drag him out of the television and strangle him. Of course, Joffrey would eventually get poisoned at his own wedding and much joy was had from his demise from pretty much everyone who has ever watched the show.

RUBY RHOD – THE 5th ELEMENT

Luc Besson’s imaginative and colourful sci-fi-action epic had much to enjoy, notably: the performances of Milla Jovovich’s innocent alien, Bruce Willis’ cynical taxi driver and Gary Oldman’s terrific pantomime space villain. The action comes thick and fast and the production is a joy to watch. However, just over halfway through Chris Tucker’s performance of media whore Ruby Rhod takes a massive shit on the film; one it almost never recovers from. I mean, he’s loud, high-pitched, ridiculously dressed and THINKS HE’S FUNNY!  What was Besson thinking – who knows!? Even in an over-the-top-colour-clashed-sci-fi-action-romance-extravaganza Ruby Rhod was a stain and travesty of a character!

 

WHITNEY SOLLOWAY – THE AFFAIR (2014 –  )

Clearly this spoilt upper-middle-class New York teenager was intended by the writers to be a right royal pain in the arse. She throws sweet-sixteen tantrums of the highest order throughout and her nasally high-pitched voice grated me so much that I actually stopped watching the show during the second season. While the actress Julia Goldani Telles performance is excellent, the character was just too manipulative and psychotic to ever get my sympathy. Even amidst a whole host of privileged, narcissistic first-worlders Whitney Solloway took the biscuit and in the end I hated her so much I wished she’d been killed to death!

CHANCE ENCOUNTER – A STAR TREK FILM – UPDATE #2

Move over Michael Bay! Step aside JJ Abrams! Fix Films are here with the latest update for their new ultra-low-budget-sci-fi-romance film: Chance Encounter!

We have cast new great actors in Hayward B. Morse and Emily Wyatt. Plus, Gary has begun building the set out of wood and old car seats. Eat your heart out Hollywood!  Oh, you’ve done that already?!

For the latest Kickstarter update click here! Or watch the latest update on the video below!