Tag Archives: Star Trek

Presenting THE HOLY CORE (2018) – A new STAR TREK Fan Film!

THE HOLY CORE (2018) – A new STAR TREK Fan Film!

A couple of years ago I was involved in the writing and producing of a Star Trek fan film called CHANCE ENCOUNTER (2016) and it was a very satisfying project. For those of you that didn’t see it we are 51,000 views and counting. Here it is:

You can check out  the fan film website here at: http://startrekshortfilm.com/

Now, we are boldly going where we’ve actually been before and making another Star Trek fan film called THE HOLY CORE.  Please check out our Kickstarter campaign we’ve created and share and get involved here:

 

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Charlie Brooker shines darkly again! BLACK MIRROR (Season 4) – Netflix Review

BLACK MIRROR – SEASON 4 – TV / NETFLIX REVIEW

Created by: Charlie Brooker

Producer(s): Barney Reisz, Charlie Brooker, Annabel Jones

Distributors: Endemol UK – Netflix

Season 4: 6 Episodes

Writer(s): Charlie Brooker plus William Bridges (USS Callister)

Directors: Toby Haynes, Jodie Foster, John Hillcoat, Tim Van Patten, David Slade, Colm McCarthy

Cast: Jesse Plemons, Cristin Milioti, Jimmi Simpson, Michaela Coel, Billy Magnussen, Rosemarie DeWitt, Brenna Harding, Andrea Riseborough, Kiran Sonia Sawar, Andrew Gower, Georgina Campbell, Joe Cole, Maxine Peake, Douglas Hodge, Letitia Wright etc.

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Technology: the final frontier; allowing humans to boldly go where no human has gone before.  Indeed, one of the most incredible elements of our world is the technological breakthroughs we have made over the past century or so. We have: electricity, nuclear power, robots, driverless vehicles, television screens, computers, mobile phones, satellites, GPS tracking, drones, 3D printing, smart home air-conditioning, Hadron Colliders, huge space-ships which travel beyond the stars, WI-FI, the world-wide-web connecting everyone with anyone, holograms, the social media phenomenon, virtual reality head-sets, software algorithms, x-rays, gamma knifes, DNA, cloning, MRI scans, Hyperloop tube trains, Sat-Nav, Google, immersive video-games; plus many more medical, military and industrial inventions which make our lives so easy today.

But with such wonderful and fantastic discoveries there is always a dark side. While we may create a medical breakthrough which cures on the one hand we’ll ultimately invent some new weapon or means with which to kill ourselves. So while technology is mainstay of our existence it also can feed our obsessions and thus become an extension of our poor choices, violence and insanity. The scariest thing is we think technology is absolutely necessary and we cannot live without it. I mean, all we really need to survive is water, air, food, shelter and perhaps, as The Beatles sang, love. For all its’ positives, technology is an addiction and can be used to do wrong and cause harm.

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Charlie Brooker’s sublime anthology series Black Mirror is now in its 4th Season (2nd on Netflix). It taps into the fear factor technology brings and presents nightmare scenarios that more often than not possess a prescient twist. Who can forget the very first episode of BM which had Rory Kinnear’s Prime Minister having to fuck a pig as a means to pay a hostage ransom?  The subsequent tabloid news that our then former Prime Minister David Cameron had, allegedly, stuck his member in a pig’s mouth suddenly made BM incredibly prophetic. This season is another televisual triumph with an incredible array of acting, directing and production talent with each episode offering the feel and scope of a cinema release. I’ll be honest being a massive Charlie Brooker fan I would probably enjoy a video of him dancing in a tutu whilst juggling tomatoes; however, I can confirm these six episodes were beyond brilliant too.

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Within the fabric of each episode Brooker holds a mirror up to the future and invariably it will come back black. However, the touching love story of San Junipero (from Season 3) offered some light in the BM universe and similarly Hang the DJ (officially 3rd in the Season 4 list) contained a wonderful love story at its’ heart with Georgina Campbell and Joe Cole giving humorous and touching performances. It also contains a Truman Show (1998) style ending and a twist that I thought was absolutely fantastic. Indeed, what appears to reflect the dystopic controlling techno-world of romance apps becomes something entirely real and beautiful by the end.

While Hang the DJ offers hope, the remainder of the episodes are bittersweet, brutal and unforgiving in their rendering. Actually, I suppose the Star Trek pastiche USS Callister has a kind of optimistic ending and is bloody funny in its affectionate satire of Trek archetypes and monsters. However, Jesse Plemons downtrodden Silicon Valley programmer holds a dark secret during his immersive Virtual Reality gaming experiences. Full of Star Trek references and themes, the clever script merges ideas relating to gaming and DNA technology with fantastic sci-fi meta-textual moments.

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Arkangel also has an element of brain implanted software which enables a neurotic mother (Rosemarie DeWitt) to track and view her daughter’s every move on a computer screen. Despite the revolutionary software used this story is based wholly in familial reality as the relationship between mother and daughter becomes strained as she enters her rebellious teenage years. The danger of “helicopter” or overbearing parenting becomes too apparent in satisfying soap operatic story.

Brooker relates many of his scripts in genre territory so the more outlandish or fantastic ideas are grounded with an identifiable cultural identity. The horrific murder plot of Crocodile unfolds in true Hitchockian fashion as an insurance adjuster tracks down the details relating to a vehicle accident but tragically stumbles on something altogether more deadly. The ending of this story is particularly far-fetched, as Andrea Riseborough’s architect gets deeper and deeper in the mire, however, Brooker must be praised for taking risks with his twists.

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Rather simpler is the pursuit thriller Metalhead, presented in crisp black and white, as a woman (the brilliant Maxine Peake) attempts to survive in a dangerous land full of robotic guard-dogs. It’s mainly a tense one-hander and the future never looked so drained of hope and colour. The final episode Black Museum was even more grisly as Douglas Hodge shows Letitia Wright’s tourist around his grim parade of exhibits. Brooker’s writing is as strong as ever and the horrors of the entwining anthology stories are shocking and powerful. It’s a dark, dark episode which contains the fantastic idea of uploading one’s digital soul into a loved one’s to share their consciousness. This plays out with both horror and humour in a compelling end to the season.

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Being a total Charlie Brooker and Black Mirror fan; a big lover anthology stories; plus a fanatic of horror and tales with a twist it’s obvious to say I loved this seasons offerings. They are clever, dark, funny, sickening, silly, romantic, scary, twisted stories full of satire and warnings about the dangers of technological progress. Ultimately, though it is not science or computers or mechanics which are the danger; but rather humans use and abuse of said technology. Because, for all our ingenuity and invention we more often than not use machines negatively and Black Mirror reflects that (im)perfectly.

Mark: 10 out of 11

FIX FILMS PRESENT: CHANCE ENCOUNTER (2017) – A STAR TREK FAN FILM

FIX FILMS PRESENT: CHANCE ENCOUNTER (2017) – A STAR TREK FAN FILM

If you didn’t know, as well as being a wage slave and film blogger, I am also a screenwriter, producer, caterer, florist, dead body and whatever job comes up during the low budget filmmaking process.  The production company I set up over ten years ago is called Fix Films and our work can be found here.

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Myself and my filmmaking partner – director, editor, cinematographer, visual effects dude – Gary O’Brien have worked on nine previous shorts and our tenth is now being released TODAY!

It is called Chance Encounter and is a gentle and heart-warming narrative set in the Star Trek Universe.  Yeah, that’s right – Star Trek!  We had a successful Kickstarter campaign and raised the £2,000 plus-some-change budget ourselves and made the film with professional actors and crew, plus I was involved too. The original Kickstarter video can be seen here:

Having written the screenplay myself with Gary and worked on the shoot I am very proud of the film and feel our intention of respecting the sci-fi and romance genres, as well as the Star Trek universe itself has been achieved. Indeed the trailer here really captured the mood of our intentions.

This has especially been a labour of love for Gary; and his work directing, creating the sets, editing and designing all the visual effects himself is an incredible achievement on such a small budget. So well done to him for doing the screenplay justice. I also thank the brilliant cast and crew for their professionalism and efforts. We could not have done it without you.

So it is with great pleasure I present Chance Encounter (2017).    This is our short film – please watch it!

‘CHANCE ENCOUNTER’ UPDATE: #STARTREK TRAILER REVEALED

‘CHANCE ENCOUNTER’ UPDATE: STAR TREK TRAILER REVEALED

Greetings.  As you may or may not know I have been working on a Star Trek fan film with my movie-making partner Gary O’Brien.  It’s a non-profit fan production which we have made on a shoestring. Having written an original screenplay and shot the brilliant script, we have now reached the post-production stage.

This is where Gary’s editing and F/X skills now take over and I am now proud to announce the release of a website – www.startrekshortfilm.com – plus the trailer below:

We have a lot of work to go but the shoot was an absolute blast and I thank the actors and crew for their brilliant work.  Here are some stills of the production days where, amidst the hard graft, creativity and endeavour, a fantastic time was had by all.

This is our 9th short film to date – for all our productions do check out our website: www.fixfilms.com. Further updates to follow. Live long and prosper!

Star Trek and all related marks, logos and characters are solely owned by CBS Studios Inc. This fan production is not endorsed by, sponsored by, nor affiliated with CBS, Paramount Pictures, or any other Star Trek franchise, and is a non-commercial fan-made film intended for recreational use.  No commercial exhibition or distribution is permitted. No alleged independent rights will be asserted against CBS or Paramount Pictures.

UNDER-RATED FILM CLASSICS #2 – BY PAUL LAIGHT

UNDER-RATED FILM CLASSICS #2 – BY PAUL LAIGHT

Six years ago I wrote some articles for a nifty little website called Obsessed with Film.  The site was independent and would have some geeky and interesting articles on film and television.  Years later the site became the click-bait-pop-ups-from-hell-advertising-led-but-still-not-too-bad:  www.whatculture.com

Anyway, one of the articles was about some “forgotten” films or, as I shall refer to them, under-rated film classics. Basically, I listed films which I felt were deserving of further praise. The list included: Bad Santa (2003), Dog Soldiers (2002), Chopper (2000), Midnight Run (1988) and Dead Man’s Shoes (2004) among others. My rules were simple. An under-rated classic can be a film I love plus not be one of the following:

  • Must not have won an Oscar.
  • Must not have won a BAFTAS.
  • Must not appear in the AFI Top 100 list.
  • Must not appear in the IMDB Top 250 list.
  • Must not appear in the BFI 100 Great British films.
  • Must not appear in the all-time highest grossing movies of list.

So, with these criteria in mind I present a sequel to my previous article – some six years later – with another set of under-rated film classics. If you have any suggestions that fit the criteria please do let me know and I will include them on my next list.

 

3:10 TO YUMA (2007)

James Mangold’s directed Western is a rare beast: it’s a remake that’s as much a classic as the original.  Russell Crowe and Christian Bale perform brilliantly as the charismatic outlaw and proud farmer who clash on the way to the eponymous prison locomotive. Ben Foster, Logan Lerman and Peter Fonda provide excellent support too in a fantastic character-led drama full of action.

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ANOTHER YEAR (2010)

While Mike Leigh was NOMINATED for a best screenplay Oscar, this wonderful character piece is not always given the praise I think it deserves. Containing Leigh’s usual group of deftly observed human eccentrics, the story concentrates on a year in the life of middle-class couple – the Hepples. Superbly portrayed by Jim Broadbent and Ruth Sheen this lovely couple are a familial magnet to various strays including the scatty and neurotic Mary (Lesley Manville) and depressed Ken (Peter Wright). It’s an affectionate and gentle dramedy with uniformly brilliant performances from Leigh’s wonderful cast.

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BIRTH (2004)

Jonathan Glazer’s sophomore movie is often over-looked due to the coruscating power of his debut Sexy Beast (2000) and his most recent cinematic classic Under the Skin (2013). In this haunting drama a potentially disturbed ten-year-old boy (Cameron Bright) informs Nicole Kidman’s New Yorker Anna he is the reincarnated soul of her deceased husband. This fantastic curveball sends Anna’s life into an emotional spin as past and present events collide in a beautifully moving drama.

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BRONSON (2008)

Let’s be honest there’s no way career criminal Michael Peterson deserves any real attention for his anti-social and violent behaviour, however, between them Tom Hardy and Nicolas Winding Refn have created an incredible character study of a genuine nutter. It’s brave, brutal, sick, theatrical, daring, Brechtian and an occasionally hilarious profile of one of Britain’s most notorious prisoners.

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BUFFALO 66 (1998)

Vincent Gallo is either a genuine nut-job or a misunderstood genius maverick. His directorial effort The Brown Bunny (2003) was panned and on the main his acting career has remained patchy at best. However, he did write, direct and star in Buffalo 66 which is an absolutely blinding dark comedy about an ex-con who “kidnaps” Christina Ricci and forces her to be his wife so he can aspire to some sense of familial normality. It’s quirky and laugh-out-loud funny with Gallo weirdness throughout.

DARK CITY (1998)

This imaginative sci-fi noir had the misfortune of being released around the same time as The Matrix (1999). Yet while the Wachowski’s mind-bending-effects-heavy-actioner caught the eyes of the public, Alex Proyas’ more cerebral vision of the future kind of fell through the cracks of time and space. Rufus Sewell portrays an amnesiac that has no idea where he is before finding himself at the mercy of a group of people called The Strangers.  It’s a brilliant melding of film noir and science fiction and remains a rarely seen gem from the 1990s.

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GALAXY QUEST (1999)

While I enjoy the new Star Trek reboots as blockbusting if ephemeral popcorn entertainment, the best recent Trek adaptation/homage is the wonderful science-fiction comedy: Galaxy Quest.  The inventive story delights with a cracking tale of former TV stars boldly propelled into space when proper aliens, Thermians – believing they are real space heroes – ask them to defeat their vicious nemesis. With a delightful ensemble cast including:  Alan Rickman, Sigourney Weaver, Tim Allen, Tony Shalhoub and irrepressible Sam Rockwell, this is a wonderfully funny and clever film which shines an affectionate light on the Trek canon and geek fan base.

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LOCKE (2014)

So, the story is about a bloke on his phone driving up the motorway?  Not a pitch that would grab Hollywood in-a-hurry, but a story that is delivered with such hypnotic power it feels epic despite the limited setting. Ivan Locke is portrayed as a confident and determined man whose life decisions, family and work-life have triangulated simultaneously to crisis point. Tom Hardy plays Locke with incredible restraint and brooding anxiety while Steven Knight’s script is crisply written and full of suspense.

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TREMORS (1990)

I love this film. It’s a real B-movie guilty pleasure with seismic underground monsters attacking a small back water town ironically named Perfection.  The action bolts along and it wears its Jaws-in-the-dirt influences hilariously. Most of all I love the characters, notably Kevin Bacon and Fred Ward’s handyman buddies trying desperately to escape their dead end jobs. It’s a fun script with loads of action and great one-liners with Bacon himself having loads of fun without hamming it up.

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TROPIC THUNDER (2008)

Films about filmmaking aren’t always the most interesting yet Ben Stiller’s riotous satire on Hollywood and its over-inflated egos is an absolute joy. Vulgar, over-the-top, stupid, childish and loud it  delivers some incredible belly laughs from:  the hilarious trailer parodies, to Robert Downey Juniors method acting madness and unrecognizable Tom Cruise as a ludicrously crass studio boss.  The daft plot about actors getting kidnapped by a ruthless Vietnamese drug gangs provides an excellent framework for all manner of stupidity, on-the-money punchlines and explosive action.

 

CHANCE ENCOUNTER – LATEST UPDATES

CHANCE ENCOUNTER: A STAR TREK FAN PRODUCTION – LATEST UPDATES

If you didn’t know from reading my blog, as well as writing film articles and reviews for fun, I also write and produce short films.  My short film production website can be found at: www.fixfilms.com.

Our 9th and latest short film is a Star Trek fan production which contains a wholly original story; a romance full of pathos and philosophical drama. Our aim was not to copy characters and space species such as: Kirk, Picard, Spock, Riker, Romulans, the Borg, Bones and Scotty etc. but to create our own set of characters within the Universe. This is a low-budget and affectionate homage to the Star Trek universe and not an attempt to parody or take the piss basically.

Currently we are in the midst of the production and it is going really well.  So, if you’re interested please check out our latest updates below. Our thanks once again to the www.kickstarter.com folks who contributed the budget for the film.

Hope you enjoy some of the latest updates:

 

Star Trek and all related marks, logos and characters are solely owned by CBS Studios Inc. This fan production is not endorsed by, sponsored by, nor affiliated with CBS, Paramount Pictures, or any other Star Trek franchise, and is a non-commercial fan-made film intended for recreational use.  No commercial exhibition or distribution is permitted. No alleged independent rights will be asserted against CBS or Paramount Pictures.