Tag Archives: SUNNY

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1 by PAUL LAIGHT

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1 by PAUL LAIGHT

Not sure why I did this as it’s not like Netflix needs any marketing assistance from me, but I was bored so I did it anyway!  Of course there are loads of programmes and films that could make this list but here are fifteen things that are essential viewing in my opinion!  Obviously if there’s something that should be on this list then let me know.

** MAY CONTAIN SPOILERS **

AMERICAN HORROR STORY (2011 –  ) SEASONS 1 – 3

The first three seasons of this insanely delightful horror show have had me hooked from the start. Featuring a recurring ensemble cast including: Jessica Lange, Zachary Quinto, Sarah Paulson, Lily Rabe, Evan Peters and many more it mixes: ghosts, witches, serial killers, torture, sexual deviants and voodoo to grisly and hilarious effect. I can recommend it wholly to any fans of period, gothic and murder porn horror as it rips through a splattering of sick deaths, gripping drama and black comedy.

BEASTS OF NO NATION (2015)

This stunning drama leaves you battered and burnt emotionally.  It’s about a civil war in Africa and the child soldiers whom are ripped from their families and made to fight for despotic mad men. Don’t watch if you are easily upset because Cary Fukanaga’s film is a terrifying journey into the heart of darkness. A career-best performance from Idris Elba and phenomenal acting debut from Abraham Attah, as Agu, make this a stunning film. This is heart-cracking drama of the highest quality.

BETTER CALL SAUL (2015) – SEASON 1

I don’t usually like prequels as the drama is generally undercut by knowledge of what has gone before but – pre-Breaking Bad – Jimmy McGill’s story (and Mike’s) was funny, dramatic and actually quite touching. It’s a really compelling plot that takes some unexpected twists throughout and contains some damn fine acting. Bob Odenkirk as our charismatic and occasionally heroic anti-hero is a joy and I look forward to watching Season 2 which has just begun streaming on Netflix now.


BREAKING BAD (2008 – 2013)

This show deserves all the hype and accolades as a contemporary crime thriller, family drama and character study par excellence.  It’s the story of a “good” man and teacher, Walter White, who having sadly been diagnosed with cancer sets about funding a nest egg for his family in the future. This involves, rather incredibly, using his chemistry know-how to make the most powerful methamphetamine in the United States. With his streetwise sidekick Jesse Pinkman (the bitchin’ Aaron Paul) Walter begins a dramatic, murderous and dark journey; becoming a tour de force criminal going by the nom de plume of Heisenberg. Vince Gilligan and his team write and produce a modern classic which has so many great characters that are good, ugly and breaking bad!

DAREDEVIL (2015) – SEASON 1

This brilliant TV show concerns Matt Murdock (Charlie Cox) as blind lawyer by day and “super-hero” by night fighting to clean up Hell’s Kitchen in New York. It’s early in his crime-fighting career and as an origins story it’s very well written; with a gritty noir shot-in-the-shadows style. The action, fighting and most importantly character development of both Murdock and Wilson ‘Kingpin’ Fisk (played deliciously by Vincent D’Onofrio) is exceptional as we receive a slow bleed and blending of their stories until they meet at the end. You get the standard stereotypes often found in superhero films but overall it transcends the generic components to become compelling viewing.

DOCTOR STRANGELOVE (1964)

Stanley Kubrik is the greatest filmmaker of ALL time; and it’s my humble opinion that every single one of his films is a masterpiece. His darkly comical satire about the threat of nuclear war is not only a damning indictment of the stupidity of man and his lust for war; but also an ingenious series of sketches that creates humour from the most darkest of threats. A stellar story and cast, including the unique talents of Peter Sellers (playing three characters), finds paranoid Sterling Hayden’s Brigadier General Jack D. Ripper inducing a nuclear attack on Russia and his superiors blustered attempts to stop World War III.  Funny, unsettling and unflinching in its satirical critique of the military and those in government, this is a comical tour-de-force from a genius director.

DOCTOR WHO (2005 – )

If you love fantastical programmes about intrepid time travellers who battle with vicious alien foes across space and time then do check out the rebooted jewel in the BBC’s crown which recently hit a 50th year anniversary. The Doctor is the original Guardian of the Galaxy who travels into our homes via the TARDIS like a sci-fi James Bond but without the misogyny and faint whiff of STDs. Eight seasons exist on Netflix starring the Christopher Eccleston, David Tennant, Matt Smith and Peter Capaldi incarnations of the Doctor.  My favourite episodes can be found here at this link. Hours of dynamic, silly, scary, sci-fi action and drama are to be found; in the show, not my article, that is!


FRANK (2014)

I used to listen to Frank Sidebottom (AKA Chris Sievey) on the John Peel sessions when I was a teenager and while baffled by this strange entertainer, I always enjoyed the alternative humour of his music. I was also intrigued by the fact this eccentric Northerner was pictured in the NME wearing a papier mache head. I was concerned this could be a weird for weird sake story, however, Lenny Abrahamson, has crafted – from a script by Jon Ronson and Peter Straughan – a tremendously odd yet moving character study. The story focusses on Jon (Domnhall Gleeson) and his encounters with Frank’s experimental rock band as scene after scene of weird and wonderful events occur throughout, leading to a very poignant reveal when Frank’s (majestic Michael Fassbender) mask finally comes off.


IT’S ALWAYS SUNNY IN PHILADELPHIA (2005 – )

This riotous comedy has the most unlikeable, unattractive, insane, narcissistic characters that do all manner of god-awful things to themselves, each other and total strangers. It is frantic, sick, irreverent, disgusting, manic, hyper-real, cartoon-like, politically-incorrect, satirical and incredibly hilarious. Indeed, It’s Always Sunny in Philadelphia is the closest you would get to a live-action version of South Park. Set in the dismal Paddy’s pub in Philadelphia it initially concerned four (in Season 1) then five (when Danny DeVito joined) individuals who are complete fuck-ups and whose main existence generally aims to scheme and out-do the others. This is now one of my favourite comedies EVER!  If you haven’t ever seen this show then you should. Check out my favourite episodes here:


LOST SOUL: RICHARD STANLEY’S ISLAND OF DR MOREAU (2014)

I love films about filmmaking and I also love films about filmmaking which go spectacularly wrong. This documentary charts the journey of director Richard Stanley and his attempts to bring classic novel The Island of Dr Moreau to the silver screen. With a massive budget and filming taking place in Australia it all starts to go wrong for Stanley as tropical storms hit the set and the money men at the studio lose confidence. Add the crazy Marlon Brando, difficult Val Kilmer and hedonistic extras to the mix and you get a box office turkey burning in front of your eyes. Both funny and tragic it reveals the folly of filmmaking yet sadly also seemed to finish Stanley’s promising directorial career.

MAKING A MURDERER (2015)

Making a Murderer is a ten-part documentary which concerns a number of high-profile court cases which took place in Manitowoc County, Wisconsin. The filmmakers Laura Ricciardi and Moira Demos deserve incredible praise for their painstaking work in bringing the cases of Steven Avery and Brendan Dassey to the screen because based on their film an incredible miscarriage of justice may have occurred. It is as thrilling and suspenseful as the behaviour of law enforcement is called into question time and time again and the documentary stands as both an indictment on the United States legal system as well as being a gripping thriller. I won’t say anymore for fear of spoilers but WATCH THIS SHOW for an incredibly designed “TRUE” story. It has to be seen to be believed, and whether the defendants are guilty or not, this saga re-writes the meaning of “beyond a reasonable doubt.”

THE MIGHTY BOOSH (2003 – 2007)

“Come with us now through a journey of time and space!” so uttered Julian Barratt as he welcomed us to the weird and wonderfully surreal world of the Boosh. I still love this ingenious comedy which over a mere twenty episodes introduced us to: Howard Moon, Vince Noir, Naboo, Bollo the Ape, the Ape of Death, Charlie the Bubble Gum monster, Dixon Bainbridge, Old Gregg with the mangina, Tommy Nookah, the Cockney Hitcher, irrepressible Bob Fossil and all manner of other crazy nut-jobs. Julian Barratt and Noel Fielding created and performed one of the most imaginative shows I have ever seen with a rocking soundtrack too. It’s wild, funky, mind-bending, melodious, colourful and just downright ruddy marvellous.

THE OFFICE (2001 – 2003)

I would’ve included the US version of the Office too must that mysteriously disappeared a year or so ago from Netflix.  Still, the UK version remains one of the funniest sitcoms ever and fully launched the careers of creators Ricky Gervais and Stephen Merchant; as well as the acting talents of Martin Freeman, Lucy Davis, Mackenzie Crook and Ralph Ineson. Centred on the mockumentary stylings of a day-to-day Slough office we find deluded fool David Brent (perfect Gervais) and his woeful attempts to motivate and manage his staff. Rich in ridiculous, awkward and embarrassing comedic situations it also contains some wonderful moments of pathos and romance.  The Office remains a genuine comedy classic and twelve episodes and two specials are always worth revisiting.

PEAKY BLINDERS (2013 – )

I missed two seasons of this gritty and violent period drama first time round on BBC but was grateful to catch up with it on Netflix. It’s a terrific post first World War story with a grand lead performance from Cillian Murphy plus awesome supporting cast including Sam Neill, Helen McCrory, Tom Hardy, and Paul Anderson. Murphy portrays the leader of a Birmingham gang who fight and scrap and slice in an attempt to become legitimate bookmakers. Steven Knight, who wrote and directed the superb Locke (2014), carves out a cracking tale involving coppers, whores, gypsies, bookies, the IRA, Communists and ex-soldiers fighting against a backdrop of political revolution and class warfare.

THE WOLF OF WALL STREET (2014)

DiCaprio is amazing in this memoir of disgraced human scum Jordan Belfort – a drug-addicted-sex-addicted-thieving-stockbroker-hedonist. The Wolf of Wall Street follows the same rise-and-fall structure of mafia classic Goodfellas (1990) as DiCaprio’s Belfort sells his soul to power up through the snakes and ladders of Wall Street. This is NOT a heavy analysis of socio-economic morality and values but rather a bullet-paced black comedy filled with cracking scenes and razor-sharp one-liners delivered by a stellar cast. I felt DiCaprio deserved an Oscar but the Belfort character has already had enough success in his lifetime and threw it all away because of greed. Surely awarding an Oscar to such a heinous character would be TOO MUCH wouldn’t it?  But as this film demonstrates TOO MUCH is never enough!

 

 

 

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IT’S ALWAYS SUNNY IN PHILADELPHIA: A RETROSPECTIVE by PAUL LAIGHT

IT’S ALWAYS SUNNY IN PHILADELPHIA: A RETROSPECTIVE by PAUL LAIGHT

Hey-Oooo! Bitches!  With Season 10 of It’s Always Sunny In Philadelphia now catapulted from FFX onto Netflix I thought I’d look back at the previous nine seasons and pick out my favourite episodes of the series.  Thus, I have picked out ONE from each season PLUS a “Wildcard” too.

How would I describe the show to someone who has never seen it before:  imagine Friends but the polar opposite.  It has the most unlikeable, unattractive, insane, narcissistic characters who do all manner of god-awful things to themselves, each other and total strangers. If you haven’t ever seen this show then you should . It is frantic, sick, irreverent, disgusting, manic, hyper-real, cartoon-like, politically-incorrect, satirical and incredibly hilarious. Indeed, It’s Always Sunny In Philadelphia is arguably the closest you would get to a live-action version of South Park.

Set in the dismal Paddy’s pub in Philadelphia it initially concerned four (in Season 1) then five (when Danny DeVito joined) individuals who are each in their own way complete fuck-ups and whose main existence generally aims to scheme and out-do the others for personal gain or egotistic one-up-man-woman-ship.

THE CHARACTERS

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RONALD “MAC” MCDONALD (ROB MCELHENNEY)

Mac is a delusional tough guy, bouncer and devout Catholic who thinks he’s hard but ultimately is a moral and physical coward. Occasionally he’ll come up with some words of wisdom but on the whole he is a brainless yo-yo obsessed with remaking Lethal Weapon.


DENNIS REYNOLDS (GLENN HOWERTON)

Dennis is the group’s amoral Ted Bundy figure: a vain, arrogant, would-be-handsome-if-he-wasn’t-so-psychotic-lady-killer. While not actually a murderer he is a low-life scumbag and arguably is the stupidest of the group because he thinks HE is the most intelligent.

CHARLIE KELLY (CHARLIE DAY)

Charlie is an idiot savant with the onus on the idiot part of that; notably in his stalking of “The Waitress”.  He is the most innocent and does all the dirty “Charlie Work” in the bar like unblocking toilets and killing rats. He is also the most unpredictable sniffing glue and dressing up as alter-ego Green Man!


DEANDRA “SWEET DEE” REYNOLDS (KAITLIN OLSON)

Dee is a failed actress and stand-up comedian and often ridiculed by the others for “big-bird” looks, lack of talent and her boyfriend choices.  Thus, she will often over-compensate and compete with the guys, especially her twin-brother Dennis, in an attempt to prove herself.  Her plans mostly end in humiliating failure and loss of dignity.


FRANK REYNOLDS (DANNY DEVITO)

Frank is Dennis and Dee’s father – or is he? – and joined the group in the 2nd series when he bought into Paddy’s Bar because the gang were broke AGAIN!   Frank’s great at making money  but eschews the corporate world  to live like a feral tramp at Charlie’s place revelling in the insanity of his new-found freedom

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THE EPISODES

**SOME SWEET SPOILERS BITCHES!!**

 

SERIES ONE – CHARLIE WANTS AN ABORTION

This was hilarious for a number of reasons as several storylines converge revealing the desperate lengths the gang will go to achieve their low-level goals. Charlie uses his “long-lost son” as a emotional bargaining chip to get closer to his obsessive love-target:  The Waitress. Meanwhile, Mac and Dennis use Pro-life/Anti-abortion rallies to try and score with women. Safe to say all of their plans blow-up in their respective faces.

 

SERIES TWO – MAC BANGS DENNIS’ MUM

In this wonderfully plotted episode the Gang basically does a low-rent version of La Ronde.  Precipitated by Mac sleeping with Dennis’ mum (Anne Archer) a series of sexual revenge schemes backfire with sick hilarity.  For once Charlie ALMOST gets the upper hand until the horrific pay-off; while the highlight is — much to his amazement — Dennis being turned down by Mac AND Charlie’s mum when he attempts to have revenge sex with them.

 

SERIES THREE – SWEET DEE’S DATING A RETARDED PERSON

This is awesome because we get a peak at Charlie’s  crazy musical ‘talent’.  Plus, Dennis sends Dee into a spin by casting aspersions on her new rapper boyfriend — a dopey version of Eminem — by saying he is mentally backward.  The episode stands out for the awesome song Dayman — based on a dream — which Charlie wrote while sniffing spray paint. Later, Charlie and Dennis getting heckled off stage when performing it live is a particular highlight. Personally, I think the song rocks!

SERIES FOUR – WHO POOPED THE BED

The gang does Agatha Christie-meets-Sex-in-The-City style in this well structured yet disgusting episode. Indeed, Dee tries to become more classy with her girlfriends and the others attempt to discover who pooped Frank and Charlie’s bed.  The two stories intertwine as Dee’s theatrical friend Artemis eventually ditches Dee finding the “poodunnit” more interesting.  Highlights include: The Waitress falling off the wagon and laying violently into Dee plus Artemis’ final Poirot-esque summation in determining the suspect. An episode that’s full of crap — but in a fun way!

 

SERIES FIVE – THE DENNIS SYSTEM

Dennis just goes full “Ted Bundy” in this one with a breakdown of the system he uses to score with women.  It is a disgusting litany of dehumanizing manoeuvres which sums up Dennis’ scummy character and satirises brilliantly the sexist masculine “pick-up” industry.  Moreover, it is just hilarious as the gang both ignore AND follow his “expert” advice with a succession of dreadful dating endeavours.  As a fan of Acronyms I also admire the malice aforethought and linguistic logic of the system too.

SERIES SIX – THE GANG BUYS A BOAT

Often the episodes will find the gang will do something mildly normal — like buy a boat —  but their various actions will splinter into events which completely undermine the plan. Indeed, in this episode Dennis suffers his usual delusion of grandeur, with Mac in tow, believing owning a boat will help him achieve greater social status. Meanwhile, Charlie, Frank and Dee attempt to clean the boat but ultimately work against each other culminating an explosive end result.

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SERIES SEVEN – FRANK REYNOLDS LITTLE BEAUTIES

Frank’s energy for money-making schemes knows no bounds but it backfires when he decides to put on a beauty pageant for kids without realising the pitfalls surrounding such events.  Thus, Frank spends the whole episode keen to point out he’s NOT a paedophile and with face-paint troughed on by a funeral make-up artist he resembles the living dead.  At the same time Dee and the others attempt to live vicariously through the kids to make up for their own personal show business failures.

IT'S ALWAYS SUNNY IN PHILADELPHIA: Danny Devito in IT'S ALWAYS SUNNY IN PHILADELPHIA airing Thursday, September 29 at 10pm e/p. . CR: Patrick McElhenney / FX

SERIES EIGHT – THE GANG GETS ANALYZED

Even though the Gang generally screw each over with their many schemes much joy can be found with their altercations with a variety of third parties notably:  Lawyers, Government officials, Doctors, Police, Health and Safety Officers and the general public.  In this one they visit a Dee’s Therapist  and end up being individually assessed as the group has broken down over who should be doing the washing-up.  Charlie and Frank’s analyses are off-the-chart funny but I loved that Dennis, believing himself to be an equal with the Therapist, is proved to be just as nuts as everyone else.

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SERIES NINE – THE GANG BROKE DEE

Dee’s failure as a performer due to suffering stage-fright is a delight because having done a bit of comedy myself it’s great seeing someone else crash and burn at that artistic endeavour.  In this episode she gives up completely on life and her act. Then, incredibly she has a major breakthrough as a comedian and the episode delights in sending up the nature of stand-up and how you climb the ladder. The final twist in the tale is also a joy and sums up the lack of compassion the group have toward Dee.

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WILDCARD – SERIES FOUR – E13 – THE NIGHTMAN COMETH

In tribute to the “Wildcard” Charlie I’ve picked this episode as a little addition because it is packed with ridiculous music and humour.  The gang put on a rock opera/musical for no reason at a proper theatre to boot!  To say it is bizaare is an understatement and the joy in seeing them perform a series of weird songs in amongst the insane story is a treat.  Charlie parodying the stressed director/artist is hilarious as he takes it all far too seriously. Let’s just say Stephen Sondheim need never lose sleep.  Unless he’s dead:  is Sondheim dead?