Tag Archives: the winter soldier

CLASSIC MOVIE SCENES #5 – CAPTAIN AMERICA: WINTER SOLDIER (2014) – “THE ELEVATOR SCENE”

CLASSIC MOVIE SCENES #5 – CAPTAIN AMERICA: WINTER SOLDIER (2014) – “THE ELEVATOR SCENE”

Directed by: Anthony Russo, Joe Russo

Produced by: Kevin Feige

Screenplay by: Christopher Markus, Stephen McFeely

Based on: Captain America: by Joe Simon , Jack Kirby

Starring: Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie

Cinematography: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

**CONTAINS SPOILERS”

In my original review of Captain America: Winter Soldier (2014) – which can be found here – I described the film as: “. . . neat socio-political commentary – full of the rip-roaring action.” In fact I think it is still my favourite Marvel film of the lot due to the fantastic conspiracy driven plot allied with some incredible stunts and action. Moreover, Steve Rogers’ relationship with Bucky Barnes is also further developed and thoroughly tested in an emotionally effective fraternal friendship breakdown.

The film has many standout scenes but one is more memorable than others in my view. It’s the scene in the elevator where Rogers finds himself being turned on by those he believed he could trust at Shield. It doesn’t intrinsically, until the culmination of the set-piece, involve massive explosions and CGI-driven action. Indeed, the “elevator/lift scene” is a wonderfully executed fight scene which makes use of its limited space to place our protagonist in an almighty bind.

Rogers enters the lift and immediately begins to feel something could be afoot. As more and more – what we eventually learn to be – Hydra henchmen enter the lift the editing builds fantastic suspense. Various shots build anticipation: looks from Rogers; a bead of sweat running down a man-in-black’s back; plus hushed conversation from an “office worker” in the lift. Then just before the fight ensues Rogers utters a great one-liner to set it all up: “Before we get started – does anyone want to get out!”

It’s already a classic scene before the brutal hand-to-hand combat kicks off and encapsulates the mix of paranoia and adrenalized action present within the whole movie. Watch it here:

 

 

 

 

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FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014 by PAUL LAIGHT

FIFTEEN MEMORABLE MOVIE MOMENTS FROM 2014

BY

PAUL LAIGHT

In no particular order here are FIFTEEN moments, actors, scenes, characters, set-pieces, dialogue etc. which stuck in my noggin during the year of 2014.

SET-PIECE OF 2014 – QUIKSILVER SCENE IN FORT KNOX DAYS OF FUTURE PAST (2014)

VISION – JONATHAN GLAZER – UNDER THE SKIN (2013)

Glazer showed that with a low budget, vision and  powerful concept you could genuinely move, surprise, creep and capture the imagination of an audience.  Sparse and enigmatic this film was my best of the year while scene on the beach was one of the most harrowing I ever seen. I hope this filmmaker doesn’t leave such a gap following the under-rated Birth (2004) ten years prior.


VILLAIN – MARTON CSOKAS – THE EQUALIZER (2014)

This okay-Denzil Washington-violent-80s-remake was lifted above the parapet by a stunning turn by Marton Csokas as the main evil Russian stereotype.  I had a lot of fun with his actoring as he  scoffed not just the furniture but the upholstery as well.

KICKING ASS – EMILY BLUNT – EDGE OF TOMORROW (2014)

Doug Liman’s very entertaining sci-fi movie turned the gender tables with Blunt playing the action hero. Of course, the universe could not sustain such a polarity and in the final act Cruise’s initial anti-heroism was blown away. But it was good while it lasted!

FUNNIEST USE OF AIR BAGS – BAD NEIGHBOURS (2014)


BEST FIGHT SCENE IN A LIFT – CAPTAIN AMERICA: TWS (2014)


WORST BEST MAN’S SPEECH EVER – TRUE DETECTIVE (2014)

Take it away Nic Pizzolatto and McConaughey in the best monologue of the year.

 HAIR – AMERICAN HUSTLE (2013)

A funny and suspenseful character-led con story found Bale, Lawrence, Cooper and Adams chewing up the scenery. However, their scenes were quite often stolen by their hairstyles and toupees.

STYLE – INSIDE LLEWYN DAVIS (2013)

Not much happened in this story of a failed folk musician grieving for a lost friend. But the whole design, look, colour, cinematography, music, period setting and cast made it an utter joy from start to end.

AWE-INSPIRING VISUALS – INTERSTELLAR (2014)

I have only seen this film once but had very big problems with the script but there is no taking away the incredible visuals on show. It was the storytelling and what the humans were saying I took issue with.

DEPICTION OF ADDICTION – THORIN OAKENSHIELD
THE HOBBIT: BATTLE OF THE 5 ARMIES (2014)

Peter Jackson dug into his box of magic tricks to pull off ANOTHER Tolkien-inspired series of battles. But it was Thorin’s battle with his addiction to gold which I connected with most.

BEST WAR – DAWN OF THE PLANET OF THE APES (2014)

Arguably one of the most enduring images of the year was Koba riding into battle with fire burning behind him capturing the passion and anger of the character and intensity of battle raging at the time.

Dawn-of-the-Planet-of-the-Apes-2

 ONE TAKE – TRUE DETECTIVE (2014)

MOST COMPELLING CHARACTER
LOU BLOOM/JAKE GYLLENTHAL – NIGHTCRAWLER (2014)

DRUGS – WOLF OF WALL STREET (2014)

MY EIGHT FAVOURITEST FILMS OF 2014 BY PAUL LAIGHT

MY EIGHT FAVOURITEST CINEMA FILMS OF 2014

BY

PAUL LAIGHT

In 2014 I set myself a project which was to write a review for every film I saw at the cinema and post on my blog.  I viewed TWENTY-EIGHT films at the cinema in 2014 and pretty much achieved my writing goal aside from one anomaly which is in hand.

Why EIGHT you may ask?  Well, I wanted to put a bit of pressure on myself to really nail these choices and TOP TEN’S are a bit obvious too.  Of course there are loads of films I DID NOT see plus many, many more films I did see on DVD, Netflix and Sky but you can only judge a films’ true qualities by watching it on the big screen.

So, these are my TOP EIGHT FAVOURITEST CINEMA FILMS OF 2014. They are maybe not necessarily the most-awards-friendly-critically- acclaimed films hence but they are the ones which completely blew me away when I saw them.  They are ALL films I saw at the cinema BUT for one which is a TV movie.  If you’ve seen it you’ll know why it’s on the list.

For the record the list will include:  the film title; link to original review; quote from post; and a clip.

**MASSIVE SPOILERS**

  1. UNDER THE SKIN (2013) – Director: JONATHAN GLAZER

UNIQUE filmmaking comes along every so often into the Multiplexes. This is cinematic Art of the highest quality, a sheer visual treat and an unnerving and very memorable experience…

..like all great art it stayed with me and I could not get it out of my mind. And I still can’t. It’s not a super-hero film. It’s not a date movie. It’s not a 3-D CGI sick-fest. It’s pure, pulsing, hypnotic cinema of the highest quality…”

2.  TRUE DETECTIVE (2014) – Creator: NIC PIZZOLATTO – Director: CARY FUKUNAGA

**Yes I know this wasn’t on the cinema but it should’ve been!**

“Writer Nic Pizzolatto delivers a corrupt vision of humanity,
Amidst the Cajun swamps we’re in David Fincher territory,
Standard cop stuff like the Chief screaming “you’re off the case!”,
Is deftly masked by Cary Fukunaga’s directorial style and pace,

McConaughey’s Rust Cohle is post-modern Sherlock,
He will never cease until the mystery is unlocked,
Allied with Harrelson’s Watson the two just won’t stop,
Title may say True Detective but it should be Existential Cop!”

3.  NIGHTCRAWLER (2014) – Director: DAN GILROY

“Bloom was a ghost; a shell of a man with little in the way of backstory and yet through his actions we absorb the horror of his character. I was drawn in so much by Gyllenthaal’s magnetic performance as well as a fine supporting cast… Through Bloom the parasitic press and public are shown to both be vampires draining the life out of humanity. WE ARE ALL MONSTERS AT HEART!”

4.   CAPTAIN AMERICA – THE WINTER SOLDIER (2014) – Directors: RUSSO BROTHERS

“Captain America: TWS delivers in a way The Avengers did. Although it’s a darker, grounded and more complex film as the screenplay transplants the story of conspiracy thriller Three Days of the Condor (1975) into the Marvel Universe… links well the past and present; soldiers attempting to come to terms with post-war issues; Roger’s regret over historical events and a touching Benjamin Buttonesque scene with a character from the first movie. Moreover, there’s also some neat socio-political commentary in their too with references to shadowy NSA operations and Government kill lists.  Of course none of this gets in the way of the rip-roaring action.”

5.   WOLF OF WALL STREET (2013) – Director: MARTIN SCORCESE

“Martin Scorcese is one of the greatest living filmmakers still working today and The Wolf of Wall Street feels like a greatest hits package combining all of the finer ingredients from his other films.  You’ve got the classic swooning camera moves;  the direct address to camera; cat-and-dog couples fighting as seen in Casino and Goodfellas; the boat-in-peril sequence as seen in Cape Fear; the multi-character voiceovers;  the dumb criminals putting themselves in the shit;   characters turning on each other and ratting each other out as seen most recently in The Departed; plus many more.” 

6.  GUARDIANS OF THE GALAXY (2014) – Director: JAMES GUNN

“I loved this film for so many reasons.  It’s a nostalgic rush and push of music, action, fantastical creatures, space operatics, zinging one-liners, knowing humour, spectacular effects and in Chris Pratt — a new cinema star (lord) for the millennium is born.  Let’s be honest there isn’t an original bone in its body but the fleshy pastiche and meaty cultural references Guardians of the Galaxy wears proudly on its sleeves take the audience on one hell of a journey”

7.   DAWN OF THE PLANET OF THE APES (2014) – Director: MATT REEVES

“… the original book and 1968 film and gave us some serious action and brain-food encompassing themes and historical events such as: Darwinism; dystopic future visions; civil and social unrest; slavery; man’s inhumanity to animals; medical experimentation; the Vietnam and Cold war; civilisation versus savagery; anthropology; Frankenstein myth; space and time travel; and many other socio-political and science fictional motifs.  Overall, the Apes series is a conceptual and cultural phenomenon and Dawn of the Planet is a wonderful addition to the series.”

8.   THE IMITATION GAME (2014) – Director: MORTEN TYLDUM

“There is so much heartache in the character of Turing.  The flashbacks to Turing’s school years when he was bullied and suffered personal loss garners further pathos. Moreover, the “peas and carrots” scene alludes to the possibility of Turing having Asperger’s or similar high-functioning autism.  And in Benedict Cumberbatch we have an actor who imbues Turing with a grandiose pain which I found genuinely moving. Here’s is an actor — who while cornering the market on misfit geniuses — once again shows terrific range and surely he will be nominated come Awards ceremony time.”